Jump to content

Noctilux: Suitable center filter for combating vignetting?


yong_shin1

Recommended Posts

I think 50mm perspective @ f1.0 DOF is a unique combination. With this combination, one can effectively isolate the subject against background. You also get that special look (pleasing distortion, one might say) only Nocs at f1.0 can provide. B/W is fine but when using color, light falloff can really drive people away. Nowadays you can do this kind of effect using Photoshop but I am too lazy to do that kind of work. I'd rather go with neck strain and shallower pocket.
Link to comment
Share on other sites

Yong wrote

"B/W is fine but when using color, light falloff can really drive people away."

 

I had not heard about that film distinction before. Could you explain more about why you feel that way? F/1.0 environments are often accompanied by extreme lighting which downplays the 1.0 vignetting no matter what film is used. I do know that some Nocti users mount NDx filters and use slow film for daylight 1.0 shots. I have seen some color examples of these photos and they don't look bad to me.....but maybe you have the wrong lens for your preferences?

 

Maybe the answer for you is to try a 75 Lux @ f/1.4. At this aperture the depth of field is narrow like the Nocti and the vignetting is better controlled. Both lenses were design by Mandler and are well regarded for bo-ke and gentle OOF transitions.

Link to comment
Share on other sites

Doug: I am no expert in this field but what I know about color film is that its exposure latitude is much smaller, something like 3 to 5 stops in case of ASA 64~100. For BW it is more like 5 and up, and for films like TX, it is 7+. So, photos taken with low to medium speed color films @ f1.0, have very dark edges to the point where you can almost see a circle encased by the 24mm x 36mm frame. I guess what I am saying is that the effect is much more pronounced in color photography. Some use that effect to their advantage in aiding isolating the main features in their photos on top of utilizing the DOF.

 

What I am hoping to achieve is:

1. Wider coverage using 50mm. Longer lenses cut more atmospheres surrounding the main subject.

2. Scene with enough (or ample) light but I want to use f1.0 for that distortions (coma, spherical, etc.) peculiar to Nocs.

3. To use low to medium speed color film. So people are not distracted by film grains AND by edge darkening.

4. And, the very shallow DOF.

 

You know film grain is more pronounced when exposure is not correct. In this case 'under' exposure in corners. Finer grains also help discern fine gradation of colors (or distortions?). 'Strange,' one might say but I am in love with Noctiluxlry distortion.

 

I hope I am making sense here. By the way, I am no mechanisexual.

 

Thanks.

Link to comment
Share on other sites

Yong, here is the closest thing I could find at a decent price. A 62mm 2x ND center filter, so you would also need to purchase a 60mm to 62mm step-up ring for the Nocti. They should have that at B&H also for a few $ more.

 

http://www.bhphotovideo.com/bh1.sph/FrameWork.class?FNC=ProductActivator__Aproductlist_html___102139___MACNDMC62___REG___CatID=262___SID=F38BB846FA2

Link to comment
Share on other sites

Color slide film has a 5 stop range, not a three stop range. While black-and- white and color negative <B>films</B> have greater range, once you print that range drops to about 6 stops (excluding tonality without detail). Reproduced in a magazine or brochure the contrast range for both (once again excluding areas without detail) drops to 4 stops.<P>You are making sense by the way. You are breaking "the rules' but you have a clear grasp of which rules you are breaking and why. I think the results of yor experiment should be very interesting.
Link to comment
Share on other sites

The Noctilux has a deeply recessed front element to help contol some nasty abberations caused by skew rays. This literally functions like a too small lens hood. So the only way you are going to even out the frame illumination wide open is to fit a lens cap.

 

I agree that with color neg films the grain size is annoying in the under exposed areas. If the scene contrast range is not too high, try over exposing by a full stop to lessen the grain in underexposed areas.

 

What do I do? When I shoot colour wide open, I use slide film.

Link to comment
Share on other sites

Thank you very much for all the kind advices and especially to Doug who went his way out to find suitable center filters for me and apparently for others as well. One caveat emptor. With a center filter, hood might not fit or extentable.

 

This might sound like a bumer but I am out of Noctilux at the moment. I had two samples in the past and the both had hics of some sort. One had very uneven focusing stiffness and the other a finger print on a surface of one of the internal elements (don't know how it got there. bad resale value). So I traded them for other equipement. Now, I am looking for a Noctilux owner who is interested in a trade. Or another thread with 'WTT' heading might be in order.

Link to comment
Share on other sites

Yong wrote about using a 60-62 step up ring and 62mm center filter:

"One caveat emptor. With a center filter, hood might not fit or extentable"

 

I'm glad I could help out Yong and John with the earlier post citing the affordable center filter at B&H. BTW, I have used a 62mm B&W filter, with a step up ring, on my late model Noctilux and the hood did extend out over the filter just fine.

Link to comment
Share on other sites

Create an account or sign in to comment

You need to be a member in order to leave a comment

Create an account

Sign up for a new account in our community. It's easy!

Register a new account

Sign in

Already have an account? Sign in here.

Sign In Now
×
×
  • Create New...