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70-210 F4 Macro or 70-210 F3.5-4.5


fred_rice

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You really can't go wrong either. What it really comes down to is size. The f/4 version is long (about the same lenght as a stardart zoom lens zoomed all the way out) but with a solid all metal construction. The f/3.5-4.5 is a standard compact zoom. I had the same lens question a while back but ended up going for the f/4 version. It's very sharp and very well made.

 

The price difference between the 70-210 (both version) and the 100-300 APO lens is a pretty good one. And although you may think that extra 90mm of reach on the 100-300 sounds like alot it's really not.

 

Good luck!

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I own both lenses. The 70-210/4 is sharper (and has far better

bokeh = background blur) at the short end. The 70-210/3.5-4.5 is

sharper at the long end, in fact as f/8 sharper than the 80-200/2.8 G

according to Photodo.com MTF tests. I use the 70-210/4 for portraits

and the other one for travel. But since your 24-85 takes size 62

filters, you might consider the Tamron 70-300/4-5.6 LD 1:2 macro

to avoid buying a second set of filters.

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Hi, I would recommend a 70-210 F4 Macro anytime of the day. I had all three lenses 70-210 F3.5-4.5 / F4 and the 100-300. In the end, I chose to keep the 70-210 F4 as it is the sharpest amongst all with great colour contrast. Personally, I find 70-210 F/3.5-4.5 and the 100-300 too light for my comfort. The body is already so light, coupled with a light lens, the stability is not that anymore as it will incur some form of handshake. I did not have handshake problem with my 70-210 F4, 28-135 f/4-4.5 and my 28-85 f/3.5 - 4.5 though, partially due to the weight of the lens. I will rather choose a heavy lens anytime.
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<I>Is the Minolta 100- 300 any good?</I><P>

 

Realize that there are at least two optically different versions--the original, non-APO and the newer APO. The latter is supposed to be very good, almost as good as the Sigma and Tokina 100-300 constant-aperture f/4's, which are considerably bigger, heavier, and more expensive.<P>

 

As for which 70-210, there are of course three (the third being the universally low-rated f/4.5-5.6). Personally I have the f/4 and like it a lot. The comment about bokeh is right on. I use this lens for portraits, typically in the range of wide open (f/4), f/4.5, or f/5.6, at 70mm or around 135mm. I like the results a lot. I can't comment on the f/3.5-4.5, except to say that it is a lot smaller and lighter (which you may, or may not, want, depending on what you want to do).

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I appreciate all of your comments. I'm still sorta up in the air right now. I think if $$$ wasn't the object, I'd get the 100-300 APO. It appears the 70-210 F4 is more suited to portraits than for what I'm looking for - panning Auto racing shots and basic scenery telephoto. Plus I like the appeal of the lighter 70-210 3.5-4.5. Maybe if KEH gets a lower priced 100-300 APO? Again thanks all & I'd still appreciate other personal choices, Regards
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100-300, APO version is a great lens. It is very lightweight and compact, lots of polycarbonate, but surprisingly survived rough handling on my last trip. Also sharp, and has generally pleasing bokeh (except some slight tendency to produse 'COMA-tose' out-of focus image when wide open on the short end). Focusing is slow, though.

 

Even cheap 70-210 4.5/5.6 is not bad either. Some aberrations are evident, but they do not look nearly as distracting as those on low-end Sigmas. And 70-210 3.5/4.5 seems to be just a version of this lens with larger and better corrected front element.

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I am not a big fan of the 100-300/APO. Contrast is good, but sharpness is nothing special. The biggest advantage is the build quality (very good zooming an manual focussing). Also it is rather slow (5,6 starts somewhere at 150mm)and expensive, even used, and in my eyes does not justify the price difference. I had the 70-210/4 in MD (same optics), and it is a nice lense, but big, and really good only at 70-150mm. The 70-210/3.5-4,5 might be more versatile in general, and it has good colour contrast (the f/4 suffers from some colour abberations), and is the best of the bunch at 210mm. The 70-210/4,5-5,6 is indeed a very, very nice lens when you close the aperture to about 8-11, so it is manly useful when you do flash photography (with a strong flash) or work with a tripod (which I think to be a must with tele zooms).

 

Regards

 

Georg

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I have 70-210/3.5-4.5 and also 70-210/4. I have also read some of very serious reviews about 100-300/4.5-5.6.

 

 

To start with, I bought 70-210/3.5-4.5 many many years back with Minolta 7000 and later 7000i. It is a very compact and the images are very sharp. Here is one sample

http://www.pbase.com/c_wong/image/3302482.jpg

 

The 70-210/4 is compact and heavy glass which I seldom used until early this year I carried it with 24-50/4 for a trip. It is even sharper and the images are outstanding. I also tried a few macro shootout and here comes one

http://www.pbase.com/herbridgemo/image/31415127.jpg

 

Minolta 100-300/3.5-4.5 from Minolta is not that popular. Reveiws said it is not even comparable to one made from Sigma.

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