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Classic Manual Camera Weekend, Jan. 29


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<p>Something new for me. Set this up and shot in complete darkness wiith tripod. With the shutter open I used digital camera flash for light source from various angles. Permutations are endless for angles, distance of light source and angle of light source and brightness (which digital I used) I know, there is lots of equipment made to do this but this was simple. For convenience I used Fed 3 with Canon 1:18 lens and Fuji 400.<br>

By the way I hand turned the chess set from oak and maple.</p>

<div>00diRM-560498284.jpg.0124996d0c1f03554a536a24334313fe.jpg</div>

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<p><img src="http://www.flibweb.nl/flibweb/cpg143/albums/userpics/10001/HBP201601.jpg" alt="" width="500" height="800" /></p>

<p><img src="http://www.flibweb.nl/flibweb/cpg143/albums/userpics/10001/HBP201604.jpg" alt="" width="500" height="800" /><br /><br /><br />Leica IIIc, 50mm f/2.5 Hektor, Fomapan 100 (1+50 Ro9, 8.5mins, 20C) <br /><br />"The Day After"</p>

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<p>I found a 35mm Rollei RPX 100 film hiding in the fridge. I've never been very impressed by this film, but I'd never developed it in PMK Pyro, so I loaded it into Praktica BX20 and took it with me on a trip down to the coast. I duly developed it in the PMK Pyro and I'm still not terribly impressed; there's something <em>harsh</em> about the film; despite the conditions being lightly overcast I had difficulty maintaining shadow and highlight detail. Anyway, here are three of the better frames, scanned on an Epson V700.</p><div>00diZV-560514284.jpg.f20cdc15d2f17580b6f586ef01880f46.jpg</div>
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