Jump to content

Nikon Wednesday 2013: #26


Matt Laur

Recommended Posts

  • Replies 71
  • Created
  • Last Reply

Top Posters In This Topic

Top Posters In This Topic

Posted Images

<p>Hello my dear Nikonistas. How are you? I wish all the best for everyone. Here's another shot of the moon hand held. I guess If I had a tripod with me it would be more easy and better. But I think this one is OK too...hope you have enjoyed this (big) moon wherever you were. See you!<br /> P.S. the image of the moon is heavily cropped.</p><div>00bm8e-541016084.jpg.e6eeecea87431a20dab7a323a602c23f.jpg</div>
Link to comment
Share on other sites

<p>I would like to respectfully ask Harvey or anyone else the settings he selected on his exceptional photo of a Northern Cardinal.<br>

What advantage is there in shooting a still subject at 1/2000 with an iso of 1600? I see many photographers using a very fast shutter speed with an (unnecessary?) high iso. I have read that shooting at the lowest iso possible in obtaining a quality shot is the preferred method. Again, this is not a criticism but a question that I have not been able to get a definitive answer on. As always, thanks in advance. Joe </p>

Link to comment
Share on other sites

<blockquote>

<p>I would like to respectfully ask Harvey or anyone else the settings he selected on his exceptional photo of a Northern Cardinal.<br />What advantage is there in shooting a still subject at 1/2000 with an iso of 1600? I see many photographers using a very fast shutter speed with an (unnecessary?) high iso.</p>

</blockquote>

<p>Joe, you are looking at a brief moment in time. I don't know about Harvey's shooting conditions, but I have run into similar situations a lot. The bird could be flying around and landed for a brief moment, and you have no prior idea how long it would stay. Therefore, you fire off a few captures while you can and don't necessarily fine tune your exposure as if you had a still subject such as a flower vase inside a studio that wouldn't move for another 15 minutes.</p>

<p>Additionally, for birds, even though they maybe standing, they still move around or just move their head. You still need 1/1000 sec to stop all motion while using a long lens.</p>

<p>I used very similar settings as Harvey for the Bullock's Oriole image below: D7100 with a 400mm lens stopped down to f5.6, 1/2000 sec and ISO 1600. The oriole was moving around the flowers to feed such that while it wasn't flying, you still need over 1/1000 sec to stop all the motion. Lighting was not ideal, so I used ISO 1600, which is where the D7000 and D7100 have a distinct advantage over the D300/D300S.</p><div>00bm9e-541018084.jpg.84571eaf0f4ecbb80e7b2c11a11ca975.jpg</div>

Link to comment
Share on other sites

<p>Happy birthday to Rich Johnson's father, and congratulations to Robert's daughter's graduation.</p>

<p>Now I turn to some younger people. These two kids were playing with the Perplexus Epic game, which has a little ball that you can move around (with a lot of difficulty) a maze inside a sealed transparant sphere.</p>

<p>Nikon D700 with 50mm/f1.4 AF-S lens at f3.5, 1/60 sec and ISO 400 with fill flash from SB-900.</p><div>00bm9k-541018184.jpg.f12b0410d64348e420c32317f66650e2.jpg</div>

Link to comment
Share on other sites

<p>Happy wednesday!<br>

Patrick S., I like your "photo-story" a lot. This small set, including the diary-part, really tells a story.</p>

<p>I'm still trying to learn how to get the most out of a PC-Nikkor:</p>

<p><img src="http://farm3.staticflickr.com/2844/9104265362_fd4c272422_c.jpg" alt="" width="612" height="800" /><br>

sculpture "ship-builder" and steam-tug, PC-E 45/2.8D full swing, full aperture</p>

Link to comment
Share on other sites

Create an account or sign in to comment

You need to be a member in order to leave a comment

Create an account

Sign up for a new account in our community. It's easy!

Register a new account

Sign in

Already have an account? Sign in here.

Sign In Now



×
×
  • Create New...