asimrazakhan Posted January 9, 2012 Share Posted January 9, 2012 <p>I'm not sure what specifically I want to ask.... but I guess i'd like to get peoples opinions of the benefits of a 35mm focal length versus a 50mm focal length.</p> <p>I've used 35mm lenses on various brands for years. I've also used a 43mm on a Pentax extensively. In fact I replaced my Pentax 50mm for the Limited 43mm and 77mm lenses and was quite happy with the combo.</p> <p>Now I've just recently gotten a Leica M6 with a CV 35mm and a 75mm and I'm at times thinking that I might be better off with just a 50mm along with a very wide such as a 24mm. I like shooting with the Leica.</p> <p>I shoot only travel photography... which itself includes a variety of styles. I like to take environmental portraits, landscapes, street and architecture shots, as well as minimalist detail shots (a doorknob, a pot of flowers, a cat sitting on a wall, etc...). </p> <p>using the 35 gets me thinking that I could improve my environmental portraits with a 50mm as well as take detail shots without having to switch to a longer lens ... there would be less distortion and enhanced out of focus blur. </p> <p>and i could have a 24mm for my wide shots. </p> <p>I guess the feedback from this question would lead me to ask whats a better combo.... 24, 50, and 90... OR... 21, 35, 75.</p> <p>By the way... I've thought of the 40mm lens route but have decided against it.</p> <p> </p> Link to comment Share on other sites More sharing options...
Robin Smith Posted January 9, 2012 Share Posted January 9, 2012 <p>My favorite for your type of photography is 28/50/90. 35/75 makes an ideal 2 lens kit, and for me a 1 lens kit would always be just the 50mm.</p> <p>Personally, I would prefer a 28/50mm rather than a 24/50mm double act if you want this kind of spread, if only because you do not need a separate viewfinder for a 28mm.</p> Robin Smith Link to comment Share on other sites More sharing options...
soeren_engelbrecht1 Posted January 9, 2012 Share Posted January 9, 2012 Not to sound rude, but with your extensive experience, who are we to know better than you what would be the best solution for your needs ?? Personally, I prefer a 28/50 combination for minimalism, but then my style is likely different... Link to comment Share on other sites More sharing options...
leslie_cheung Posted January 9, 2012 Share Posted January 9, 2012 <p>I used to bring 21/35/90 for travel though I had a 28mm and 50mm as well. My logic was: If I was going to use an ex.VF (which I hate) might as well as go really wide. For normal street shooting I'd just bring the 28/35/90. It is a highly personal decision... </p> Link to comment Share on other sites More sharing options...
michael_a._shapiro Posted January 9, 2012 Share Posted January 9, 2012 <p>First, be certain to have a 50. Use it all the time. Then, if you find a need for another length, buy it. Don't think about concepts or kits. Make sure the lens doesn't block the viewfinder.</p> Link to comment Share on other sites More sharing options...
rgerraty Posted January 9, 2012 Share Posted January 9, 2012 <p>What Robin Smith said. Except that I am happy to trouble myself to have the 25 and viewfinder. I can't see the 28 framelines of my M6 anyway. A 50 is great. You've convinced yourself already. Bill Pierce over on rangefinderforum told a great story of rediscovering the 50mm focal length. He was habitually using a 35, the 'get it all in' PJ's focal length of the time, and he and his friend swapped cameras to take a photograph of each other so that each would have a photograph of themselves on their film. Bill was stunned to see this wonderful view through his friend's remarkable short telephoto lens. It was a 50. Some people have lots of 50s, more than they have copies of other focal lengths. I have two 50s and have had three in all. I never fully appreciated it until I had shorter focal lengths. I am out to 21 so far and each widening of my view gives me increased appreciation of the previously widest focal length. </p> Link to comment Share on other sites More sharing options...
jim_jones3 Posted January 9, 2012 Share Posted January 9, 2012 <p>I usually carried a 21, 35, 50, 90, and 135 with my M4. Probably half of the shots were taken with the 50, and many of the rest with the 35 and 90. I rarely used the 21. Other people have different shooting styles, though. Wide open spaces favor longer lenses; cramped cities often demand something like the 21.</p> Link to comment Share on other sites More sharing options...
mukul_dube Posted January 10, 2012 Share Posted January 10, 2012 <p>The 35 (street) and 75 (portrait and detail) combination should cover most things. For architectural and landscape work -- but only if you do enough of that to justify the expense -- you might add a 24 or a 21. I have a 35 and a 75 and a 90, and I use those: but the lens that spends the most time on my camera is a 50. If ever I whittle down to two lenses, I'll probably opt for 50-90 rather than 35-75: though that will only be because I know those lengths better. The 35-75 will be the choice if my vision should deteriorate.</p> Link to comment Share on other sites More sharing options...
Uhooru Posted January 11, 2012 Share Posted January 11, 2012 <p>Pretty much a 35. used to be a 50 but about 5 years ago i got used to the 35. Never felt i needed any thing else for walk around photography since.</p> Link to comment Share on other sites More sharing options...
Rob F. Posted January 11, 2012 Share Posted January 11, 2012 <p>The M6/M7/MP have very undersized 50mm framelines. I seldom bother with a 50 on these models. If I want to use a 50, I'm more likely to have it on my M2 or M3, which have more realistically sized 50mm framelines. I get very frustrated trying to use a 50 on an M6. The frameline only covers, at a distance of say 12 to 15 feet, the same area as the 60mm on an R6.</p> <p>Even with a more reasonably sized frameline, I still find the 50mm focal length too tight for most shots. You have used 35mm and 43mm lenses extensively, and you don't seem to say they are too wide. I think you might be unhappy with only a 50. I certainly would be! There is just not enough room in the frame!</p> <p>Take your M6 out for a walk, and try framing scenes with the 50mm framelines, using the frameline selector. See if you think you'll be happy with a 50. I bet not.</p> Link to comment Share on other sites More sharing options...
anthony_brookes5 Posted January 13, 2012 Share Posted January 13, 2012 <p>This is a prennial question which always receives varied answers. It all depends on what you want your photographs to be. If you like wide sweepng landscapes then a little distortion is almost undetectable. If you like photographing people nearby then a 35mm will distort their faces. I tend to photograph anything that catches my eye so I don't want any distortion. I don't mind not being able to pack in the whole scene so I use a 50mm.( Actually a 40mm Summicron on an M8)</p> Link to comment Share on other sites More sharing options...
didier Posted January 15, 2012 Share Posted January 15, 2012 <p>I am a 50 guy. I prefer the 28/50 combo, rather than a 35.<br> the more experience I get, the more I reduce my kit.. and the more I shoot with my 50.<br> In the mountains : Elmar 50 + 'cron 28. 80% of the shots with the wide angle.<br> Anything else : 90% of my shots are with a 50. I use my (wonderful) 75 quite rarely, and the SAA 90 hasn't been used in months, not to say years...<br> but this is just my liking</p> <p>Didier</p> <p> </p> Link to comment Share on other sites More sharing options...
jose_angel Posted January 16, 2012 Share Posted January 16, 2012 <p><em>"... the more experience I get, the more I reduce my kit.. and the more I shoot with my 50." </em>Me too. Absolutely. :)</p> <p>My list: 24, 35, 50 and 90. I`m quite outlandish, you see ;)</p> <p>The 35 and 50 are irreplaceable for travel photography; as <em>one lens </em>setup I take the 35 when I feel myself more interested in the environment, the 50 when I`m going with someone worthy of being photographed (or when I`m on big, open spaces).</p> <p>About the 90, I got tired of using a bulky SLR for closer portraits and finished buying a 90. I scarcely use it, but I love to have it for that close up shots.</p> <p>The 24 is my wide angle, also my most unused lens; don`t ask me why, maybe because for this kind of shots I use to take a DSLR... with either a 14-24, 24-xx or even a 24 prime, but rarely the Leica M. Maybe because the external viewfinder thing. Anyway, that 24-to 35 jump seem "natural" to me.</p> <p>Every focal lenght in the M system is really nice, but if I have to be realistic, I don`t have the need of having all of them nor the budget needed, so I`m fine (more than fine, actually) with that four focal lenghts. The 75 is also nice, but I prefer something a little longer for portraiture... for a two lens setup I still prefer the 35-90 combo, or even the 24-50. If I were going with a 35-75 combo, I think I`d prefer the 50 alone. If the 24-75... I never felt the need of it.</p> Link to comment Share on other sites More sharing options...
ray . Posted January 16, 2012 Share Posted January 16, 2012 Sure does depend mostly on......... you. Link to comment Share on other sites More sharing options...
john_brewton Posted January 21, 2012 Share Posted January 21, 2012 <p>I used a 50 Cron for 90% of my Leica film camera shots. But when I got an M8 I bought a 35 Cron ASPH to most closely approximate a 50. When I tried the 35 on my M3 I just hated it. So defintely a 50, but not the Noct! I will play the contrarian here and suggest a 75 2.5 for when you want a little more reach. If you want wider I would go with the 28 Cron myself. But everyone's opinion is subjective so take my advice as do others...with a large grain of salt :)</p> Link to comment Share on other sites More sharing options...
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