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Macro lenses


james_angersola

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<p>Pretty much all of the recent Nikon macro lenses are excellent. Currently I have five of them at home as I just finished testing the very affordable 40mm/f2.8 DX AF-S: <a href="../equipment/nikon/lenses/40mm-f2.8-af-s-dx-micro/review/">http://www.photo.net/equipment/nikon/lenses/40mm-f2.8-af-s-dx-micro/review/</a></p>

<p>Which one to get highly depends on your subject matter. My favorite is the 200mm/f4 AF-D for flowers and insects. Its main advantage is that it has a tripod collar so that it is easy to switch between horizontal and vertical compositions. Its main weakness is that AF/MF switch ring that can break fairly easily. Mine broke a few years ago and cost me $200 to fix: <a href="../nature-photography-forum/000T15">http://www.photo.net/nature-photography-forum/000T15</a></p>

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<p>What magnification do you need? I tend to agree with Shun's assessment, but unless you are working at 1:1 or so, there are other less expensive solutions, such as using bellows or extension rings with other lenses - for instance I periodically use rings or bellows with a 400/6.3 I have for other nature work....edges are soft, but center is razor sharp.</p>
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<p>Pretty much all modern macro lenses can shoot at 1:1. (In this case modern includes all Nikon AF macro lenses that are not zooms.) The big difference is the working distance from the front of the lens to the subject. I have posted this image showing that the 105mm macro has a lot more working distance than the new 40mm DX macro at 1:1.</p>

<p>The 200mm macro will give you even more working distance at 1:1.</p>

<p><img src="http://d6d2h4gfvy8t8.cloudfront.net/14156573-lg.jpg" alt="" /></p>

 

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<p>James, I have the Nikon 105mm AF-D and 200mm AF-D macro lenses. I use the 200mm 90% of the time because of its greater working distance and because it has a built in tripod collar mount which makes it much easier to use for all shots and for switching to vertical when needed too. 99% of my shots are taken in manual focus as AF is difficult to use and control especially at 1 : 1. Both lenses are real sharp if used correctly.<br>

Sharpness is affected by a lot of things. With my D 300s and D 700 I try and set my f stops from around wide open to no smaller than f 11 to avoid any hint of diffraction which I have discovered to be more prevelant with DSLR sensors than with film. Diffraction is noticeable at f 22 and f32 on the 105mm and 200mm and impairs sharpness. I would not necessarily blame the lens for this.<br>

Joe Smith</p>

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<blockquote>

<p>Mine broke a few years ago and cost me $200 to fix</p>

</blockquote>

<p>I got tired of those $200 repairs after the rings on my 80-200mm f2.8 and 135mm f2.0 broke. So, when my 200mm f4 micro broke a few years ago, and I got it running again with Gaffer's tape. That lasted about a year, at which point I carefully cleaned it, then took some carbon fiber tape and epoxy and redid my repair, even leaving a little hole for the screw head. It's been five years, and it's doing fine.</p>

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<p>I am glad that 10 Euro bill has been on my wall for several years. Here is the 200mm/f4 AF-D version of that 1:1 set up. Michael Freeman is right, as usual, that with the 200mm macro lens, your working distance is now a much longer 25.5 cm or about 10 inches by my meanurement.</p>

<p>Also notice that tripod collar on the lens.</p><div>00ZNc3-401197584.jpg.099f3022e633732605e3a0184f9a9d8c.jpg</div>

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<p>James,<br>

I have two macro lenses. Nikon 105 and the Sigma 150 f/2.8. The one I do use most is the Sigma because of the greater working distance. Also, this lens has a great tripod collar and the IQ is excellent. I bought the Nikon 105 for occasional macro shots but mostly for portrait shots. </p>

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<p>The 200mm takes great photos, but really needs to be tripod mounted for best results. Although the macro purists may cringe at this, I find the 105mm VR to give consistently useable results when handheld.<br>

Your original post asked for the <strong>sharpest</strong> macro lens - well, in my opinion the 85mm PC (original version, I haven't had the chance to used the newer PC-E lens) pips both the 200 and 105 in ultimate sharpness. It only goes to 1:2 without tubes however.<br>

Chris</p><div>00ZNga-401279684.jpg.c2574d56c0c0cba5ed51823143e6f517.jpg</div>

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<p>200mm Macro, longer working distance, but very limited depth of field, basically requires a tripod (in my personal experience at 1:1 ratio for sharp images albeit with incredibly limited depth of field you should be shooting at least 1/500 shutter and F/8 aperture).<br>

105mm F/2.8 is every bit as sharp but the added VR and half the focal length make hand holdable shooting a realistic possibility. If I didn't get the 200mm F/4 at a really good price, I would own the 105mm.<br>

If you absolutely need the longest possible working distance, I understand the 300mm F/4 AF-S with extension tubes is unbeatable in quality & working distance. I've owned the 300mm F/4 and was very impressive with its image quality at minimum focus distance (which is already very close), but I can't speak for use with extension tubes.</p>

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<p>I've had some success with hand holding the 200mm AF-D lens at between 1:2 and 1:1 but only with use of flash, usually I use the lens at f/16 or f/22 or f/32 to get sufficient depth of field with the shutter speed at 1/250. Normally I will use at least a monopod to reduce the inevitable camera shake.</p>

<p>I use an SB-900 with a Ray-Flash http://www.ray-flash.com works fairly well and has the plus that it puts out much more light than the R1C1 set of 2 SBR200 flashes.</p>

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<p>James, the Nikon manual for the 105mm VR macro lens discourages the use of the VR function for macro purposes especially at close distances. Download the manual from <a href="http://www.nikonusa.com/">www.nikonusa.com</a> for this lens before you buy it. I know that many get great shots hand held with this lens, but its purchase as a macro lens is not on my agenda. That is why I own the older 105mm AF-D version of this lens. Joe Smith</p>
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<p>When you are really close to the subjsct around 1:2 or 1:1, the depth of field is extremely shallow, even though you stop down to f11, f16. If you hand hold, any back-and-forth movement will immediately get your subject in and out of focus. That is why for that type of close ups, we typically set the camera on a sturdy tripod and use live view to fine tune the focus manually. No VR can compensate for this type of focusing error. Therefore, if you hand hold, you are throwing all the lens optical quality out the window.</p>
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<p>> I will be using a nikon R1C1 for flash. Sometimes with a tripod and sometimes without if possible<br>

R1 may not be powerful enough for key flash at longer working distances, especially if you use diffuser screens or large bouncers to soften the light. If you want to use key flash when shooting handheld with a long macro, the flash pulse may be too long to prevent blur near max power. See this hummingbird hawk moth with diffused pop-up flash at max power (Tamron 60/2) as an illustration of flash pulse duration...<br>

<a href="http://www.dpreview.com/galleries/5124716672/photos/626339/dsc_2556_dxo_">http://www.dpreview.com/galleries/5124716672/photos/626339/dsc_2556_dxo_</a></p>

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