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Remember Tibet. Folder


shinden

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Hello! This is my first attempt to present a folder in photo.net. I

hope it's going to work somehow.

Remember Tibet

To begin with Tibet is not an enjoyable country to travel around

nowadays. To be sure, the scenery is breathtaking, the Tibetans are

charming but the omnipresence of the police and the army overshadows

your wayfaring pleasures. Tibet stood for high spirituality once but

the Chinese have succeeded in disrupting the centuries long

tradition. The scientists are telling us that by burning the virgin

forests we are destroying the Earth's lungs and may soon become

short of breath. Likewise I am convinced that by treading down

Tibet's heritage we become more confused and desorientated than ever

before.

I travelled two and a half months through parts of Tibet and tried

to capture some of the life's aspects of Tibet today.

I was happy to carry one camera and one lens. The strain was taxing

and I never missed sophisticated equipment.

 

This is the folder:

http://www.photo.net/photodb/folder.tcl?folder_id=250754<div>003zYZ-10110484.jpg.2c187b3f6685dddfc3d505cc1e95ea4b.jpg</div>

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This is a stunning body of work, Ladislav. You did an excellent

job of providing a good document of your journey and of the

people you met. This folder is also a strong reminder of what

you can do with one lens and one kind of film. I have never much

cared for the 35mm lens, as I have found it to be too short or too

long- but this folder is making me re-examine that position.

 

Technical question- are these (excellent) scans from prints or

negs? Anyway, thanks for sharing these wonderful photographs.

You should find some other ways and places to share these-

they should be seen by more people.

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"Likewise I am convinced that by treading down Tibet's heritage we become more confused and desorientated than ever before."

 

No matter how weird this may sound, i have to agree. The prayers are still echoing in my mind, needless to say this country made a big impression on me....

 

Greetings,

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Ladislav - wow! That's one of the best folders I have ever seen in photo.net. Amazing how the vibrating energy of the Tibetan people shine through your photographs.

Wong: why not show and write obvious political facts in this context? I think you must write something on this matter, otherwise you get a very wrong impression about the situation in Tibet: it's not just the primitive highland on top of the Himalaya with shining monks and strong nomads. What's going on there is the destruction of a precious culture. Today the Tibetans are a minority in their own country and in a couple of years Tibet will be a cultural desert, sponged on an eager

occupation force. That's what about concerned photography is and how Ladislav shows it to us in his brilliant way.

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Hi Ladislav,<br><br>

 

Good works! May I suggest one thing is that keeping your political comments in your home page and not showing this forum. I do not know what you will see if you visit Tibet 70 years ago. May be you can see lots beaten slaves owned by the ruling monks.

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Kenny Chiu and Wong Kh - I wonder why these guys object to any mention of the rape of Tibet by the Chinese?

 

Ladislav, as I mentioned in my comment on Andy Kay's thread about this folder, you have a terrific eye. This is a travel journal that anyone would be happy to have made. Maybe I'm the only dissenting voice, though, when I say that this folder doesn't go deep - it isn't really journalistic or documentary in any sense. There are many shots of people looking at the camera - which suggests that people stopped what they were doing to pose for you, rather than allowing you to document or portray them going about their lives. All of this is directed more at the other commenters on your folder than at you, as I have no idea what your intentions are - whether journalistic or simply travel snaps. If the latter - astounding. If the former, then you've missed the mark somewhat, IMO.

 

Great stuff, and the political aspect is of course the heart of the matter. You can't depict a life under threat without being aware of and condemning the threat itself.

 

Best regards

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Sorry Boys (girls do'nt seem to be Leica Fans - or am I wrong),

 

Sorry I'm so late to answer your questions. First let me tell you how ovwerwhelmed I have been by so much appreciation. I didn't expect that.

Andrew, thanks a lot for your offered help in terms of finding some publicity in N.Y.. I will be obliged to you for any contact. I am not with any agency so far and maybe I'm not the right man for it. I work slowly, enjoy long-term projects that seem never to end. Here a few technical details that you and some others would like to know.

I use Leica M6 for most of my work and use it with 1,4/35mm asph. exclusively. I could just as well have it welded to the camera. Recently I've been also using a Nikon F100 with Nikon AF 2/105mm DC.

My eyes are not what they used to be so I'm happy F100 takes over some job. Especially with a tele-lens and portraiture job. As to films and developers I do a lof of experimenting (sick of it sometimes), but basically I use Kodak TX exposed to 320 or 400 ASA and develop in D-76, diluted 1+1, for 11 minutes (20 degrees Centigrade). This combination works in almost all conditions. Because of the hard light contrast in Tibet, I developed some films in two-bath Emofin (6 min/6min). I exposed the TX at 640 ASA for that. The pictures I like I first enlarge 24x30cm to use them as show prints and to scan from them. I use Epson Perfection 2500 scanner. Later I enlarge to 30x40cm or 40x50cm for exhibition purposes. I use Ilford, Bergger and Moersch enlarging paper. Moersch is rather a new paper manufactured by a small company in Germany and in my view is one of the best. I don't use flash often and when I use it I always know that everything may go wrong.

Despite positive criticism some people suggested that I should stay away from politics when photographing (in Tibet only?). I wonder what photography is about. I take pictures of people not of daffodils or dragonflies. The fact is that all Tibetans I met, in Tibet and elsewhere, are utterly dissatisfied with the political situation in their country. I don't know if 70 years ago I would have taken pictures of monks beating up slaves, but in 1996 I witnessed Tibetans kicked and beaten up by Chinese soldiers. I photograph what I see, not what I am supposed to see. Sorry.

Some of you express a wish to see some more of my Tibet photographs I may add a few more but I want to save space for my African folder about to come in two months.

Thanks a lot again. I^m looking forward to seeing some of your work.

Ladislav

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Sorry Boys (girls do'nt seem to be Leica Fans - or am I wrong),

 

Sorry I'm so late to answer your questions. First let me tell you how ovwerwhelmed I have been by so much appreciation. I didn't expect that.

Andrew, thanks a lot for your offered help in terms of finding some publicity in N.Y.. I will be obliged to you for any contact. I am not with any agency so far and maybe I'm not the right man for it. I work slowly, enjoy long-term projects that seem never to end. Here a few technical details that you and some others would like to know.

I use Leica M6 for most of my work and use it with 1,4/35mm asph. exclusively. I could just as well have it welded to the camera. Recently I've been also using a Nikon F100 with Nikon AF 2/105mm DC.

My eyes are not what they used to be so I'm happy F100 takes over some job. Especially with a tele-lens and portraiture job. As to films and developers I do a lof of experimenting (sick of it sometimes), but basically I use Kodak TX exposed to 320 or 400 ASA and develop in D-76, diluted 1+1, for 11 minutes (20 degrees Centigrade). This combination works in almost all conditions. Because of the hard light contrast in Tibet, I developed some films in two-bath Emofin (6 min/6min). I exposed the TX at 640 ASA for that. The pictures I like I first enlarge 24x30cm to use them as show prints and to scan from them. I use Epson Perfection 2500 scanner. Later I enlarge to 30x40cm or 40x50cm for exhibition purposes. I use Ilford, Bergger and Moersch enlarging paper. Moersch is rather a new paper manufactured by a small company in Germany and in my view is one of the best. I don't use flash often and when I use it I always know that everything may go wrong.

Despite positive criticism some people suggested that I should stay away from politics when photographing (in Tibet only?). I wonder what photography is about. I take pictures of people not of daffodils or dragonflies. The fact is that all Tibetans I met, in Tibet and elsewhere, are utterly dissatisfied with the political situation in their country. I don't know if 70 years ago I would have taken pictures of monks beating up slaves, but in 1996 I witnessed Tibetans kicked and beaten up by Chinese soldiers. I photograph what I see, not what I am supposed to see. Sorry.

Some of you express a wish to see some more of my Tibet photographs I may add a few more but I want to save space for my African folder about to come in two months.

Thanks a lot again. I^m looking forward to seeing some of your work.

Ladislav

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