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Lens recommendation


victoria_pavlov

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<p>Victoria, I agree with Steve.....fast primes are the only way to go. I find it amazing the people who rattle on about high ISO performance, then stick a zoom (which are slow at best) on the front of their camera. Rather than shoot at ISO3200 with a "professional" zoom, shoot at ISO800 with a cheap little prime. Something that gives you similar to a 35mm on a full frame would be a good start.</p>
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<p>Ty--</p>

<p>I'm mainly a night photographer in winter. I routinely shoot my D300 with f2.8 zooms, generally ISO 1600. There are tradeoffs with single focal lenses for this project. First, changing lenses. It might be snowing or sleeting. A basic zoom like a Tamron 17-50mm f2.8 VC would be very quick to use. The other problem with single focal lenses is that yes they can do f1.4, but the DoF is very limited. Sometimes f1.4 is the only way to go though, and for that I use a Sigma 30mm f1.4. I'm not aware of anything that's wider and as fast that's really very sharp, exception being Nikon 24mm f1.4G of course. It's all going to depend on how much light is at the parade. It's wise to go check it out and get some meter readings. You'll want at least 1/125 shutter speed I would think. A 1/250s would be about perfect, but I'm betting that you'd have trouble hitting that even shooting ISO 1600 and using an f1.4 lens in many places. The main thing you are after is SHUTTER SPEED. A Tamron 17-50mm f2.8 VC and a Sigma 30mm f1.4 would be a good combo. Although I'm not crazy about this lens, adding a cheap 50mm f1.8 would not be a bad idea either. <br />As for using lenses at +18F, crying out loud. That's not cold at all. Barely even "chilly." In winter I routinely shoot in below zero (F) temps and have yet to have ANY problems with lenses at all. Just be careful to not breathe on them. In fact, last winter I was out for hours when it was colder than 30F below zero and had no lens issues. Coldest I've been out in with Nikon gear was 42 below zero; lenses did great! One thing I'll add though is it would be wise for Victoria to take at least two extra batteries. While I doubt she'll need them, having two fully charged batteries in an inner pocket keeping warm is something I would not be without during any important shoot. So my advice is to get two extra batteries now, go out and see what ISO and f-stop you're going to need at that location to give you a 1/125 to 1/250s shutter speed. If you have no lens right now that's very fast, just take a few shots with what you have with ISO 1600 and then use Law of Reciprocity to calculate what f-stop you're going to need to hit 1/125s or faster.<br>

A thought just occured to me since I don't think you said. Is this festival a parade where you are shooting moving subjects? That's what I'm assuming here. Or, are these static subjects, such as houses all lit up? If static, you can simply use a tripod and any lens should work. A fast lens would be good for people shots, and I'm thinking an f2.8 would be enough if the people are lit fairly well by the Christmas lights. If you are photo'ing people standing fairly still and also trying to photo lit up houses/etc. in the background, you could use a decent flash and select "slow sync" on your camera. That's the way I would go. Would probably have to add a CTO gel on the flash since Christmas bulbs are still mostly tungstun balance. I've did this sort of thing last winter, photo'ing moving freight trains in the background with a lit up Christmas tree in the foreground. Nikon 17-55mm f2.8 lens, two monolights with CTO gels. Worked like a charm.<br>

<br />Kent in SD</p>

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<p>As many have suggested I would go with a prime, maybe Sigma 30mm 1.4.<br>

And extra batteries are never a bad idea. Depending on the focal length and subject, a good small tripod is irreplaceable.<br>

But adding another thing to the list, I also have a D90 and it can have trouble focusing in the dark especially with such a thin DOF. There is only one cross AF sensor in the center and the rest is not super reliable when it gets dark. The helplight can 'help' but is often not what you want. An SB-600 flash or so can also help with focusing with the AF-help light (red light pattern, less annoying than the white lightbeam in the camera itself. Even if you don't use the flash.<br>

Using a D300s would improve the AF accuracy and it should also be more robust for low temperatures. What does help is that the noise will go down on low temperatures, so maybe you can go 'higher' than normal.</p>

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<blockquote>

<p>If you have a budget of $1000 how about selling the D90, and picking up a used D700? That would make a great improvement to your low light abilities combined with a fast prime.</p>

</blockquote>

<p>Andrew, that is WAY over his budget. There's no way you can sell a D90 and buy a D700 + a fast prime and only spend 1000. </p>

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<p>Hello,<br>

Kent, it will be moving objects..people we walk along with on the street and final destination will be a plaza that you can see on the image I posted.. Yes, definitely I will take at least 3 extra batteries with me..<br>

Andrew, no one is buying D90 for the price that I need to spend on D700.. :( I will be more than happy to do that…<br>

Yesterday I took a few shot with following lenses: Nikkor 35 mm and Nikkor 70-300 mm ( I have also Nikkor 18-35mm and Tamron 18-200mm..but those lenses were in my office and I was not able to use them).</p>

<p> </p>

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<p>having used both a 17-50 and a 30/1.4, i would get the 17-50 first. it's very sharp at 2.8, whereas the 1.4 has extremely narrow DoF wide-open and needs to be stopped down for best sharpness. a fast prime is not the only way to go, but it's nice to have when there's no other option to capture the shot.</p>
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<p>Victoria, quite franklly, there are better tools for the job than a Nikon SLR for night/low light shooting, and if this is a common thing for you to photograph, you may want to investigate other camera/lens combo's. If it is a once off, then I would suggest simply hiring the lens. But it sounds as though the object you are shooting will be a moderate distance from your position, which means that shooting at f.1.4 is not a big issue re. d.o.f. With a 35mm lens, you're getting the fov of a 50mm on a 135 format camera, but with the beneift of the fov of a 35mm lens.</p>
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<p>I'd suggest</p>

<p>1) A tripod plus getting a cable release.<br>

2) if there are too many people / crowds to shoot with one, then at least a monopod<br>

Either will work great with any 2.8 / 1.8 lens. :)</p>

<p>Seriously, I'd try to get a stable platform first. Only if that truly isn't possible would I try to solve the problem with a lens & high ISO only.</p>

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<p>i just love some of the suggestions here: a d700; a d300s; a tripod.<em> (rolls eyes)</em><br>

<em><br /></em><br>

<em> </em>i do a lot of paid festival/PJ/concert work in low-light situations and i can't imagine lugging a tripod through a moving crowd and trying to get usable shots with a kit lens. also, with a budget of $1000, a d300 or d700 is out, but the OP can get both a 17-50 tamron AND a sigma 30/1.4, or a nikon 35/1.8 and an sb-600. with a d90, i wouldn't hesitate to shoot at ISO 1600 or even 3200 with post-processing.</p>

<p>seriously, victoria, you dont want to shoot a festival with just a prime if you can help it. also, IMO, the sigma 30 isnt all that sharp at 1.4 unless you are fairly close to your subject, in which case the DoF might be too narrow, whereas a 17-50 will be as sharp as a sigma 30 at 2.8. FWIW, the d90 is just as good at low-light or better as a d300, and the 51-pt AF isnt going to be that much better in really really low light, where you're better off using a flash, which has IR-assist. even with 1.4, if you have to shoot people at 1/25 or lower, you might get motion blur, thus necessitating the use of a flash.</p>

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<p>Guys,<br>

THANKS A LOT!!!! You are awesome!<br>

I don’t’ think I can use tripod because I will move with people. I took a few shots right now ( I am in a car now ) and I think I got some not too bad shots. I will upload it tomorrow morning, and please let me know what do you think about it!!!!!!<br>

About SB600: do you think is it a good idea to use it outside ( some people saying that it’s a VERY bad idea to use flash outside because it work max 3 feet)?</p>

<p>Again, thank you so much,<br>

Victoria</p>

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<p>victoria, yes, the sb-600 can be used outdoors--you just can't bounce if there are no ceilings. also, who told you its maximum range is 3 ft? according to nikon, its range is 20meters</p>

<p>http://www.nikonusa.com/pdf/manuals/Speedlights/SB-600.pdf</p>

<p>you can get a more powerful flash like the sb-900 if you need more oomph, but a 600 should be sufficient.</p>

<p> </p><div>00XEze-277989584.jpg.cfc6a61d213707a06eaf845ad6b9585e.jpg</div>

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<p>Victoria, you might want to think about a manual white balance, the colour balance is very variable on those shots. Other than that they look OK, quite high ISOs for that camera but it depends what you want to do with them. On a computer they'll be more than adequate but if you're doing a 2 page spread in a magazine they may turn out too noisy. On a D300 type camera I'd only go as high as 1600 at the very most, but that's just me.<br>

Steve</p>

 

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<p>i suggest nikkor 18-200 VR or a nikkor 35 1.8 it works like a 50mm. The 50 is normally what i need in my Leica M6 and my D700. Don't use Vr on long exposer shots. if the D90 is good at ISO 1600 you don't need neither the vr nor a tripod, believe me... i don't with the D700. with the Dx sensor go for the 18-200 it's a bit soft but you won't miss a shot.<br /></p>
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