guy_mansford Posted August 15, 2002 Share Posted August 15, 2002 Tried some shots of the bull running in the Basque are of France/Spain. This is where young bloods (and one girl) prove their bravery by being chased through the streets by bulls. Black bulls taken against crowded backgrounds from cramped barricades were a nightmare. Flash tends to freeze the movement producing very static pictures. Slow sync and rear curtain doesn't work well with a black bull. I tried this slight zooming one with a slow speed which focused things a little - but the bull isn't too obvious. Any ideas? Link to comment Share on other sites More sharing options...
tom_sapienza Posted August 15, 2002 Share Posted August 15, 2002 Sorry, Guy, I've got no advice, but I just wanted to say that your image on my 19" monitor made me dizzy -- I like it! As far as making the bull more obvious, the best way would be to not take pictures when someone is in front of it. Snarky reply, but with this shot it's the truth. Link to comment Share on other sites More sharing options...
fotografz Posted August 19, 2002 Share Posted August 19, 2002 Beg to differ on this one Guy. It is possible to get shots at night, even of darker objects. You need a fast lens, a slow shutter speed, and some second shutter flash, all working together. The example I've posted here is from a series for a client called "Fire Fabulon". I used a Nikon D1-x with a 28mm/1.4 ASPH wide open at 1/10th of a second to capture as much ambient light as possible (as well as the swirl of fire). The flash was set at 2nd shutter EV-.1, and served to freeze just part of the picture, giving an impression of more sharpness than possible at 1/10th of a second. If I had used flash normally at a normal shutter speed the fire would've been over powered and the image would have appeared static. If I didn't use the flash, the entire image wouldv'e been blurry.<div></div> Link to comment Share on other sites More sharing options...
struan_gray Posted August 20, 2002 Share Posted August 20, 2002 This is one of the few examples of the zoom-while-exposing look that I have seen where the zooming actually adds anything meaningful to the photo. There's a great feeling of giddy sickness and movement. I saw the bull immediately, but then I had read your text. Bull running pictures are everywhere in the European press each year, so it's a theme which is immediately recognisable to me. That's not a criticism, more a reason why you have no need to show the whole bull. You can indulge in a more impressionist presentation without having to worry that viewers simply won't get it. Link to comment Share on other sites More sharing options...
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