geo_lam Posted March 19, 2009 Share Posted March 19, 2009 <p>Hi All,<br> When using Epson V700 to scan black and white film, which is better: use greyscale mode or scan in colour mode and convert in photoshop with Black&Whie layer?</p> Link to comment Share on other sites More sharing options...
rob_wall Posted March 19, 2009 Share Posted March 19, 2009 <p>Grayscale because a) the file will be 2/3 smaller and b) the only colors you are going to pick up in RGB mode are not going to be releant or useful.<br> When scanning a color original that you want to end up in black and white, disregard this advice.</p> Link to comment Share on other sites More sharing options...
timothygrayphoto Posted March 19, 2009 Share Posted March 19, 2009 <p>I scan B&W film in Color mode and then convert. Why? Smoother tonal transitions.<br> If you scan in Greyscale mode, you're only picking up 256 shades of gray. In color mode, the increase in information captured jumps exponentially.</p> <p> </p> Link to comment Share on other sites More sharing options...
bengt1664878721 Posted March 19, 2009 Share Posted March 19, 2009 <p>Here's what to do: First, scan a negative as RGB then take this file into PS and examine the different colour channels separatively. Most likely you will find that they do not align perfectly, hence sharpness suffers. Noise characteristics will also differ among the channels. With Epsons the green channel is usually the sharpest/best. When you've decided which channel you prefer, you can set this in the scanner software and scan the rest of your negatives as greyscale (16bit TIFF).</p> Link to comment Share on other sites More sharing options...
leicaglow Posted March 19, 2009 Share Posted March 19, 2009 <p>I also scan to color. In part because you have much more control over the curves. I also don't print pure B&W prints. They're are usually slightly toned, and I like to represent the final print color in my digital scans.</p> Link to comment Share on other sites More sharing options...
timothygrayphoto Posted March 19, 2009 Share Posted March 19, 2009 <blockquote> <p><em>When you've decided which channel you prefer, you can set this in the scanner software and scan the rest of your negatives as greyscale (16bit TIFF).</em></p> </blockquote> <p>Which scanner software?</p> Link to comment Share on other sites More sharing options...
bengt1664878721 Posted March 20, 2009 Share Posted March 20, 2009 <p>At least Silverfast and Vuescan, not sure about the Epson software.</p> Link to comment Share on other sites More sharing options...
timothygrayphoto Posted March 20, 2009 Share Posted March 20, 2009 <p>Bengt, I'm using Silverfast and don't see an option to load a specific color channel. <br> I'm running Silverfast Ai Studio 6.6.0r4c....is this option hidden in the Options somewhere?</p> Link to comment Share on other sites More sharing options...
bengt1664878721 Posted March 21, 2009 Share Posted March 21, 2009 <p>Timothy, I don't have a scanner connected at the moment so I can't open Silverfast to check, but I'm pretty sure it's in the options meny under colour - I believe they call it "colour filter". I'm using Silverfast, too.</p> Link to comment Share on other sites More sharing options...
timothygrayphoto Posted May 10, 2009 Share Posted May 10, 2009 <p>Bengt,<br> I've been experimenting with the method you suggest and, in most cases, it does indeed result in sharper scans. My issue now has to due with a tonal mismatch between the preview image and the resulting scan.<br> Have you found a solution for this? Scans using green channel consistently come out darker than the preview.<br> I've tried compensating for this using the Curves tool as well as the Midtone slider adjustment, but it seems the shadows are saved at the expense of the highlights.<br> Any suggestions?<br> Tim</p> Link to comment Share on other sites More sharing options...
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