haunting_your_thoughts Posted November 24, 2008 Share Posted November 24, 2008 Hello,<br><br>My present lens collection includes: <br>1. Canon 18-55mm EF-S<br>2. Tamron 28-75mm F/2.8<br>3. Canon 100mm F/2.0 USM <br><br>I shoot weddings and portraits. My copy of the 18-55mm EF-S lens is sharp enough that I was able to takea decentgroup photo of 37 people at 18mm and F/7.0. The Tamron 28-75mm lens is used to run around in weddings and do alltypes of stuffs. The 100mm lens is used for special portraits and is also a very sharp lens. I am looking for apossible 4th lens to add to my collection. I was thinking of either the Canon 35mm Any ideas? If I were to buy alens, I want a lens that will make my pictures stand out. I cannot afford an L-series lens, but I am sure thatthere are equivalents out there that are close enough. <br><br>I was thinking of one of the following: <br>1. Canon 50mm F/1.4<br>2. Sigma 30mm F/1.4 (received some bad reviews)<br>3. Canon 35mm F/2.0<br><br>My Camera is a Canon Rebel XT 350d (8.0 MP) camera.<br>Or, am I better off going investing my money into theCanon Rebel XSi, and sell my present Rebel XT?<br>Budget for lens: $300-600<br>Budget for Camera: up to $800<br>Any input would be appreciated. <br>Thank you Link to comment Share on other sites More sharing options...
nhut-nguyen Posted November 24, 2008 Share Posted November 24, 2008 do you have a 2nd body? I don't shoot wedding, but every wedding I've been to I've seen the photographer always carry two body. If the current lens line up works well for you, perhaps another body? The XSI takes SD cards, have you looked at the 10 MP XTi? Link to comment Share on other sites More sharing options...
geoff_foale Posted November 24, 2008 Share Posted November 24, 2008 To be brutally honest here, do you charge for your wedding work? If I saw somebody arriving for a wedding shoot with a 350D I would start to worry. It was a good little camera in it's day and you may be an excellent photographer but that camera just doesn't inspire confidence any more. I would suggest forget about lenses for now and obtain a 40D or 50D, even if it is a secondhand 40D. Serious wedding guys would even consider this to be a bit basic but it just about looks the part. Then keep your 350D for an emergency spare as the previous answer advises. Link to comment Share on other sites More sharing options...
tdigi Posted November 24, 2008 Share Posted November 24, 2008 Geoff you would not believe how many wedding photographers I see with sub par gear. I work in the industry ( not as a photographer ) and I rarely see L lenses or even good lenses. The last 3 guys I saw 2 of them had 18-55 kit lenses and they used them all night. The other had a 28-135. That being said I strongly suggest a second body ( 40D is what I would get ) as well as back up to flash units, memory cards etc. Link to comment Share on other sites More sharing options...
tdigi Posted November 24, 2008 Share Posted November 24, 2008 Jake that is by no means a dig on you. I think rebels are fine for backups or to use for a prime as an alternative camera but they are not very durable to have just the 1 for a wedding. Link to comment Share on other sites More sharing options...
Alex Posted November 24, 2008 Share Posted November 24, 2008 If your are shooting wedding I'd get the 40D if it would only be a hobby I'd get better glass. A 40D would be the sensible thing to get. You did not mentioned if you have a flash on your set up, most likely you do,but don't forget about the flash. Alex Link to comment Share on other sites More sharing options...
wgpinc Posted November 24, 2008 Share Posted November 24, 2008 Snake, If it was me I'd get the XSi and the Canon 17-55mm IS or the Tamron 17-50mm lens to go with it and use the XT as a backup camera. If you are used to the XT the XSi will be already familiar to you. I have the 18-55mm IS lens and in low light you have to work really really hard to get good images. I like it to carry on the street because it is small and light. It's a pretty good lens for a buck seventy but if I made money with my equipment I'd have good equipment. I nearly always get good pictures with my 17-55mm IS 2.8. JMNHO of course! Link to comment Share on other sites More sharing options...
w_t1 Posted November 24, 2008 Share Posted November 24, 2008 so that's what happens to old wrestlers, they become wedding photographers?<div></div> Link to comment Share on other sites More sharing options...
alan_bryant1 Posted November 24, 2008 Share Posted November 24, 2008 Not necessarily. John Irving became a writer. Personally I'd opt for a second camera. I haven't used any of the proposed cameras so I can't recommend one over another. But if the main camera died at a wedding, even a good P&S would be better than nothing. For lenses, you might look at something wider than 18mm, which isn't really very wide. Link to comment Share on other sites More sharing options...
jeffrey_mcconnell Posted November 24, 2008 Share Posted November 24, 2008 I would opt for a second camera too. You can get a 40D body now for around $840 - $860. Link to comment Share on other sites More sharing options...
alan_myers Posted November 24, 2008 Share Posted November 24, 2008 Jake, you really need both camera and lenses, I'm afraid. 30D and 20D might be an option, for less money. Leaving more for the lenses, that way. You really should have a 50/1.4 for portraits. Wider/fast for couples, full length portraits and groups.... Sigma 30/1.4 or the Canon 28/1.8 would be my choice instead of the Canon 35/2. The Canon 35/1.4L is a great lens, but pretty pricey. Work on replacing the 18-55 with something better, too... The IS version is a nice upgrade, but there are others to consider as well. You lack anything very wide. Sigma, Tamron, Tokina all make some good wide zooms. Personally I like the Tokina 12-24 about the best of the bunch, and it's wide enough for my purposes. Hate to ask... How are you set for flashes? Link to comment Share on other sites More sharing options...
gertle Posted November 24, 2008 Share Posted November 24, 2008 Jake, I have to agree with Alan M regarding bodies, glass and flash. For prints an 8Meg body can do well up to 8x10, if that is your target range the 20D or 30D would be a good primary body and your xt the backup. Leaving more room for glass and flash. For good yet budget glass you should look at the Tamron 17-50 f2.8 to replace the 18-55, the Sigma 30 f1.4 for low light normal view, as well as something for wide angle. If you get good glass now you can upgrade the bodies when you are able. Link to comment Share on other sites More sharing options...
haunting_your_thoughts Posted November 24, 2008 Author Share Posted November 24, 2008 Hello all,<br><br>Thank you for your responses. I am not Jake the Wrestler with the snake. Very funny photo though. <br><br>Alan, as for the Flash, I use a 580EX Canon Speedlite. It serves it's purpose very well, especially in low light situations. <br><br>At present I have only one body, the 3 lenses and a 580EX Canon Speedlite. A second body would be the next reasonable move along with the IS kit lens. After that, I would probably get the 50mm F/1.4. <br><br> Anymore ideas are welcome. <br><br>Thanks Link to comment Share on other sites More sharing options...
ben_cops Posted November 25, 2008 Share Posted November 25, 2008 +1 for the 50 1.4 although its obviously a bit long for standard on a crop sensor. The 35 1.4 *will* make your photos stand out. Maybe a used 20, 30 or 40d + a 35 1.4 if you can run to it, and forget about the zoom? Link to comment Share on other sites More sharing options...
neill_farmer2 Posted November 25, 2008 Share Posted November 25, 2008 For weddings an additional camera, for a hobby better glass. I'd want to replace that kit zoom too, I found my 18-55 too soft for my liking, I'm surprised people can make money with one. Neill Link to comment Share on other sites More sharing options...
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