rolf_g._katzenstein Posted May 31, 2002 Share Posted May 31, 2002 I have a 6X9 camera and I like to use it for extreme close-up work with flowers. Currently, I'm using a Rodenstock Apo-Macro-Sironar f5.6/120mm. Would I be better served by using a telephoto or compact telephoto lens. My camera is an Ebony SV23 and the bellows min/max75mm/420mm. I want to get 1:1 to 2:1, Link to comment Share on other sites More sharing options...
bob_salomon Posted May 31, 2002 Share Posted May 31, 2002 The lens you have is designed for what you want to do. The others would not give as good a result as you will lose resolution and contrast. <p> At the same time an Apo macro Sironar is not designed for infinity work. <p> To get to 1:1 with the 120 you have plenty of bellows. You will have about enough with 420mm of extension to reach 2:1. Link to comment Share on other sites More sharing options...
dick roadnight cotswolds Posted May 31, 2002 Share Posted May 31, 2002 I think you know that you have the best tool for the job, and that you are just trying to make the rest of us jealous - if you do not appreciate your Macro-Sinaron, I would gladly give you a few pounds for it! <p> If the camera is the problem, get another camera. Link to comment Share on other sites More sharing options...
mikhail_arkhipov1 Posted May 31, 2002 Share Posted May 31, 2002 You may also try to get 2-element diopters from Canon (250D) or Nikon for 58mm or 52mm and get 49-58mm step-up ring for the Sironar. Two element diopters are very good. I have been using them on 35mm and just began using them with exactly the same setup like you have (except my camera is Arca-Swiss 69F) Link to comment Share on other sites More sharing options...
ole_tjugen Posted June 1, 2002 Share Posted June 1, 2002 Lucky you, to have a REAL macro lens. I have to swap the front and rear elements on a 300mm/f4.5 Xenar (the only lens I have with the same mounting thread on front and rear elements), which means I'll need the big 5x7" Technika - because the lens is too big to fit on smaller lensboards, which again gives me just a hair better than 1:1 (61cm bellows). <p> Do I bother? No. I use a Linhof Color, whatever lens give the ratio I want at a reasonable distance, stop down a lot, and shoot. <p> If you want huge reproduction ratios with 420mm bellows, get a short lens. It doesn't have to cover your negative size - try a 28mm lens for 35mm camera! Link to comment Share on other sites More sharing options...
neil_poulsen1 Posted June 1, 2002 Share Posted June 1, 2002 Could one use a Componon-S for this type of photography, one that's mounted in a shutter. I know that one can mount a 100mm and 150mm in standard Copal shutters, I'm wondering if that's possible with a 75mm or an 80mm? <p> With that said, there was a macro M-Componon just on ebay that would have been ideal for this purpose. It looked like a neat lens, and was designed for greater than 1:1 enlargement. It was front mounted on a Copal 0 shutter. At 1:2, it would probably cover even 4x5, and definitely 6x9. With an 80mm, one is obtaining a depth of field advantage. Link to comment Share on other sites More sharing options...
emmanuel_bigler Posted July 5, 2002 Share Posted July 5, 2002 If you already have a true macro lens, you will not get a better image with a telephoto, on the contrary. A LF macro lens is symmetric and thus yields best results around the 1:1 ratio. On the contrary, a telephoto is asymmetric and optimized for infinity->focus images. Its advantage is a shorter lens to film distance than a regular view camera lens. Now if you mean : a longer focal length with a symmetric or quasi-symmetric lens, then there is an advantage to be further away from the subject, and around 1:1 the depth of field is independant from the focal length. Beware however that you'll need a bellows extension E=M.f where E is the required extension vs. the infinity-focus position and f the focal length, M being the magnification. for M=1 the extension is equal to f whatever the lens design might be. If you use a telephoto, the formula is unchanged ; simply you'll start from a a shorter lens-to-film distance at infinity, but the extension E will be the same. So with a 250 telephoto like the tele arton, you'll start with a lens to film distance of, say 200 mm becasue it is a telephoto, but at 1:1 you'll have to add 250mm to this ; eventually you'll get 450mm of total lens-to-film distance at 1:1 instead of 500 mm. So the advantage of a telephoto not taking image quality into account is not so interesting when you come to 1:1 ratio. Link to comment Share on other sites More sharing options...
emmanuel_bigler Posted July 5, 2002 Share Posted July 5, 2002 Yes you can use a componon enlarging lens for macro work. Optically an enlarger lens is not optimized for 1:1 but around 1:5 (from 1:2 to 1:10). So it is a good lens for close-up if not excellent for 1:1. Stopped down to the diffraction limit (f/16 or so) you'll be able to use it at 1:1 with a very useable image quality where the image circle is doubled from the nominal one at infinity : a 80mm enlarger lens will cover 80mm at infinity, but will cover a circle of 160mm at 1:1 ratio ; so it will just cover 4"x5". at 1:5 it will probably cover 6x9 cm. I have ordered a custom-made step-up ring that allows me to screw a M39 enlarger lens (compnon-S 80mm) to the front of a #1 shutter. This works fine. I've ordered this from SRB film service, UK. Scheider has on catalog focus mounts to adapt to enlarging lenses. THis is no very useful for a view camera but I think there are some threaded ring accessories that could be useful. Link to comment Share on other sites More sharing options...
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