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D700 vs D300 ISO - difference


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Though I am pretty happy with my D300, my commercial "wanderlust" got the better of me and I picked up my D700

from my local store today. The excitement was fairly quickly replaced with the beginning of buyer's remorse - for

an amateur, $2900 (sic!) if a hefty sum. After my wife actually let me through the door rather than making me

return my purchase, I needed to reassure myself and did a fairly quick and unprofessional comparison of what I

consider one of the D700 strong points, namely performance at high ISOs. I was pretty impressed and although the

small JPEG takes way from it, I thought I'd share<div>00QV2S-64049684.jpg.c69e8359d761225f064e513725197603.jpg</div>

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Noise is not so much the issue as is detail, or lack of it. Any noise reduction program can remove noise from photo. The more noise you reduce, the more detail you loose. The D700, like the D3, provided significantly more detail at low noise than the D300. And yes, the D700/D3 images will have some noise if in camera NR is turned off, but you still end up with more/excellent detail once you remove the noise.
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Frank, for a pro or a serious photographer, low noise/high detail is important. I like my personal pictures to look the best they can. My clients don't care or know about noise, they want great looking pictures.

 

For a pro, the price difference between the D300 and D700 is not significant considering all the advantages the D700 will give a photographer and his/her clients.

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<b>"...For a pro, the price difference between the D300 and D700 is not significant considering all the advantages the D700 will give a photographer and his/her clients."</b>

<p>

For a real professional - even the price of a D3 is well worth the investment for what it is capable of doing compared to the D300. (We own and use both bodies.)

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That dpreview that Dave Lee mentioned :-

 

http://www.dpreview.com/reviews/nikond3/page18.asp

 

...... is interesting because you can see the detail and the noise at the same time.

 

Up to ISO 400 the D3 and D300 look roughly similar in detail I'd say but at ISO 800 and beyond the D300 is noticeably worse.

 

That ties in with the noise graphs further down the page where you can see the yellow D300 noise curves take a dip at ISO 800 where the noise reduction starts to have a big effect.

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Elliot

 

"Frank, for a pro or a serious photographer, low noise/high detail is important. I like my personal pictures to look the best they can. My clients don't care or know about noise, they want great looking pictures."

 

No matter if professionals or amateur photographers, both have to admit that even the D300 delivers a better IQ than any 24x36 film slr. Have the users of single lens reflexes for film ever been so worried about noise as digital photographers of today are? Did they permanently discuss or complain about the "grain problem"? No. IMO people forgot very quickly how mediocre highspeed film was in comparison with today's digital camera performance - even with of a crop camera. The D700 with its bigger sensor size is less noisy than the D300? Sure! That's not a new finding. But does that mean that serious or professional photography needs a D700 or a D3? After having seen so many happy pros and amateurs with a D1, D2x and D200 not long ago I doubt...

 

"For a pro, the price difference between the D300 and D700 is not significant considering all the advantages the D700 will give a photographer and his/her clients."

 

Well, I think most people here are amateurs who use cameras just for fun as a hobby not to earn their living. Is it for an amateur really so important to use the best of the best of the newest, no matter what it costs? I don't think so.

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<b>"...Is it for an amateur really so important to use the best of the best of the newest, no matter what it costs? I don't think so...."</b>

<p>

Every amateur and/or professional will make that choice for themselves. They certainly don't need some "forum nanny" like yourself to tell them what they should or shouldn't buy. Perhaps you should just go out and shoot some images with whatever camera body that you own rather than trying to preach to someone else.

<p>

If your own means limit you for some reason to what you can afford - don't try to tell anyone else what they should buy or not buy.

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<b>"...No matter if professionals or amateur photographers, both have to admit that even the D300 delivers a better IQ than any 24x36 film slr..."</b>

<p>

And every photographer will admit that a D700 and D3 will allow a much better image to be captured at low light levels.

<p>

Your point?

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<I>Well, I think most people here are amateurs who use cameras just for fun as a hobby not to earn their living. Is it for an amateur really so important to use the best of the best of the newest, no matter what it costs? I don't think so.</I>

<P>

Frank, I am afraid that you are making some very incorrect assumptions.

There are plenty of amateurs who take better pictures than the avarage pros and some of those amateurs also own plenty of high-end equipment.

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And then you get into the argument "what is a pro?" which is meaningless. I know Shun is a pro, and I consider myself a pro, despite the fact that I do not earn my living shooting photos full time, just here and there.

 

I see the D300 as a pro-level body, just as the F100 was in its day. Certainly if you're a full-time high-end pro, you can afford the D3 no problem. I could just afford to pay off the D300 in six months with no interest (thanks to the 'Bill Me Later' option at B&H). I couldn't afford the D700 or the D3 at all at this time (a trip to London and Paris are currently being paid for this year).

 

The point is, there are a lot of extremely talented and knowledgeable photographers on this forum, and we all need to respect that fact. I love reading this forum and I learn a ton from all of you.

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We're already enjoying the benefits of low noise, high ISO performance through the photos coming from this year's Olympics. I'm seeing higher quality photos from some of the most difficult events to photography, such as fencing, which for some odd reason seems to take place in a dark alley. There are also some photos of cycling events that appeared to have been scheduled either at night or in the early morning before dawn.

 

Considering what I paid for the D2H on closeout a little more than three years ago the D300 and D700 represent some of the finest values ever offered.

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Russ:

 

"Every amateur and/or professional will make that choice for themselves."

 

I know and I fully agree.

 

"They certainly don't need some "forum nanny" like yourself to tell them what they should or shouldn't buy. Perhaps you should just go out and shoot some images with whatever camera body that you own rather than trying to preach to someone else. If your own means limit you for some reason to what you can afford - don't try to tell anyone else what they should buy or not buy"

 

Pardon me, that's a quite silly and aggressive reaction. Preaching? You should read again. I just gave MY opinion. If you don't like it maybe a public forum with controversial statements is not the right place for you?

Obviously the only format you accept is FX. Fine.

<dg>

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Shung:

 

"There are plenty of amateurs who take better pictures than the avarage pros and some of those amateurs also own plenty of high-end equipment."

 

I agree with you, but there are as many excellent amateur photographs taken with more inexpensive and older equipment. IMO the technical aspect of photography is often overestimated. I've got a notion that since the beginning of the digital era every camera is primarily judged by its high-ISO cababilities.

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Hi everyone! Those who turn on the NR on their D300 to Normal or High will definetely get bad results in terms of loss in sharpness. I think the best thing to do is to put it on Low NR and reduce noise using a software like PS CS3. Of course, I agree that the image quality will not be the same as the fullframes but you win some you lose some. Or if possible use a tripod and long shutter times with a lower ISO. Do the fullframe cameras gain an extra 150mm when a 300mm is attached? Is a D700 faster than 300 in terms of continuous shooting? No. Plus, D300 itself is lighter which makes it easier to carry around all day. Plus the lens you attach on it doesn't have to be a very long and heavy, attach a lens and multiply it with 1.5 without losing any pixels. What I'm saying is that while we have the DX we should just enjoy the merits instead of depraise.
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