leo_grillo Posted December 26, 2007 Share Posted December 26, 2007 I've read SOME posts on the Phase One Flex Adapter and the Kapture Group's Quad Stitch, but nothing from real users. Putting a Hasse back on a Sinar F2. Anyone using either of these? thx Link to comment Share on other sites More sharing options...
ellis_vener_photography Posted December 26, 2007 Share Posted December 26, 2007 Brooks Short, formerly moderator of the photo.net lighting forum. has a lot of experience with that set up. Link to comment Share on other sites More sharing options...
michael_notar1 Posted December 26, 2007 Share Posted December 26, 2007 i have a flex adaptor and a P25. send me an email with your questions. Link to comment Share on other sites More sharing options...
leo_grillo Posted December 26, 2007 Author Share Posted December 26, 2007 Thanks for the lead Ellis, I emailed Brooks. Link to comment Share on other sites More sharing options...
andy_shand1 Posted January 23, 2008 Share Posted January 23, 2008 would be good to see some of this on the forum ...interested in this myself. Link to comment Share on other sites More sharing options...
kelly_flanigan1 Posted January 23, 2008 Share Posted January 23, 2008 A method we used a decade ago with Phase One 35 Megapixel 4x5 back on makeshift adapted old process cameras was to keep the giant artwork and scan back fixed and shift the taking lens left and right; up and down and stitch the giant 4 or more images together for one giant image.<BR><BR>You use a lens with more coverage than say the four 7x10cm scan areas when overlapped. <BR><BR>Its interesting to see this decade old technique being used again. It was covered at at repro-printing conference in Reno back in the early 1990's; IRGA Reno 1993; folks then stitched together several pro <b>VGA</b> images together to make a megapixel giant image.<BR><BR>With our old Phase one rig a decade ago we would manually stich togther say four 35 megapixel images using photoshop on a server that was 200Mhz with 1 gig of ram running NT; to make one giant image. You have to watch for illumination falloff with your lenses and lighted subject/artwork; and any weird barrel/pincushion problems with lenses too so the stitch is easier. Link to comment Share on other sites More sharing options...
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