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Developer for a beginner for FP4/HP5


abiggs

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After looking around at different films, I settled on FP4 and HP5.

 

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I am now looking for a developer to learn and grow with. Most of my epxposures will be of landscapes, and I really want to be able to work with the 'shoulder' of the exposure. I hope I am getting the terminology right. From what I have read and understand, landscape exposures are more likely to be N-1 or N-2, instead of N+1 or N+2. If this assumption is correct, what would be a good developer to use with these 2 films? I would like to start with a developer that is forgiving of minor mistakes, such as slight time variances or mixes.

 

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I have never been in a dark room, so you won't insult me if you have very basic answers. Assume nothing!

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Andy, You could try checking out the Ilford web site and start by

using some of the developers that Ilford themselves recommend. As far

as N times are concerned, you would help yourself a great deal if you

got hold of a good book, something like Chris Johnsons "The Practical

Zone System". Welcome to the all-consuming world of DIY processing!!!

regards Paul

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Invest a little time in research of developers or find someone's

who's work you respect who uses the film you want to use and then

pick their brain about the developer they use and how. You will spend

one to two years (depending on time invested) learning the use the

developer of your choice with all the varitions that are possible. I

have my favorites, SD-1 Pryo, PMK Pyro, and Weston's ABC Pyro. Good

Luck with your research. Pat

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Good point. Looks like I will be revisiting some web sites of my

large format heros.

 

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I need to now question my film choosing. I was going to use FP4 and

HP5, based upon people I have met in the field.

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D-76 is very nice for both of those films. Fairly easy to control,

with beautiful highlight values. A good place to start is a dilution

of 1:3, 12-14 minutes (to be determined through trial and error...),

68 degrees, agitate 1st minute, and then for 5-10 seconds for every

minute thereafter. For film speed, a good place to begin might be ISO

200 for HP5 and 60 for the FP4. I think its been mentioned...find

someone who can help you run some tests for your equipment and

situations, and someone who can help evaluate your results. Its a bit

like learning a musical instrument; its going to take patience,

practice, and a sense of adventure. Have fun!

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My personal suggestion would be for HC-110. I started out shooting

FP4+ and developing in HC-110 and I still use the combination. I

found that the two worked together quite well for zone system

controls and I have never been let down by them. I would probably

still be using it for all my sheet film stuff had I not gotten hooked

on PMK (use it for about 85% of all my stuff now). Whatever you

choose, good luck.

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First of all, thank you so so much for all of your posts, both in

this thread, as well as others.

 

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It has been suggested to me that I start off with a different film

other than Fp4+ or HP5+. Tri-X has been the number 1 recommendation

for my beginner status. Apparently, it will be forgiving, yet

workable. As well, to use with HC-110 developer.

 

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Totally different thread now, but I am going to look into that, as

well.

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Andy, I can't see any point in changing your thoughts on films to

Tri-x. Screw that beginner status BS. I took up XTOL and HP5+ and am

happy. I also like the ideal of supporting Ilford for films, as they

seem more commited to B&W than Kodak. I took up XTOL primarily because

of what I read about it regardless of failure. (It's easy to check) I

also like it's low toxcity. FP4+ and Xtol is suppose to be a very good

combination suggested in the Film Developing Cookbook.

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