jermaine_scott Posted October 2, 2007 Share Posted October 2, 2007 i have a stupid question. maybe. when doing a portrait of someone with a rollei or tlr do you have the person look at the taking lens or do you compose and have them make eye contact with you? just thought i would see what everyone else is doing. im new to the rollei tlr. thanks. Link to comment Share on other sites More sharing options...
mawz Posted October 2, 2007 Share Posted October 2, 2007 It depends. That's the only possible answer. Link to comment Share on other sites More sharing options...
steve_levine Posted October 2, 2007 Share Posted October 2, 2007 Google "Joe Zeltsman", and read his portrait lessons. Link to comment Share on other sites More sharing options...
d_purdy Posted October 2, 2007 Share Posted October 2, 2007 If you want the subject to seem to look directly out of the picture at the viewer then they must look into the taking lens. Link to comment Share on other sites More sharing options...
david_m Posted October 2, 2007 Share Posted October 2, 2007 If you are shooting a couple, have them look at each other - much better than having them both look at the camera. For a single subject, often having them look away works well.<div></div> Link to comment Share on other sites More sharing options...
john_bellenis Posted October 3, 2007 Share Posted October 3, 2007 This is an interesting question as it brings up the issue of camera / lens height when using a waist level finder. I used to shoot a lot of fashion with a Rolleiflex and then with Hasselblads - with both WLFs and prism finders. The inherent problem is that looking down into the finder to compose, puts the lens below the model's face. When people look down it makes their eyes look smaller and isn't exactly flattering for necks and faces, or body lines either! (NB. As with all "rules" this can obviously be broken at times to good effect). The answer for me was a lot of stepladders, stairs, and getting the models in situations where, if the shot required eye contact, they were placed at or below the camera lens (seated or lying down worked too). As previously stated it is also important that they know to look directly into the lower "taking" lens and not the viewing lens. If you compose and then have them make eye contact with you, it can look a little awkward as they are looking just a foot or so above the lens. It can be better to have them looking off to the left or right, or if directly above, then a little higher. I would definitely advise though to always consider the height of the camera and how that affects the models eyes, composure and attitude... and invest in some step ladders (or crates). Link to comment Share on other sites More sharing options...
gnashings Posted October 3, 2007 Share Posted October 3, 2007 Uhm... there is a "correct" answer to this!? Link to comment Share on other sites More sharing options...
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