rjacksonphoto Posted October 4, 2007 Share Posted October 4, 2007 I have the 50 f/1.8 AF-D, the 50mm f/1.4 Ais, the 35mm f/2 AF-D and Ais, and the 35mm f/1.4 Ais, all Nikkors. I'm leaving at 5 AM for 10 days in Kauai. What's in the bag for low light with my D200? The Sigma 30mm f/1.4. It's a chunk of glass but produces really nice images. Link to comment Share on other sites More sharing options...
robert_marotz Posted October 7, 2007 Share Posted October 7, 2007 Lots of variation from person to person. I've used or owned most of the 50s and now own an old AIS 50/1.8, an AI 50/2, and I just recently purchased another 50/1.8D. In my experience, there's not a whole lot in it. My 50/1.8D was sharper than the 50/1.4 and the colors warmer than the 50/1.4, the older slow 50s, and the 45/2.8p. Edge performance was ho-hum until f/2.8, which I can live with. When I picked up a new F100, I debated for about 2 minutes about which normal lens I should get for it. I *could* have gotten the 50/1.4 or the 45/2.8, but I got another 50/1.8. Why? Because I don't care much about the insignificant differences between them, and rather enjoy the humble 50/1.8's character versatility. Although I used to scoff at the plastic construction...they've proven more durable than most of my all-metal manual lenses, so now I appreciate them a bit more. The 50/1.4, 50/1.8, 45/2.8 all have weaker contrast and sharpness, harsh "bokeh", and some degree of light falloff wide-open. The contrast and sharpness goes up, "bokeh" gets smoother, and light falloff disappears a stop or two down. In my opinion, the lenses have more similarities than differences, and the price is not an indicator of optical qualities. Link to comment Share on other sites More sharing options...
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