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Wow.. rare that I make a post like this..


joel aron

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But did you see what is selling on ebay? Out of respect of to not spam an ebay

link, if you have the time, just go to ebay, and search:

 

LEICA M3 PROTOTYPE

 

..it's real.. and wish I had deep pockets of cash, because as of 1pm PST, it's

up to $70k usd. with 2 days left.

 

It's just nice to see such detailed images of this amazing camera, if anything.

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<might separate the 'collectors' from the 'photographers.'>

 

Okay, I paused...and I thought...and here's what I came up with.

 

Photography is an art. So is camera design. Might not some people appreciate both arts? If I stop into MoMA to visit the print collection, are my credentials as a photographer somehow diminished if I visit the industrial design collection as well? If I buy a Movado watch, like the one in MoMA's design collection, instead of a Timex, does that separate me from people who really care what time it is?

 

So, nah, with all due respect, I don't think the responses separate the collectors from the photographers.

 

By the way, I don't collect...but I do admire a collectible item when I see one. ;-)

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Just a though on collecting.

 

I almost hate to say this, because it is such a game killer, but spending $70,000 + (reserve not met yet) indicates a personal decision to value the possession of this camera body above using the money to further benefit the commonwealth that supports one. I think this underlying concern is what makes some collecting seem aberrated.

 

How you perceive the condition of the world today and your part in it varies with degrees of perception and responsibility. From this comes evaluation of importances.

 

Jerry Seinfield buying a building in NYC to house his numerous $250,000 Porsches: OK, he earned his money making a popular TV show that many of us loved. His decision to consume so much wealth personally is part of his self determinism and god bless free will. However, its also ok for some of us to consider Jerry doesn't have much of a world view or see his role in it.

 

Some people produce more desireable products than others and are therefore conpensated at higher levels. Not everyone is equal in this way. These poeple often amass greater personal wealth than is required to survive comfortably for self and family.

 

The concept of "giving back" is becoming popular these days. But how much? Does this mean no one can buy a castle anymore? How do we continue to create the finer material things in life if there is no one willing to pay dearly for them?

 

I suspect we are entering an age beyond democracy and socialism in which models of social, economic and environmental integration that actually increase the survival of the commonwealth without limiting self-determinism and creativity, is the new to-die-for extravagance.

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Y'know, it seems to me that an artifact such as a prototype M3 belongs in Leitz's museum collection so that anyone who wants can go and look at it and appreciate it for what it: a monument to great industrial design and inventiveness. Too bad it'll disappear back into a collector's vault ne'er to be seen again.
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Collectible? The e-bay posting suggests that perhaps 16 more are still in existence. Sort of sets the market for the other ones, wonder if the seller has two. For those questioning price v. value,

how much would you pay for the 1955 Mercedes Benz 300SLR Uhlenhaut Coupe if MB ever decided to sell one of the only two in existence from their collection? That car is a large piece of mechanical art that might go for $3,000,000+ at auction.

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I'm glad that y'all accepted this post, and like Paul just said, it kinda made us think a bit.

 

As I type this, there is a 1932 Argus that sits on the shelf above my monitor. It may not get the use it once had, but by golly, it's a user, and that's exactly what I am.

 

If I had the cash to allow me to fly to Europe, and take ownership of that wonderful M3 masterpiece, I would load it with film as soon as it was in my hands, and click on my 50 DR for the flight home... light leak or not.. I would use that camera. When I get home.. it would take it's place on the shelf.. beside the Argus. No special treatment.

 

And as soon as I would wake the following morning.. I would then donate the camera to a museum here in San Francisco.. and if there was no such museum to accept the camera.. being rich enough to afford the camera, I would then open a museum based around that camera.

 

All this being said.. tomorrow, I am going to load the Argus w/ some hand rolled Efke 25, and hit the streets.

 

I hope that guy selling the M3 prototype at least gets what he paid for it. In my mind, there should be no reserve on that auction. It is what it is.. 1 of 65. One the scale of rare Leicas, this one ranks up there. ...New Yorker article or not... ..and who cares where he sells it.

 

To me, this camera is priceless, and I feel lucky enough to of screen grabbed each one of those images from the ebay page, to enjoy probably more than if I did have the camera here in front of me...because, dreaming of the blond bombshell, sometimes, is better than having it.

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I looked at the closeups of this camera body and it has some worrisome problems. While the top plate looks new, all the screws have buggered slots - look at the rewind knob for example. I think it's a "bitsa" - bitsa this and a bitsa that, put together out of a parts bin. I question the authenticity.
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