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Why 6x17 format vs. Cropped 6x12 or 4x5?


larry_huppert1

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I primarily shoot 4x5, but have been giving thought to the 6x17 format. Other than the obvious advantage of having a somewhat greater negative size, why not just shoot 6x12 or 4x5 and crop? If format inspires a different sort of visualization, you can always take a piece of mat board and cut a frame the correct aspect ratio so you can have a similar, but smaller experience in 6x12 or 4x5. It seems like the widest lens which covers 6x17 is probably the Schneider 72XL, while the Schneider 47XL actually covers an even wider angle of view in 4x5. I think Rodenstock might even have some Grandagons which would cover 6x12 that are even wider. So, why 6x17?
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It does come down to negative size and reproduction quality. To get an

approx 3:1 ratio shooting 6x12, you'd need to crop to 4x12. Which is

not too bad depending on your size of enlargement.

 

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Then, if you do this professionally, some clients can't visualize the

cropped image - these are those who like WYSIWYG, so some form of on

camera masking is useful (as in those 35mm PS 'panoramic' modes) if

you're thinking of 4x12.

 

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If you're thinking of shooting for stock, a full 6x17 is the standard

format for 3:1.

 

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FWIW, I recently saw some work done by an excellent architectual

photographer, and realised that if you're publishing "double trucks",

the 6x12 format requires little or no cropping for a full frame

picture.

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