Helpful hint...

[steve_clark1]

As my 5x7 is fairly old, nineteen hundred and thirty eight, some of the holders and slides were getting to the point of not working very well. The easy fix was to pull the slides out and rub both sides with a piece of crumpled up waxed paper. Also doing the outside edges of the holders makes them slide in and out of the camera nicely. Here`s the good part, at this point it does not appear to attract more dust than usual and seems to cut down on static electricity, which may in turn cut down on dust. Those of you that use large wooden holders may see the greatest benefit, as there is more surface area to deal with. I just tried this today, so your actual results may vary...

[light-zone]

Thanks Steve. And I like thie idea of a "Helpful Hint's" thread too.

 

<p>

 

Here's mine.

While travelling a month ago, I realized that Murphy's Law is no

joke. I had two 8X10 dark slides crack on me. Using black cloth

tape on both sides of the crack, I was able to make them light

tight for the remainder of the trip.

[david_grandy1]

My "helpful hint" is to suggest bringing a small fold up chair to a

field shoot.

 

<p>

 

I usually want to have the camera as close to the ground as possible -

just for stability reasons. Then I can take my little tripod

camp chair and sit and have a good look though the groundglass. I

find that when I'm in an awkward position or I'm kneeling on a pebble,

then I rush through the shot. And to me, "that's good enough" has no

place in LF photography. Since I'm taking more time for composition,

there is also an opportunity for my eyes to get used to the dark under

the focusing cloth. It's amazing how much more you can see when your

eyes have adjusted to the dark.

[michael_mutmansky1]

Good hints, everyone.

 

<p>

 

Mine is one that seems fairly obvious, but most people never think

about it until they have run into the problem.

 

<p>

 

I put a cable release on each lens, and curl it around the lens when

stored away. This keeps the cable release handy, and avoids the

inevitable searching through the bag for the CR.

 

<p>

 

However, even so, they sometimes fall off the lens and into the brush

or whatever, normally at dusk, when it will be lost forever, unless

you get bright RED or ORANGE cable releases. If you have a bunch of

older black ones, you can wrap a couple of wraps of bright reflective

or fluorescent tape on each one to help you avoid the loss.

 

<p>

 

This has saved me at least three losses in the last year and a half

alone...

 

<p>

 

 

---Michael

[david richhart]

Here's my little piece of advice... It's always nice to carry a

small portfolio of your work when you go out to shoot. Ten decent

contact prints in a baggie can work wonders. <p>

***** It gives curious onlookers something to do while you are

working. *****It may result in a sale or a job.***** Most important

of all, it helps explain what you are trying to accomplish. A great

aid when you need permission to take a photograph. <p>

[dave_schneider]

My hint is, be careful where you park!

 

<p>

 

I travel through central South Dakota about twice a year on business.

There is a photo opportunity that I have been wanting for quite some

time. I have tried several trips but either couldn't schedule myself

in the area at the right time of the day, weather didn't cooperate,

etc. I had one decent shot but was not pleased with the composition.

Scheduled my trip last summer with an extra day of slack time to

assure the shot. Park my car, hike about a mile up the hill through

the weeds. I set up my camera and realise why the composition was as

it was. MY CAR WOULD BE IN THE SHOT. Back down the hill move the car

further down the road, hike back up the hill, light has faded. Oh

well, there's always next year.