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Looking for a good Viewfinder


sol_campbell

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Sol, I can't give you an answer and save you money, however, I tell

you why I like the Linhof VF -which I use with my Linhof, and this

may help you in your search for a cheaper alternative.

I use the Linhof VF all the time to asess prospective subjects -

landscapes, and to determine the ideal focal length I need, rather

than for positioning the camera on the subject, which I could do also

if I wished. The Linhof VF gives you a fairly good idea of the

perspective that you will get with various focal lengths, unlike dumb

frames, which do not. To me this is a very useful feature. For use I

place the finder on a shoe -as used for flash units, and screw a tool

handle -as used on some drills, onto the shoe. This converts the VF

to a hand-holdable device which you can carry from a string around

your neck. Alone it is unwieldy to hand-hold, and yes, too expensive

to drop.

I have a Linhof but see no reason why you could not use it with your

Toyo although you may have to make allowances for parallax if the

Toyo has different dimensions than the Linhof. The viewfinder has a

range of 75mm to 360mm lenses and comes with a mask for 6X7.

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Sol you may also wish to consider the zoom viewfinder from Horseman with format masks either in 6x9cm or 4x5. In 4x5 lenses indicated are from 90 to 400 and in 6x9 lenses from 65 to 300. In reality I find these to be a little wider then indicated. The front format maskrotates for vertical compositions. And the viewed image is actually brighter then real life.

 

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Along with my spotmeter I consider this an essential piece of kit.

 

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It is still expensive but may be slightly cheaper then the Linhof.

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"What if you rotate your back 90 degrees for portrait format. Can

you rotate the viewfinder as well?"

 

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The mask rotates not the finder. Snap on masks are available for

6x6cm to 4x5" and the 45 mask is supplied with the finder.

 

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The finder is available in 2 versions. One calibrated in feet and

one in meters. It is set to zoom from 75 to 360mm. Custom

masks for format/lens combinations shorter ten 75mm and for

film sizes smaller then 4x5 are also possible.

 

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The above applies to the current black zoom version that has

been available for almost 30 years several earlier versions are

also out there used.

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Sol: The normal view from the Linhof VF finder even without masks is

not round but rectangular therefore you do not neeed a mask to make

it rectangular. The masks are available in 90X120mm for European

format, 6X7 and 6X9. When you are using 4X5 you need no masks.

A ring allows you to turn the rectangular view to portrait or

landscape view as you wish, with or without masks.

 

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Because I use the VF only to 'read' the subject while hand-held, I do

not bother with turning the finder ring around; I just hold it and

turn my hand around, instead of the ring, which would be slower.

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Sol, I recently purchased the Horseman finder,and find the accuracy a

bit dubious as it is very sensitive to eye relief. I often use it

with a 612 back,which aggravates the problem. By comparing that image

to the one on the ground glass,I`ve learned where to dial it in for

each of my lenses. I just spent a week in the mountains with it and

it made things much,much better in poor weather shooting.

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I have a question. Why would anybody pay that huge amount of money

for a viewfinder? With this kind of money you could get a very decent

PS or digital camera with a similar zoom range. Frame your shot, and

then divide the focal lenght with 4. That would be roughly 4x5

equivalent. And you actually have a camera you can use just slightly

larger then the viewfinder. So, what do I miss?

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Thanks to all with the many replies. It seems that my choice is

either the Linhof or the Horseman. The Horseman is slightly cheaper

but they are both VERY expensive. So which would be better the Linhof

or Horseman?

 

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I saw E-Bay and the Linhof viewfinders there seem to be quite

different from the one I see for $1195 at B&H. They are also much

cheaper. So what is the difference?

 

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Thanks again for all your help!

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I imagine that the e-bay adverts are older versions. But I can't be

sure as I don't use a seperate viewfinder. I can see why they may be

handy in choosing the correct focal length but IMHO they do not

replace composing on the GG.

 

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ARE THEY REALLY THAT USEFUL?? I would rather spend the money on

another lens!! Regards Paul

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Paul you are of course correct they do not replace the final composition on the gg. I carry my zoom finder in a small pouce attached to my backpack harness and therefore is readily available when confronted with a picture situation, it becomes a very quick and compact aid to composition. For me it saves a lot of wasted time and energy getting out the camera, setting up and then realising there isn't a picture after all.

Regards,

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Take a piece of cardboard about 6x7 inches. Cut a rectangular hole in

the middle that's 4x5 inches. Hold the cardboard away from your eye

at the distance that the focal length of the lens you want to use.

This also works if you cut the cardboard smaller and make a

proportionally smaller hole. Then just hold the board at a

proportionally closer distance.

This method will not be as cool as having something like a $1000 view

finder but you can drop it, step on it, run it over with a truck. You

can even give them away. Try that with anything that says Linhof.

Although, you could write Linhof on the cardboard with a pen; then

you have the best of both worlds!

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Even cheaper than a piece of card........hold the thumb and

forefinger of the left hand so that they form an angle of 90 degrees.

Now do the same with the right hand. Next twist right hand above left

hand so that the tip of each finger touches the tip of the thumb of

the opposite hand..... to make a frame, looks cooler than a card

window too!!!!! Seriously though!!! I found composing with a LF

camera a liberating experience when compared to smaller formats.

Using a seperate viewfinder would , for me anyway, take some of

the "magic" away from seeing that image on the GG. With a little

practice is it not fairly easy to determine what sort of field of

view you get with a particular lens without resorting to a viewfinder?

Seems that you might as well stick to 35mm and a zoom!!!!! I cannot

imagine it being a real problem to find that you need to select a

different lens once you have set up if it means that you maintain the

enjoyment of the BIG GG!!

(Prepare for flack!!!!)...Are viewfinders simply a fashion

accessory??!!!!!!! Regards (hiding behind the sandbags!!) Paul

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Some of us actualy use our LF cameras for work and not just for fun.

Shooting architecture or interiors or artic diamond mines on

location, working out whether tight, wide angle, 127mm, 135mm, 150mm

0r 210mm might work best on this particular view, bearing in mind

that I'm shooting through a doorway, trying to avoid my refletion in

that mirror over there, and then that bookself comes half into view

on the other side etc etc etc. Using a viewfinder makes it a hell of

a lot easier - I'm not changing lenses, shifting the bellows back and

forth, moving the tripod, till I find a view and lens that works

well. And when i's -15c I'm not freezing to death becasue of all that

as well.

 

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My Linhof finder saves a hell of a lot of time and also prevents

clients getting pissed off. (though it's a pain to use with glasses -

but I'm working on a solution...). As far as i can tell, there is the

old verion #1, #2 & 2a. I have the #1 - cost me $99 on ebay and works

fine.

 

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Works great for my LF street work too - just figuring a way to mount

it on my Super Graphic for that.

 

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Tim A

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I use a cardboard viewfinder at times, and find it useful. However,

there are times where something like the Linhof viewfinder would be

nice. Last week I was planning an interior shot with an architect.

The cardboard frame was better than nothing as a tool to help our

communication regarding a potential shot. I could image an optical

viewfinder would even work better.

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OUCH! Paul how could you, "fashion accessory". That would indeed be a

futile reason for choosing any piece of equipment.

Why do people choose to have fuel injection or turbo fitted to their

cars? For me its simply a means to an end. I've tried the card,

fingers but in the words of Bret Weston "there is no compromise".

Yours extravagantly,

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"The main functional difference between the $1300 NEW Linhof

finders and the $200 USED Linhof finders one sees on eBay, is

that the edges of the frame are perfectly sharp focused on the

new ones,"

 

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Not true.

 

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Current finders are zoom optics and at 360mm the image is very

large and easy to see.

 

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Older ones crop the image and when you get to the longest

setting the image is about the visual size of your small fingernail.

 

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Also current format masks won't fit and the current finder goes

from 75mm to 360 while most, if not all, older ones go from

90mm to 360.

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If you're looking for more economical alternatives, do not overlook

viewfinders for 35mm and medium format cameras. You'll have to

convert the equivalent focal lengths for 4x5, though.

 

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You can look at viewfinders for 35mm rangefinder cameras, old and

current. Most use a standard accessory shoe as that on your Toyo.

See <a href="http://www.cameraquest.com/classics.htm">Stephen Gandy's

CameraQuest Page </a> for information on old one you might find used

at a classics dealer or on eBay. You may also want to check out the

new Voigtlaender and Mamiyas.

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OOPS!! Appears that i may have offended the "professionals" out

there!! Maybe I should have rephrased my post and said "are

viewfinders worth considering if you only use your LF for fun?"

I personally feel that they are a waste of money, UNLESS your "life"

(photographically that is!!) depends on using one!! I am still not

convinced as to their usefullness. I am not a "professional" but if I

was there is no way I would have a "client" interfering with my work

to the extent that I hand over a viewfinder and offer them a look at

the intended view!! If this is how you work then GET A POLAROID BACK

( then they can have a little snap to view instead!!). But maybe its

not as cool as having a viewfinder strung around your neck!!

 

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As for "fashion accessories" sorry Trevor but I beg to differ!! EVERY

one of us MUST know of someone, with more money than sense, who has

bought a camera as the latest "toy". I personally know someone who

approached me after a lecture I had given at a photographic club last

year, who "boasted" that he had exchanged a 4 month old Wisner (at a

substantial loss)for an Ebony as he "heard" that the Ebony was

better!!!!!!!!!!!!!! I returned to the same club last week to judge

their competition and was approached by the same photographer who had

just part exchanged his LF kit for the "new" Contax 645!!!!!!!!!!!

The lenses are better he claimed!! He is not the exception, many are

swayed by consumerism.

As I said I am not a professional, but consider myself an experienced

amateur...I simply enjoy photography with a passion. Yet despite this

I am able to judge which lens to use prior to setting up the shot

without resorting to a viewfinder. "Visualisation" I believe some guy

Adams called it!!

There!! I'm now off my soap box and back to having "fun" with LF.

Regards Paul

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Paul,

 

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re: "...there is no way I would have a "client" interfering with my

work to the extent that I hand over a viewfinder and offer them a

look at the intended view!! If this is how you work then GET A

POLAROID BACK ( then they can have a little snap to view instead!!).

But maybe its not as cool as having a viewfinder strung around your

neck!!"

 

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I don't think you understand the process. Of course I use a Polaroid

when shooting. If the client is present, they look at and approve

the shot from the Polaroid. The thing I was referring to was a

preliminary planning meeting with the architect at the site prior to

the shoot. At such a meeting, I'll try to figure out the

intended "shot". The day of the shoot I'd much rather be

concentrating on fine tuning the shot and execution rather than

trying to figure out the shot. Ocassionaly I'll use a 35mm camera

just to record the space to keep my memory fresh, but I've never

brought my 4x5 to such a preliminary meeting (good use for a digital

camera). I've found architects wanting to be very involved in the

process. They often have strong opinions, but also want to hear how

you'd approach the shot. I don't have a viewfinder, but still think

it would be useful for these communications. A cardboard viewfinder

can still do the job, and has the advantage of being able to simulate

the effects of shift and rise/fall which a viewfinder can't.

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