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Dark Cloths


anthony_sanna

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A better one that what your MOM sowed 30 years ago? Good Lord man

what are you asking?

 

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Why not make another? I'd switch to black velveteen and white cotton

or sateen or something to save weight maybe.

 

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I always liked the size of the larger Zone VI one, 6'6" square. My

first one was just a piece of some blue material I found at a yard

sale. Now I'm using the largest one Calumet sells, poly-esther or

nylon with weights in the corners.

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I was a skeptic until I tried it but the BTZS darkcloth/hood sold by Darkroom Impressions. Easily the best darkcloth I've used in nearly twenty years of LF

photography; it is lightweight, very dark, adjustable, and packs up small. It has one drawback: because it is enclosed it can get really hot and stuffy in there in

hot & humid weather. But that beats than fighting the heavy Zone VI and other similar "horseblankets".

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Great idea Glenn! I'll try it and let you know. My Idea was to

sandwich some black plastic lightproofing material between pieces of

white and black ripstop nylon to make a light-weight/proof field

cloth. Of course, velcro to hold it to the camera and to close it at

the bottom and front would also be a must.

Regards, ;^D)

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If you try the one from Darkroom Innovations I don't think you will

ever use anything else. I won't lend you mine because I'm sure you

would not give it back. Just think...even with some breezes blowing,

black as night and two free hands. Only problem is that you don't

look like Edward Weston in the field.

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I have used the BTZS cloth also and like it,BUT I found that the

cloth had too much tension produced by the elastic to put it on and

easily remove it from the camera. I own a 4x5 Wisner and found that I

needed a 5x7 cloth. My ultimate revision--remove the elastic and

replace it with the cord and locks like those found on outdor

clothing--like a marmot or north face parka. So the cloth easily goes

over the camera and then you can pull the cords to tighten it to your

preference. That works well.

The BTZS is small, very light tight. The only superior approach I

have seen is a traditional cloth with velcro loops, white on one side

and black ultrasuede on the other. J. Sexton uses one like that. Very

nice.

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I use and like the BTZS dark cloths on both 4x5 and 5x7 (the 4x5

studio cloth will fit my 5x7 camera). However, a friend of mine made

his own out of the same material that parachutes are made out of. I

think I like it better but I haven't been able to find the material.

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Another vote for the BTZS cloth from Darkroom Innovations (now called

The View Camera Store, I believe). I think it's the perfect solution

to keeping your hands free for holding a loup and making adjustments,

etc., and for big cameras - 8x10 and up - it solves the frustrating

problem of light leaking in near the bottom of the dark cloth. The

extra "available darkness" these things provide make it much easier

to see what's going on at small apertures (and if Edward or Ansel

were alive today I bet that's what they'd be using, too!).

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I prefer the little spring loaded metal hoods that clip on the back of

the camera myself, supplemented, if necessary, by a lightweight black

cotton cloth that my wife made for me shortly after we were married.

 

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Very slightly off-subject from this: Most of the viewing problems with

GG screens are caused by the reflection from the unground side. A

couple of years ago I came across some Linotype-Hell glass carriers.

These were 5.5" square thin glass plates, anti-reflection

<i>multi-coated</i> on both sides - you know, a green "stealth"

reflection, a la Nikon filters - the full monty. Anyhow, I had one of

these ground and cut to size as a focussing screen, and what a

difference! No more staring at the reflection of my own ugly face in

the back of the camera anymore. I'd say it made about the same

difference as an extra stop on the lens.

 

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I don't have contacts in the printing industry anymore, so I can't say

if these carriers are easy to come by. I bought mine at a junk sale; 5

carriers (10 sheets coated glass) for #1! It's well worth trying to

find some IMHO.

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Pete:

 

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Interesting idea. For a similar solution, I wonder whether you could

use your stock ground glass and have the back side coated by one of

the folks who re-coat lenses? The reduction of reflections as you

described might be enough to make folding focusing hoods (of the kind

I am used to on a Toyo 45AII) really useful in more conditions. And

the fresnel on the Toyo is in front of the ground glass rather than

behind, so that shouldn't prevent you from coating the back. Hmmm....

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You might try making your own by using the waterproof, breathable

cloth used in outdoor clothing and tents for the outside. It comes in

colors so you can personalize your dark cloth & never get it mixed up

with anyone elses in the field. For the other side I sewed the

polarfleece or pile type material, using a light grey. It gives me a

nice looking darkcloth I can drape over my camera that is waterproof,

breathable and is able to be used over my shoulders in the rain, wind

and snow to help keep warm when needed. You can use other lining

material if you don't want the fleece. The waterproof material by

itself is pretty light tight & lightweight as well. Put some velcro

at the front, angle the darkcloth to fit a specific camera if you

want and velcro it around the back standard & ground glass. You can

cut the back area to fit behind your head if you like as well to

customize the darkcloth to your personal vision & distance needed for

viewing. If you want to get creative, use Pendleton wool inside for

the liner & make your own fashion statement. Or bright colors or

whatever you want. Just be sure to tell your mom of other relatives

you sure miss the one she made, no matter how good you can do in

making your new one.

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