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Contax System or new Leica lens?


sr.may

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I know that this is the Leica fourm, but I also know that many of you are like me and are addicted to buying and trading bodies and lenses and the like. I have found a Contax RX body with 1,4/50 and 2.8/28 new for a very decent price. I have always been intrigued by Contax/Zeiss, but have never owned or tried them out. The apparent age of the lenses, developed for the most part 10 years ago or more and the dated styling and features of the bodies has kept me away. Can anyone help me decide? I love my M and R gear, my Nikon AF too, but is it time to jump into Contax/Zeiss as well? Or am I spending money just to gain bag weight? It's the three pieces above or a new Summilux-M 1,4/35!
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What will the Contax RX allow you to do that you cannot do presently

with the equipment you now own? You have a M and R system, and a

Nikon AF camera as well? Am I missing something here? A 28/2.8 and

50/1.4 are available in every 35mm system; why would you buy into

Contax for these?

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This is so ironinc. I am just finishing selling virtually all my

Contax gear because I am totally pleased with my M6/35/50/90

combo. Oh, I do have a digitial for ebay transactions and e-mail

junk.

 

<p>

 

So if it we me, I get the 28mm Summicron M without hesitation,

but, that's just me.

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If it were ME I'd get the 35 ASPH...but the RX is (IMHO) the cream of

the Contax 35 crop - 95% of the functionality of the RTSIII with 65% of

the weight. The focus confirmation is pointless and useless, but can be

turned OFF very easily.

 

<p>

 

I sure wouldn't bother with more than 1 SLR system, though. Make an

informed choice, but CHOOSE! Cameras are for picture-taking, not body-

building!

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In the event you are looking for "German glass" by buying into the

current Contax system and Carl Zeiss lenses, I am quite certain that

it is actually manufactured in Japan by the "Carl Zeiss Society of

Japan", or something to that effect. I travel to Tokyo a lot on

business, and often visit the major camera dealerships to learn about

current developments. Regards.

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Well I am one of the few people ( on earth ? ) who uses an old zeiss

contarex . I have a 35mm distagon (60's w.german ) for it , and shoot

about 4 to 5 rolls of film a week . It's really a nice lens , but I

have come to the conclusion that it is no better than one from nikon

or canon (certainly less versatile ). To paraphrase the NRA's (

idiotic ) mantra , lenses don't shoot people , people shoot people .

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No auto-focus , no autoexposure , slow ( at night, the f/2 version is

at least $700 ) . Unless I am shooting something that is

motionless , having to meter by hand , transfer it to the camera ,

and then focus isn't always convenient ( and I would like a high

eyepoint finder ). I am finding that as I stick my nose into more and

more dangerous/dark spots , an autofocus, autoexposure camera may be

the thing for me . As much as I love the camera , I 'll probably sell

it and get a f100 and 35/2 . But that's just me , so please don't

take offense at anything that I've said .

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"In the event you are looking for "German glass" by buying into the

current Contax system and Carl Zeiss lenses, I am quite certain that it

is actually manufactured in Japan by the "Carl Zeiss Society of Japan"

 

<p>

 

True (except for some specialty lenses like the 16 fisheye and 300

2.8(?))

 

<p>

 

Bu of course all the parts and much of the pre-assembly of Leica bodies

takes place in Portugal - and many of the 'classic' Leica lenses from

1960-1990 were made completely in Canada. For that matter the CURRENT

Leica 80-200-R is made by Kyocera (read Contax!) - and not even the

"Zeiss Foundation".

 

<p>

 

If Zeiss or Leica is prescribing the glass formulas and shapes and

specifications, do you think the materials and machinery in the factory

'know' whether the people outside are eating sushi or bratwurst or

paella or (hmmm...what's a traditional Canadian dish?)

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