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The Art of Composition


paul_nelson3

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You've had a pretty comprehensive set of answers Paul but they partly

conflict as expected. I have learnt my strongest lessons by looking

at photographs by great photographers say Brandt, Kertesz, Adams etc.

and asked myself how I would have framed the picture. In many cases I

can see why my framing would have been wrong and ineffectual. You

will learn to see how they would view something and follow the same

ideas yourself.

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I agree with Anthony in that I have learned by studying the photos of

others, as well as a few classic painters. An example would be a

photo of a person placed at the edge of the frame, and facing out of

the frame, not into it. I think this can be powerful, and I don't

know that I would have ever thought of it on my own. BTW, it later

occured to me that Degas, in particular, might have been influenced

by photography! Maybe he was trying to emulate the spontaneous look

of a photo. In one of his paintings, of a ballet studio, there is a

man walking out of the frame at the extreme right. I can hear the

photo II instructor saying, "Now you should have been looking more

more carefully, and waited until he was gone. You want to include

only the important elements. The man is leading the eye out of the

frame, which is wrong." But is it? ALways?

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  • 1 month later...

Lines, straight, curved, serpentine .....are one of the basic elememt

of visual design.

<p> William Horgarth in "The Analysis of Beauty" had extensive

discussion on the beauty of serpentine lines.

<p> Lines play a even more important role in Oriental arts

 

<p>

 

<a href="http://www.greenspun.com/bboard/q-and-a-fetch-msg.tcl?

msg_id=001cLp">One Lines </a>

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