Jump to content

Can the 50mm 1.8 be used as a macro lens?


robertin_m

Recommended Posts

It depends on what you mean by macro lens. Quite often, normal prime lenses will focus as close as a lot of "macro" zooms will. If it would focus to 1:1 (life size image on the film), then they would market it as a macro. How close do you need to go?

 

You can also buy reversing rings fairly cheap and extension rings for more money that will let you get closer with a prime lens.

Link to comment
Share on other sites

On B&H's site, they show the Nikon Normal AF Nikkor 50mm f/1.8D Autofocus Lens having a magnification of 1:6.6. IE, maximum size on film is 1/6.6 the life size. You blow up a 4x6 print about 4.2 times when you enlarge. So if you shoot at minimum focusing distance, then make a 4x6 print, the object on the print will be about 2/3 life size, if that helps.
Link to comment
Share on other sites

Yeah, sure, why not? Not as good or as convenient as, say, a 55 MicroNikkor, but if you have a 50/1.8 and extension devices or diopter lenses go ahead. The best lens you have now is the one you have now.

 

About reversing it, not good advice. A general rule is, if the lens is designed to be used at magnfications below 1:1, e.g., for general out-and-about photography, use it mounted normally up to 1:1, reverse it for use above 1:1. This because the lens is optimized for "large in front, small behind." But if the lens is designed to be used above 1:1 like, e.g., the 63/4.5 Zeiss Luminar, then it doesn't need to be reversed when used as intended.

Link to comment
Share on other sites

Robby,

How confusing all of this must be. Almost any normal lens in the range of 20-135mm (not a tele design) can be used reversed but you will find that the only practical way to focus is to move the camera/lens closer or farther from the subject. It is a pain for all but copy work.

 

Speaking of copy work, a reversed lens usually will not have good focus at the corners of the frame and at the center simultaneously when the subject is a flat surface unless you use certain "best kept secret" lenses such as the 50mm f2.0 or a well-designed true macro lens. Two things make a true macro (or micro) lens; extreme movement away from the film plane when focusing and acurate corner to center focus on a plane subject near the front of the lens. The optical designers don't usually consider what happens when you reverse the lens to photograph a postage stamp.

Link to comment
Share on other sites

Create an account or sign in to comment

You need to be a member in order to leave a comment

Create an account

Sign up for a new account in our community. It's easy!

Register a new account

Sign in

Already have an account? Sign in here.

Sign In Now
×
×
  • Create New...