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I think a 24mm f/2 would be a good idea.


Rob F.

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Nikon makes a 24mm f/2 Nikkor. It is not quite as good as their

f/2.8, but when you need f/2, it's pretty good. It can't be that

tough to equal or exceed it, whether by Leica, Cosina, or Zeiss.

 

It occurred to me while shooting under low-light conditions

recently. I could even have used a 21mm f/2, but in the interests

of not being overly demanding, I'd settle for a 24mm.

 

What say you? Anyone else feel this need? You know, we clamored

here for a 50/1.4 ASPH, and a 75mm f/2 ASPH, and they both

happened. So if we were to make noise about a 24/2, then . . .

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I really enjoy my Natura Black. It is about the same size as an Olympus XA - the Natura is a

bit wider but also a bit shorter, and they have approximately the same volume.

 

It's a really nice little camera, with the important controls such as exposure compensation,

infinity focus, and flash off that are typically found on higher end P&S cameras. Also, it has

the fastest and widest lens in a new P&S that I have heard of (excepting the GR21).

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It took me a while to get the hang of my CV 25mm f/4, but now that I've learned it, I like it a lot. It's a good jump down from my 40mm. But YEAH, having anything better than f/4 would be great. Now, f/4 does give you almost all the DOF you need, but being able to open up and use faster shutter speeds would be great. I think you're talking a big chunk of glass, though, if it will be up to Leica standards.
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If you really need the extra stop, you could probably adapt the Canon FD 24mm f2.0 or the Vivitar FD 24mm f2.0 to Leica M mount. I think a couple of other manufacturers made 24mm f2.0's as well.

 

I think a 24mm Summicron is doable, but the question is image quality. I doubt the Canon FD 24mm f2.0 and Vivitar 24mm f2.0 could compare to the performance of the 28mm Summicron at f2.0. I don't know where Leica would draw the line on image quality, but it's got to be somewhere around there.

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I agree with Bill. A 24 F:4 would be a perfect light and small travel lens and probably would do very well in the market place.

 

I'd also like to see Leica bring back the 35mm F:2.8 Summaron to add to the 35 series. It would be a somewhat smaller and without aspherics, a cheaper alternative to the lux or cron. It might be marketed as "the B&W" lens.

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Lets call it the 24/4 Elmar ASPH available in Black chrome to mount on my 11f weighing 210 grams and a 39mm uv filter attached to it. Then they have something going. Oh no I don't know if we can do that, lets instead make a 24 summicron weighing a ton with a $3000.00 price tag.
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