tim_robinson Posted July 21, 2001 Share Posted July 21, 2001 Holga with plastic fantastic 60mm . The overall look of the photo's i have taken with the Holga are very similar to those i have taken with my 50mm noct, same fall-off and edge aberations & at $16 US you can't beat it. Link to comment Share on other sites More sharing options...
victor_randin Posted July 26, 2001 Share Posted July 26, 2001 re: Holga <p> Tim, is it a single malt? Link to comment Share on other sites More sharing options...
victor_randin Posted July 26, 2001 Share Posted July 26, 2001 re: Holga <p> Tim, is it a single malt:?) Link to comment Share on other sites More sharing options...
MTC Photography Posted July 26, 2001 Share Posted July 26, 2001 Minox CLX <P><IMG SRC="http://www.minoxlab.com/Minox_CLX_info_homepage/image/Minox_CLX_0 1.jpg"> Link to comment Share on other sites More sharing options...
joe_buechler Posted July 28, 2001 Share Posted July 28, 2001 If I had to do it over again, I'd do the same thing: Classic M6, current 50mm Summicron. <p> Joe Link to comment Share on other sites More sharing options...
damond_lam Posted July 28, 2001 Share Posted July 28, 2001 My first choice is M6 + 50mm Noctilux. With today's fine-grained fast films, the combination provides huge flexibility with or without the sun, with or without tripod. Noctilux is expenisve, but is only 15% more expensive than the 35mm Summilux, which is my second choice. D. Link to comment Share on other sites More sharing options...
david enzel Posted August 4, 2001 Share Posted August 4, 2001 M6 TTL .85 with the current 50 summicron. I love the 50 mm focal length and the 50 summicron can't be beat. Link to comment Share on other sites More sharing options...
peter_hughes1 Posted August 5, 2001 Share Posted August 5, 2001 M3 w/50mm f/2 Summitar. <p> I've got MF, I've got digital, I've got the lastest whiz-bang 35mm SLR. The Leica/Summitar gives me something completely different. <p> http://www.ravenvision.com/peterhughes.htm Link to comment Share on other sites More sharing options...
marco_grande Posted May 17, 2002 Share Posted May 17, 2002 M3 (>1.0 million) modified to focus to 0.7m (does anyone know who does this, and at what cost)and 11817 Summicron. Link to comment Share on other sites More sharing options...
emile_de_leon9 Posted May 17, 2002 Share Posted May 17, 2002 M6 classic and Noctilux....no doubt out about it. 2nd choice...M6 and DR summicron. Or maybe subtitute the M6 for an M3.....Hmmmmm Link to comment Share on other sites More sharing options...
arie2 Posted May 17, 2002 Share Posted May 17, 2002 M6 TTL, .85 + 50 Summicron. Link to comment Share on other sites More sharing options...
leicaville Posted January 2, 2003 Share Posted January 2, 2003 M6 Black classic .72 and Konica M-Hexanon 50mm Link to comment Share on other sites More sharing options...
tom_holum Posted July 13, 2003 Share Posted July 13, 2003 If I were restricted to a compact camera, it would certainly be an M3 SS with the Dual Range Summicron. When looking through the viewfinder with the right eye, and keeping the left eye open, the 50mm frameline appears to be simply floating in open space, and you almost forget that you have a camera to your eye. But for quality of the final print--and pleasure in handling a superlatively-engineered machine--I would keep my Rolleiflex 2.8F (Planar). It's strange that the M3 with DR Summicron was my first professional-grade camera, purchased over thirty years ago, and after spending many thousands of dollars on cameras and lenses since that time (including a half dozen leica bodies and a dozen additional leica lenses), nothing but the Rolleiflex equals that first camera and lens for sheer instinctual photography. Tom Holum Link to comment Share on other sites More sharing options...
allan_yates Posted April 30, 2004 Share Posted April 30, 2004 MP body with 0.72 finder and 50mm f/1.4 Summilux - both in black. Link to comment Share on other sites More sharing options...
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