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exposing and scanning chromogenics


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Exposing Ilford's XP2 Super at about ISO250 gives me smoother tones and much better shadow detail, and the negs scan very well:

UP Observation car

 

Fuji's Neopan 400CN, if you can get it (not sold in the US) seems to work well at 400 and scans easily. Haven't tried it with wet/darkroom printing.

Haven't used the most recent version of Kodak's chromogenic B&W.

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