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1D Mk11 lacks B&W?


charles_hansen2

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Being a 20D owner, I was excited to play around with my friend's

1D Mk11. I was raving how great my 20D's B&W setting is, especially with

the red and other filters, and my friend seemed perplexed, as she's

never seen that function on her $4,000 camera. After playing around

with the camera, I too, never found the B&W setting. Is there one we

both missed? If so, what's the menu navigation? Thanks.

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More is not always better. There are perfectly good ways of converting a color picture to B&W in PhotoShop (with much larger degree of control too). There are many good reasons to buy a $4000 camera, but automatatic converting to B&W is not one of them (or at least not the most important one).
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i really dont mean this to sound arrogant, but even if my camera (1ds MkII) had that feature, i wouldnt use it...and my final images rarely end up in color.

 

shooting in color really gives me options. it even lets me see if the image is actually stronger in color.

 

steven

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Yeah, that's a feature for beginners and the spec sheets. Folks with 20D's who know how to

use the Channel Mixer in Photoshop have noted that the 20D's B&W mode is pretty weak

anyway.

 

B&W is always better with the channel mixer. It's like having an infinitely variable set of

color filters, all of which can be applied post-exposure.

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I like it and I'm not a beginner. I seldom use colour.

 

It only converts to BW if you shoot jpg's.

 

I shoot Raw, which still gives a colour file, which you convert later.

but the BW preview is nice. The Canon RAW conversion software does a good job most of the time.

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There are many good reasons for a camera to have a black and white mode built in, and claiming that you wouldn't own one if it did is absurd. No one forces you to use features on a camera.

 

Shooting RAW+JPEG but being able to see a preview of the scene in B&W is a fantastic tool. Not everyone can visualize (n) minutes or hours in front of Photoshop with the channel mixer while in the field. Given the fact that the LCD doesn't do anything to show you a final result to begin with, it's absurd to claim there is something inherently wrong with seeing an image in b&w on the LCD. If you're shooting RAW, all the color info is being recorded anyway; I don't see a compelling reason to not have it as an _option_.

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Now Rob, I'm sure Canon had a good reason not to include the B&W mode in their flagship camera, just as they didn't include PIC shooting modes. I'm sure there are also people out there who would like to see PIC modes on the 1Dmk2 but canon just wouldn't be targeting the right market segment by the inclusion of those features. Very same reason that most dSLR photos are not super-sharpened and super-contrasty straight out of the camera - they expect most of the people who own these cameras to do some photoshopping afterwards anyway. Of course, there are people who do like that P&S look (a guy I was reading on dpreview started a thread saying how D70 was terrible because it wasn't sharp and stuff and how his P&S was much better) but to position their products the right way, Canon might just have to make these sacrifices and alienate certain consumer groups.
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I own a 20D, and although I think the built-in b/w conversion is nice, I hardly use it. Alot of time I just use it so see the effect of the filters on the LCD screen but most of the conversion is done in photoshop. That's because, like many people say here, it provides better control. Thanks.

 

atan

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Here is a shot I took in color in istanbul with my XT/350D which does have an in-camera-B&W mode:

<p><img src="http://www3.sympatico.ca/askintaner/photonet_post/taner-constan-026.jpg"></p>

Although I like it in color, I prefer this look:

<p><img src="http://d6d2h4gfvy8t8.cloudfront.net/3624730-lg.jpg"></p>

In PS, I used layers for B&W conversion; some areas of the image have a red bias, and other parts, green bias. Then I applied the sepia tone, and finally introduced some 'grain'...

<p>

I cannot think of many good reasons why you would want to shoot in B&W, although I must acknowledge that I prefer having my mind made up between color and B&W (as a final image after a PS conversion that is) before I take a particular shot.

<p>

Cheers.

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So, shooting in color allows you to apply various Photo Filters to enhance the image and then

a variety of B+W conversion attacks (from Channel Mixer, to LAB to Actions). There are some

actions out there I think that emulate popular black and white film response given a color

input. It's just a lot more flexible than I would think any in-camera conversion can achieve.

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  • 2 weeks later...

<< >>Not everyone can visualize (n) minutes or hours in front of Photoshop with the channel mixer while in the field<<

 

How did you shoot B&W film? >>

 

It comes with experience of course. Are you claiming that someone has to have shot B&W film in order to buy this camera? There's no "experience" pill to take, and therefore one can not be expected to know what it will look like in the various permutations of "B&W" that can be produced electronicly.

 

I'd also argue that there are a number of professional or advanced amateur photographers that have never shot B&W film (or film at all). Why should they be denied a useful feature like B&W preview in camera?

 

Elitism like this in the world of photography is strange at best and sad at worst.

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