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fyi: Canon 20D light meter is set for 18% reflectance


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(a controversy about this issue arose elsewhere. i thought the

following email exchange with Canon USA would be of interest to

readers of this forum.}<p>

i emailed the following query to Canon USA's eSupport:

<p>

<i>is the reflectance measured by the light meter in the Canon 20D

measure 12%, 13%, 18%, or what?</i>

<p>

i received the following reply (which is consistent with my own

tests):

<p>

<i>Dear Guy Catelli,

<p>

Thank you for contacting Canon product support....

<p>

The light meter is set for 18 percent.

<p>

If you have any further questions feel free to respond to this

email....

<p>

Sincerely,

<p>

Jason<br>

Technical Support Representative</i>

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I believe that Kodak now ships their grey cards with instructions to compensate. <P>

 

There was a photo.net discussion <A HREF="http://www.photo.net/bboard/q-and-a-fetch-msg?msg_id=000eWN">here</A>. <P>

My money would be on 13% though there is some variation in meters.<P>

 

I would trust a Canon "Technical Support Representative" about as far as I could throw them. Tech support is typically provided by minimally trained people with "expert" systems. Eventually, with persistence, you can get a hold of someone who knows what they are talking about. I know people who have had good luck talking with the guys at the repair facilities.

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there's no controversy...and the technical details of 18% vs film/sensor/luminance/meter calibration is NOT limited to one specific camera (or meter) manufacturer.

 

Best thing YOU can do to end "the controversy" is...go out and take some pictures ;)

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To put it another way: my Canon 10D gives me the same readings as my Sekonic hand-held meter. Furtermore, readings taken with the Sekonic translate perfectly on the 10D sensor, just as they did on film. Does that make Sekonic "controversial"? Hardly.

 

The % "debate" has been going on for millions of years, ever since cave men first discovered fire as a source of light for indoor shots. Even then, there was much talk about how to compensate for dark fur vs. white fur...

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well, actually, you have to consider all aspects at once.. All steps to get to the top of the stairs... the composition, the subject, the lens, the background etc... then the initial meter reading, the color correctness or WHITE BALANCE, then the histogram. then theres creativity... I never cared what the meter was calibrated to, can someone point out a reason or three that I should care?
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"All meters in all cameras in all places all over the world are always calibrated or manufactured to read an average scene of everything the light meter "sees": 18% gray or zone 5 in a simplified zone system." <br><br><a href="http://www.bythom.com/graycards.htm">No</a> and

<a href="http://www.photo.net/bboard/q-and-a-fetch-msg.tcl?msg_id=000Til">no </a>and

 

 

 

<a href="http://www.photo.net/bboard/q-and-a-fetch-msg?msg_id=006kMK">no </a>and

 

<a href="http://www.richardhess.com/photo/18no.htm">no.</a>

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