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leica m7 w/ voigtlander 15mm. opinions?


madkins

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hey there. . . .

 

i'm planning on buying an m7 and was thinking about getting a 15mm

cosina lens. . . . has anyone used this lens with an m7? when using

the adapter ring, does the lens function with the m7's ae? also,

does voigtlander supply a good accessory viewfinder for that lens?

 

thanks for your help with this. . . .

 

hehe, oh. . . and any photos you have taken with it would be awesome

to see!

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Michael

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I've used it on an M6 and it's a good lens for the money. 15mm is _very_ wide but it goves a unique view on the world.

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The supplied viewfinder has a lot of barrel distortion - which the lens does not - but is perfectly ok. Framing a lens this wide on a rangefinder is always going to be a bit hit and miss.

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I took this in Paris outside the Hotel de Ville, the swirling effect was caused by panning the lens.

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<img src = "http://www.steveunsworth.co.uk/PAW/Images/week05.jpg">

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The AE is not affected in the least. However, the lens does not couple to the rangefinder, so you'll need to scale focus. As others have already said it's a very good lens for the money, but IMO it in no way measures up to Leica glass.

 

It comes with its own finder. This is the best value of the whole package IMO. This finder very well made and is as functional as any Leica bright-line finder made by Leica.

When you come to a fork in the road, take it ...

– Yogi Berra

 

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I love mine! I keep it on a Bessa L most of the time but use it on my M bodies and CL on occasion. The finder is one of the best I've seen but I rarely use it, even when I'm not holding the camera at arm's length pointed back at myself...LOL ~I mostly just point and shoot, and I've gotten quite good at knowing what'll be in the frame. Here's some shots with the 15:

 

http://www.photo.net/photodb/folder?folder_id=489236

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Anhtu, the "trick" is mostly practice, but I cheat too. My arm is bent so the camera is only about 1/2 meter (just under 2 feet) away from me, and if you look at the viewfinder you can see the eyepiece through the front of the finder. If you can't see the eyepiece then you're out of the frame. I try to place the eyepiece close to the edge, but not always right up against it. Once in awhile I do get some arm in the photo. I usually shoot 4 or 5 frames, both to assure framing and because I'm often shooting at fairly slow shutter speeds. I try to find something to brace my hand against, the wall, a chair back, or such because many of these were shot at 1/15, 1/8, even a few at 1/4 second. Still, I'm amazed that I usually manage to get about three "keepers" on average per roll. I'll be posting another batch in a day or so, and I still have a bunch picked out to print up, plus more in the camera ;-)
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Al, can you please explain how to make frames like those you have around your prints when printing under the enlarger. I'm kinda new to darkroom and would like to give my 8x10 borders like that. Thanks, Aleks
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It's done by filing your negative carrier so the opening is bigger than the image area. This lets you print a bit of clear film all the way around. These days the wedding and portrait folks are big on "sloppy borders" so I don't much worry about the fact that the carrier isn't filed out too neatly. I used to always use a Saunders four-way masking easel so I could not only center the image on the paper but also make nice neat thin black lines all around.

 

Back in the 60's it became fashionable to file out the carrier to prove that you were printing full negative, not cheating by cropping! And just think, we didn't even have the option of zoom lenses back then.

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and i also think that back in the 60' people took much better photographs than they do today:-)

Thank you very much for the info. It seems very easy to do, i just didn't think of it on my own.

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It works fine. The rear group of elements don't portrude far enough to affect the meter. I used it in manual because too much sky will throw the AE off unless I keep my finger pressed on the release, which is a PITA. I aim it at a patch of grass of light asphalt, meter, open one stop, then leave it until the light changes.
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I have the 15mm and enjoy it. Like all say, it is very good and great value. I also have an M7. But after a fellow member suggested it, I bought a Bessa L for $69 from Gandy and leave the 15mm firmly attached to it. Very convenient way to add a superwide when shooting "normal" with my M7. The Bessa L is simple and easy to use with the 15mm.
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Just a sober note re the 15mm. It can't take filters without vignetting. On the positive side, you can fit it to any post 1931 Leica, any old piece of Russian **** (& I love them) , any old Canon. Because there is no filter factor, you don't need an M7, just a hand held light meter, and any old piece of rubbish.
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