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I take it all back - IS technology on tele-lenses is a must!


taner

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I take it all back - I had said here on numerous occasions, that

unless you are a pro, IS was basically a 'gimmick' which could never

replace a tripod...

 

Well, I have not changed my mind about the 'never replacing a tripod'

part, but it is damn well gimmick. I have been playing around with my

new toy, a second hand 300/4L IS, and I regret not having 'discovered'

IS before. With long lenses, it is absolutely a no brainer. Thanks for

'convincing' me to go with this lens as opposed to the 400/5.6L Steve

(the fellow photo.net member I bought the lens from).

 

If you have been doing tele shooting without IS, you owe it to

yourself to give IS a try. Here are some surprising results for me - I

have spent no more than 4-5 hours playing around with the lens since I

bought it, and I am already nailing 'acceptable' shots (8x10 or

smaller) handheld at speeds of 1/50 - 1/60 sec... Imagine what

experienced shooters can do with their newer generation IS technology.<div>00G9lt-29590784.jpg.342c8acb01f9e72258a54550fa1e020f.jpg</div>

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Far be it from any of us IS aficianados to say anything remotely like WE TOLD YOU SO, or some such, as we are an understated bunch of folks

 

Wait until you see the keepers you get from, e.g., moving boats, long range crops, and other situations that you'd given up on a shot<div>00G9mw-29591584.jpg.c061ae2b62699cdad30d780c738ee892.jpg</div>

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recently I was taking photos of the Sydney opera House from the Harbour Bridge which vibrates each time a car/train went by. Tripod was useless in that situation and the IS on both my wide and tele lenses allowed me to capture decent photos at dusk. Same goes when I am in a car, boat, train, or when my heart is pounding and legs wobbly from carry all the camera equipments around. IS is the main reason I buy Canon lenses and not the third party ones.
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<p>I take it, then, that you're pleased with your new toy? :-) I really did like that lens, but when I went from film to 1.6-crop, I found it was getting too long for me. Great for air shows (yes, you should definitely look forward to using this lens at this year's CIAS), but I only shoot zero or one of those a year.</p>

 

<p>Now that you're getting used to handheld IS, try it on a monopod. Still not as good as a tripod, but IS on a monopod is better than IS or a monopod alone, and there's just no comparison between handheld and IS+monopod. Ever since I got a monopod to go with my IS lenses, my tripod has seen very little use, which is fine by me since I don't enjoy setting up and tearing down a tripod.</p>

 

<p>Don't forget to turn IS off if you're using a solid tripod. This lens lacks the tripod mode found on newer IS versions.</p>

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Hi, A.:

 

I've always respected your opinions in these threads, so I just wrote off your anti-IS comments as "different strokes for different folks."

 

I got my first IS lens at Christmas: a 24-105. Not so long, but as mentioned above, *great* for low-light shots of static subjects. I'll be hard pressed to buy another lens -- especially a zoom or long prime -- without IS!

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Hey Steve, yes I do like my new toy. Thanks again. Although I have not been able to reach a definitive verdict on the sharpness of the lens vis-a-vis other copies or L lenses covering the same focal length, my basement studio shots indicate that it is indeed critically sharp @ f/5.6-8 (eyelashes). Especially given the new possibilities the IS technology presents (and let us face it, I am more of an urban shooter, not a bird fanatic), I am satisfied with its performance wide open.

 

Hi Jon, thanks for your kind words. I guess it is a positive quality to accept one's mistakes (depending on the frequency too!), and I was wrong. I usually try to base my comments on my (admittedly limited) experience; I guess I should stick with my principle more often. Cheers.<div>00G9td-29593784.jpg.81c39952170160a620b672491f1cf68f.jpg</div>

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Welcome to the club. As they say, better late than never. Like Tivo or car navigation systems, image stabilization is one of those technologies that needs to be tried to be believed; and then you're hooked and wonder how you ever did without it. I could never understand why anyone would spend "L" money to try and squeeze out the best image possible, only to waste it shooting blurry handheld images.
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Welcome to the club, indeed. We shall never bring up your previous beliefs here again. Now you need to convince yourself that 70-200IS is worth the money. <br><br>

 

<center><img src="http://k41.pbase.com/v3/35/596435/1/49732546.Anhinga.jpg"></center>

<center><i>20D + 70-200IS + 1.4x Extender @ 280mm (x1.6 for 20D), 1/160 sec, f/4 (wide open), hand-held.</i></center>

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The 300/4 IS was my first IS lens and - like you - I preferred it over the 400/5.6 due to the IS. When I bought it, my longest lens was the 200/2.8 and I got sharp shots with it till 1/180. And suddenly, 1/60 sharp shots with a 300mm lens? Yee Pee Ka Yeahhhhh.... :-)

 

Yes, IS is indeed invaluable in long lenses. I now have the 70-200/2.8 non-IS and will be selling it in a short while to be able to buy the 70-200/2.8 IS.

 

Oh, how I envy Minolta 7D users.... :-(

 

Happy shooting,

Yakim.

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