shawngibson Posted February 7, 2000 Share Posted February 7, 2000 I just purposely exposed Delta 400 (120) at my normal ISO, and then developed the shit out of it (13 minutes in pyro at 80deg.). I have a practically 2-tone negative from the mids up. It's gross! I was going for grain, and I figured Delta could handle the extra time, but my model's face looks like Tech Pan at 15 stops over exposure. I wanted to try it with Delta because I love it normally...maybe should'a used old tech. <p> Any similar experiences and (hopefully) fixes for the next time...? <p> crap <p> shawn Link to comment Share on other sites More sharing options...
shawn_stupidpost Posted February 7, 2000 Share Posted February 7, 2000 A bit more info might help: my normal time is 8-9 min depending on what I've shot. And I was doing this because I've heard that some of the images I really like are over-exposed+overdeveloped Polaroid material. I figured I might be able to get something remotely similar... Link to comment Share on other sites More sharing options...
barry_schmetter2 Posted February 7, 2000 Share Posted February 7, 2000 Shawn, <p> From my experience, the T-grain films (Delta, TMAX) do not overdevelop gracefully. Even underexposing and overdeveloping will rapidly increase the contrast to the point of blowing out a lot of detail. I think the conventional grain films are a better bet for grainy, but detailed effects. Pyro is also probably not a great bet for extended development times. Maybe Rodinol would be better. Maybe you should either shoot Polaroid or use Photoshop. Link to comment Share on other sites More sharing options...
shawn_stupidpost Posted February 7, 2000 Share Posted February 7, 2000 You're probably right. Why else would the emphasis be on 'Polariod' rather than the a simple technique? One of my biggest problems is I'm always trying to use someone else as a starting point,and of course I never get it the same, but I do end up with something of my own (sort of my own, I guess, or merely a bastardization of someone else's work?--that's frightening...) if I work at it long enough, and give up on trying to match grain-for-grain, light-for-light, people eventually say, nice photo, and when I show them the original idea from a mag or whatever, they don't see the connection unless i point it out, which is good I suppose. Anyways I'm babbling. I've come to accept that I'm part creator, part synthesizing thief... <p> And speaking of Photoshop, a friend at work just offered to burn my whole portfolio onto cd in exchange for some actor-shots...looks like I'll have to put my money where my mouth is. ooo the pressure...can't wait actually; I'd love to find out how to make my pictures better, and these forums are pretty good I've noticed at telling opinions of what is good and bad... Link to comment Share on other sites More sharing options...
david_hou Posted February 7, 2000 Share Posted February 7, 2000 Hey Shawn, <p> As mentioned above, T-grain films are not the best for overexposure. One way (time consuming) to save the day may be the use of different graded filters to burn in different areas of the image. <p> David Hou Link to comment Share on other sites More sharing options...
andy mcleod Posted February 8, 2000 Share Posted February 8, 2000 Without a doubt, if you want grain, use Agfa Rodinal. As it was said to me, 'it will put grain on toast'. It gives big a beatiful grain, w/ moderate contrast at a bit over the recomended develop time. <p> You can get it from B+H for about 5 bucks. It is a liquid concentrate that you dilute about 25:1, so you might want to get a plastic syringe to meter out the 10 CC's or whatever that you need. You can look on the shelf at a drug store- some are made for dosing childrens liquid med's from a bottle to a spoon or whatever. If you ask the pharmacist, they will think you are a junkie after you say "syr..." and freak out. Link to comment Share on other sites More sharing options...
shawn_stupidpost Posted February 12, 2000 Share Posted February 12, 2000 I shot D400 in Rodinal last night. Developed some rolls at 1:25 . I developed some at 1:50, and some 1:100. It's hard to see with the loupe, but it seems the difference in ratio does really make a difference as far as grain is concerned. Ironically, the 1:100 seems the <i>least</i> sharp of the three dilutions. <p> ...and I shot a few rolls of D100 at 1:25 at 75deg for 6min; and those rolls are extremely sharp. Link to comment Share on other sites More sharing options...
shawn_stupidpost Posted February 12, 2000 Share Posted February 12, 2000 I just looked over my notes. Actually the Delta 100 was at 68deg. sorry. Link to comment Share on other sites More sharing options...
glenn_travis2 Posted March 27, 2001 Share Posted March 27, 2001 For whatever it's worth, at one time, I shot a lot of 72 exp HP5 which is not longer available. I even had a special Ilford tank for it. I used to use, I think it was, XP-15, which I got from Freestyle, although it's no longer listed. I deluted the crap out of it until I figured I should develop the film for 30 to 45 minutes. Whether you'll like this technique or not, I don't know, but try it. I leaned about it from someone who was supposed to work for Life labs during WWII. Apparently they got a lot of horrendous film which they developed by extented development just to try and get something on the negative. I've gotten some really interesting effects. Now I just do T-Max400 in Xtol 1:1. Link to comment Share on other sites More sharing options...
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