jerry_vincent Posted July 25, 1997 Share Posted July 25, 1997 For years I've been using pro type C41 120 films like Kodak VPS, PMC, Fuji and Konica's similars (shooting weddings mostly) and want to shoot some film which is more contrasty with more brilliant colors. Do any of you have experience with: Fujicolor Super G 100 (CN120), Agfa Ultra 50 and Optima 100, Kodak Gold 100, and Kodak Pro Ektar 120 (25 iso). I thought I'd like to use my medium format camera on personal trips and want to use a very fine grain film with snappy color like I use in my 35mm cameras (using mostly Kodak Royal Gold 100)and get the medium format advantage. Link to comment Share on other sites More sharing options...
a._t._seliotis Posted July 25, 1997 Share Posted July 25, 1997 I have used the Agfa ultra 50 for product shots for a local pizzeria and I have to say I fell in love with it. The colors literally jumped off the print in front of my eyes. I have used 120 and 135 versions and the the medium format has got such a wonderful feel to it that I use it exclusively for still life and product shots. <p> I hope this helps, <p> A. T. Seliotis Link to comment Share on other sites More sharing options...
rustys pics Posted July 25, 1997 Share Posted July 25, 1997 I recently returned from a trip and shot 20 rolls of Fujicolor Super HG 400 in 120 format. It had very good grain and color saturation. The 400 speed allowed me to work in more diverse lighting situations. It can be ordered from "The FIlm Shop" in N.Y.C. <p> Russ Rosener Link to comment Share on other sites More sharing options...
john_lehman Posted August 8, 1997 Share Posted August 8, 1997 I switched to Fuji Super G 100 last year for landscape print film since I was disappointed with the muted colors of NPH (which I still use for people photos and for night-time flash work). I like the results. Link to comment Share on other sites More sharing options...
mark_hubbard Posted October 12, 1997 Share Posted October 12, 1997 We used the PRN 120 Kodak "Pro 100" for vacation scenics this year and got wonderfully garrish prints that made the Sierras look like the Himalayas. Sue and I chuckle at the color, but of course everyone who sees them thinks they are wonderful. <p> One year we tried Fuji Reala just for fun; color was too weird for me but Sue liked the almost sepia-effect if gave to landscapes. <p> We would like to read about other people's 120 vacation choices in film as well. <p> Mark Hubbard Link to comment Share on other sites More sharing options...
t_roth Posted October 28, 1997 Share Posted October 28, 1997 I used Agfa Ultra50 in Venice last month, geez the color saturation is awesome and the grain is negligible, as you would expect. (I shot mostly 220 Velvia, wish I'd taken more Agfa along for those dull days when you want the colors to sock you in the eye). Can recommend it without qualification. Link to comment Share on other sites More sharing options...
lennart_estrvm Posted September 13, 1998 Share Posted September 13, 1998 I have great experience of Fuji Super G 100 & 400 and I have also tested Agfa Optima 100 with very good results. Kodak Ektar 25 is no longer available. Link to comment Share on other sites More sharing options...
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