John Seaman Posted February 5, 2021 Share Posted February 5, 2021 (edited) The M.C.M Wedge came with a box of photographic bits and pieces from the auction site. It consists of graduated grey strips of cellulose graded from 1 (clear ) to 9 (black) sandwiched between two 4 inch glass plates. It has a satin lined fitted case labelled M.C.M Wedge Manufactured by Ilford Limited. I wondered what it was for and was surprised to find a Google hit to the excellent Photomemorabilia website, with a PDF of Ilford News for Photographic Societies, Series 1 Number 5 of March 1939. LINK --- https://www.photomemorabilia.co.uk/Ilford/Chronology/Ilford_News_Sr1No5_Mar39.pdf It says "The M.C.M. Step Wedge has been designed by the editor of the Miniature Camera Magazine in collaboration with our Research Department as an aid to serious photographers who wish to classify papers by an accurate method of testing." But, tantalisingly, "It is impossible to give full details here owing to space limitations, but readers will find a full description in the Miniature Camera Magazine for March." So - any ideas? Edited February 5, 2021 by John Seaman 1 Link to comment Share on other sites More sharing options...
Sandy Vongries Posted February 5, 2021 Share Posted February 5, 2021 (edited) Reminds me of this - have one somewhere but couldn't find it. Link Vintage 1942 Kodak Projection Print Scale for Darkroom Printing | eBay Edit: Basically a one step method of making test strips. Mine is a late '50's Model. Edited February 5, 2021 by Sandy Vongries Link to comment Share on other sites More sharing options...
John Seaman Posted February 5, 2021 Author Share Posted February 5, 2021 That's interesting Sandy. The article talks about "to classify papers by an accurate method of testing". The Wedge has nine gradations, whereas the Print Scale has ten. It's tempting to compare these with the eleven zones of the Zone System, but I don't suppose there's a direct connection. Link to comment Share on other sites More sharing options...
conrad_hoffman Posted February 5, 2021 Share Posted February 5, 2021 I assume it's the forerunner of the common 21 step tablet and would be used in a similar fashion. Hopefully they supplied the density of the steps. Link to comment Share on other sites More sharing options...
rodeo_joe1 Posted February 6, 2021 Share Posted February 6, 2021 Kodak made a similar printing 'wedge'. Except the kodak one was circular with segmented steps. The Kodak one I have was designed to be laid on top of a small square of printing paper under the enlarger (with negative fitted and focussed up). It was then exposed for 60 seconds, and the time read off from the best exposed segment. Its secondary use was for calibrating the contrast grade of papers. This was done by seeing how many steps were visible, from black to pure white. I used it precisely once, to assess its usefulness.... it had none! Your M.C.M wedge appears to be in one-stop steps, but it's not possible to assess the density accurately from what's shown. 1 Link to comment Share on other sites More sharing options...
John Seaman Posted February 6, 2021 Author Share Posted February 6, 2021 Your M.C.M wedge appears to be in one-stop steps, but it's not possible to assess the density accurately from what's shown. Yes, they are 1 stop apart, as near as I can tell. I put the wedge on a light box and measured the light values of the sectors using my Sekonic View Spot Meter L438, with the spot set at 4 degrees. The LV readings of the sectors were (sectors 8 and 9 weren't really readable): 1 - 12.6, 2 - 11.7, 3 - 10.8, 4 - 9.8, 5 - 8.5, 6 - 7.6, 7 - 6.7 Link to comment Share on other sites More sharing options...
rodeo_joe1 Posted February 9, 2021 Share Posted February 9, 2021 The LV readings of the sectors were (sectors 8 and 9 weren't really readable): 1 - 12.6, 2 - 11.7, 3 - 10.8, 4 - 9.8, 5 - 8.5, 6 - 7.6, 7 - 6.7 That's about as good as you'll get with 1 stop exposure steps on a bit of film. It's near impossible to develop exactly to a gamma of 1, and across several stops of exposure. I found the indicated exposures with my Kodak segments to be quite a way off. I could have calibrated it, but I already had a neat little Philips enlarging meter sitting on the bench. So it went back into its little polythene sleeve and paper envelope, and disappeared into the 'odds & sods' drawer. 1 Link to comment Share on other sites More sharing options...
JDMvW Posted February 9, 2021 Share Posted February 9, 2021 (edited) Kodak made a similar printing 'wedge'. Except the kodak one was circular with segmented steps. Just as a sort of public service, for those inquiring minds, here is a little more data on the Kodak Projection Print Scale, Publication R-26 Here is what the Kodak Black & White Darkroom DATAGUIDE (R-20) has to say about it The KODAK Projection Print Scale , KODAK Publication No. R-26, provides a convenient method of making an exposure test. To make a test with the print scale, place your negative in the enlarger, focus it, and size the image. Then place the print scale flat on the paper and expose the paper for 1 minute. When the paper is processed, pie-shaped segments of different densities show numbers that represent exposure times in seconds. The number of seconds in the segment that has the correct density is the exposure time you should use to make your test print. There are a few still for sale, some looking like new, old stock, on eBay = asking prices $10-20 US Edited February 9, 2021 by JDMvW 3 Link to comment Share on other sites More sharing options...
rodeo_joe1 Posted February 10, 2021 Share Posted February 10, 2021 There are a few still for sale, some looking like new, old stock, on eBay = asking prices $10-20 US I'm hardly surprised that there are plenty of unused ones still around. But 20 bucks?! As a gift it would still be overpriced!:p Link to comment Share on other sites More sharing options...
JDMvW Posted February 10, 2021 Share Posted February 10, 2021 I'm hardly surprised that there are plenty of unused ones still around. Kodak quasi-recognized that fact by providing the following information Making a Test Strip-You can determine exposure in a number of ways. An experienced technician can estimate the exposure time closely by viewino the density of the enlarged im.age. A photometer measures the brightness of portions of the image and calculates the exposure from the readings. Many people rely on a combination of experience and making a test-strip exposure series. To make a test-strip exposure series: 1. Place your negative in the enlarger and size and focus the image. Turn off the enlarger light. 2. Cut a sheet of your printing paper into lengthwise strips at least 2 inches wide. 3. Place a test strip emulsion side up on the · easel where it will be exposed to an area of the image that represents a typical range of negative densities. Place a piece of cardboard over about four fifths of the strip, and make a series of exposures at selected intervals, uncovering another fifth of the paper after each exposure, until the paper is completely uncovered during the last exposure. Experience helps in determining the exposure intervals to use on the strips. Exposures will vary with negative image density at the degree of enlargement you are using and with the speed of the paper. A bright image might indicate intervals of 2 seconds and a dark image intervals of 10 seconds. At 2-second intervals, you would have portions of the image exposed for 2, 4, 6, 8, and 10 seconds. 4. Develop the test strip normally; fix it for at least 2 minutes. (See page 54.) 5. Evaluate the strip in white light. One of the steps on the test strip should be at or close to the correct exposure. If one step is too light and the next is too dark, an exposure in between should be easy to select. If all the steps are too dark, use a smaller lens aperture or shorter exposure interval, and make another test strip. If they are all too light, use a larger lens opening or exposure interval. When you establish the best exposure on a test strip, you are ready to make a full-size test print. Kodak B&W DarkroomGuide p50-1. The benefit of the Kodak Projection Print scale was that it read out with the needed expoiure 1 Link to comment Share on other sites More sharing options...
rodeo_joe1 Posted February 11, 2021 Share Posted February 11, 2021 The benefit of the Kodak Projection Print scale was that it read out with the needed expoiure Give or take a number of seconds! Link to comment Share on other sites More sharing options...
glen_h Posted February 15, 2021 Share Posted February 15, 2021 That's interesting Sandy. The article talks about "to classify papers by an accurate method of testing". The Wedge has nine gradations, whereas the Print Scale has ten. It's tempting to compare these with the eleven zones of the Zone System, but I don't suppose there's a direct connection. Well, an indirect connection. It is 10 zones as that is, more or less, what film can do, and also, again more or less (probably less) what paper can do. The Kodak Projection Print Scale that I have (present from my grandfather pretty early after I started) goes from 2 to 48, so about 4.5 stops. Not so obvious if a continuous or stepped scale is best. -- glen Link to comment Share on other sites More sharing options...
johnfantastic Posted February 15, 2021 Share Posted February 15, 2021 hmmmmmm very informative discussion although I can just read, I know very little about darkroom processes. :) Link to comment Share on other sites More sharing options...
Recommended Posts
Create an account or sign in to comment
You need to be a member in order to leave a comment
Create an account
Sign up for a new account in our community. It's easy!
Register a new accountSign in
Already have an account? Sign in here.
Sign In Now