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Simple question, but possibly a complicated answer. I'm curious if anyone's

found a way to effectively emulate the look they used in the film "300" using

Photoshop. I did a web search on it and except for one reasonably decent

article, most people seem to have tried and failed to successfully imitate the

high-contrast, bronzed look of the film.

 

Any ideas? I'm thinking sepia tone + original (non sepia) layer on top blended

using Multiply. (haven't gotten a chance to attempt it yet, but will post

results if successful)

 

Thanks!

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http://features.cgsociety.org/story_custom.php?story_id=3979

 

http://www.studiodaily.com/main/technique/tprojects/7807.html

 

http://www.vfxplugins.com/news/5304

 

http://digitalcontentproducer.com/mil/features/video_step_step/

 

Did you read these articles? The last says:

 

"The final touch was dramatic color grading. 'The lighting was very diffuse, which made the helmets and shields look plastic,' Millar says. 'We did selective grading to make them look like metal. For the Spartans' capes, we keyed the red out separately, did our overall grade, and then keyed the reds back in so that color wasn't lost. We generally set our grade with a lot of dynamic range, so they'd have something to play with in the DI.'"

 

It's also covered in the latest issue of Cinefex: http://www.cinefex.com/index/109-01.html

 

More than you wanted to know :)

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Hmm... well, although that was a lot of interesting information, none of it actually gave me much information regarding how to reproduce that look in Photoshop, with still images. The obvious "high contrast" phrase is thrown around, but anyone who knows the term "contrast" could have told you that. :)
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  • 1 month later...

The latest issue of NAPP's Photoshop magazine has a tutorial

that is quite simple and looks very close to this effect. It involves

Overlay and Soft Light Blend modes combined with a high pass

filter. Very striking and close the "Draganized" look.

 

I always thought "300" looked more like Frank Frazetta paintings

from the '70's. Emre's post mentions them keying out the red

capes to get that glowing, deep and rich reds which very much

resembles Frazetta's technique.

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  • 4 weeks later...

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