helder_santos Posted July 16, 2003 Share Posted July 16, 2003 Hi everyone, I am doing some architectural photography and shoot some rvp over the weekend (about 8 rolls 220)and come to some problems while shooting (and then obvious on the slide) because of light diferences on the bldg or vs the sky. Because the weekend was bright and sunny when there where light differences they would be of two stops or more. I shoot the velvia at asa 40 and it seemed that the best shoot was the one the I overexposed it 1/2 to a full stop. The biguest problem was that when or were the reading was right on it looked great, but when it wasn't it looked really off. I got some velvia 100 and provia 100 and was wondering what are the experiences with them out there and how they weigh next to the E100G or GX. I also got some NPC (free from fuji) and would like to get some feedback about these against Reala 100, Superia 100 and the Portra. I know that most of the prints will be digitized and printed at 23x31 and I wanted to get some ideas on what to shoot next to avoid these problems when lighting is hash. Thank You Link to comment Share on other sites More sharing options...
lex_jenkins Posted July 16, 2003 Share Posted July 16, 2003 Because of the typically harsh lighting I encounter here in Texas from spring through fall I've settled on Provia 100F as my standard slide film for 35mm architectural photography. It's similar enough in overall look and resolution to Velvia, but more forgiving of contrasty lighting. In medium format I prefer Reala, which has a color palette comparable to Fuji slide films but is much better at taming contrasty light while also producing excellent color saturation when printed on the Fuji Frontier machine. Link to comment Share on other sites More sharing options...
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