peter_fowler Posted May 20, 2020 Share Posted May 20, 2020 5 Link to comment Share on other sites More sharing options...
peter_fowler Posted May 20, 2020 Share Posted May 20, 2020 Combining the 2 things I enjoy most , motorcycling and taking pics ! Moto-Guzzi Eldorado at Joffre park in B.C taken on Delta100 and a Pentacon 6 TL . Exposure by guess and bygosh Peter 2 Link to comment Share on other sites More sharing options...
Giovanni Cappai Posted May 22, 2020 Share Posted May 22, 2020 Peloponnese, Mamiya 645 DF+, 55mm, Phase One P45, on Flickr 5 Link to comment Share on other sites More sharing options...
Mike Gammill Posted May 23, 2020 Share Posted May 23, 2020 Great idea for a thread. Here's an image from my Mamiya 645E and 55mm f 2.8. I used cold stored Panatomic-X Professional (FXP) for this image. vintage farming equipment 5 Link to comment Share on other sites More sharing options...
Ricochetrider Posted May 26, 2020 Author Share Posted May 26, 2020 Here's one more from the 16 film back on the 500CM. lford Pan F Plus 50 film. A little bit of alight flare here. 98. 5 Link to comment Share on other sites More sharing options...
garygruber Posted May 28, 2020 Share Posted May 28, 2020 Mamiya RZ67, 50mm, Ilford Delta 100 [ATTACH=full]1343566[/ATTACH] 1 https://GaryGruberPhotography.com Link to comment Share on other sites More sharing options...
Ricochetrider Posted May 29, 2020 Author Share Posted May 29, 2020 (edited) New scans just in Coney Island, Nathan's Hasselblad 500cm Provia 100 Edited May 29, 2020 by Ricochetrider 5 Link to comment Share on other sites More sharing options...
donaldgardner Posted May 30, 2020 Share Posted May 30, 2020 Just trying out the "new" Hasselblad 500C with 50mm on Ilford Pan F+ 50 4 Link to comment Share on other sites More sharing options...
Ricochetrider Posted May 30, 2020 Author Share Posted May 30, 2020 Just trying out the "new" Hasselblad 500C with 50mm on Ilford Pan F+ 50 [ATTACH=full]1343861[/ATTACH] Nice. Pan F Plus 50 is great, certainly my current fave. 1 Link to comment Share on other sites More sharing options...
sjmurray Posted May 31, 2020 Share Posted May 31, 2020 (edited) F rom the 70's. Window light. Maymia C330 with 105 lens. I originally posted it was a Yashicamat. Edited May 31, 2020 by sjmurray 5 Link to comment Share on other sites More sharing options...
Ricochetrider Posted May 31, 2020 Author Share Posted May 31, 2020 the scans from the last shots (to date) from Pennsylvania's coal country are in. I need to make more time to get back up there. Although, as you may see in the near future, aspects of PA's history with coal are ubiquitous throughout our region, not necessarily specific only to the mining towns. To this day, many folks still heat with coal. Orthodox Church, Frackville PA Hasselblad 500cm 80mm Planar lens I believe this was shot on HP5 (but may be wrong) 5 Link to comment Share on other sites More sharing options...
Bill Bowes Posted June 1, 2020 Share Posted June 1, 2020 Seems like this is the "New Normal". . . everywhere !! 1953 Agfa Record III, UFX 100, Hypercat & V600 scan. Aloha, Bill 4 Link to comment Share on other sites More sharing options...
Silent Street Posted June 2, 2020 Share Posted June 2, 2020 Postcards from Australia Saw this thread on passing and thought I would liven things up a bit with scenes from a far away, but still well-known place — Downunder! Evening light over Devil's Marbles/Karlu Karlu Northern Territory, Australia _______________________________________ Homemade 6x17 pano camera with 90mm Komuranon and Fuji Provia 100F, scanned on Heidelberg Tango, RA-4 hybridised print. Evening twilight at the Taoist Tree (I -- early Spring), Lake Bonney Riverland, South Australia _______________________________________ Pentax 67 + 90mm on Velvia 50 (EI40), multispot duplex metered. Cropped 6x6, scanned on Heidelberg Tango. RA-4 hybridised print. Evening twilight at the Taoist Tree (II -- 1 year later, late Spring), Lake Bonney Riverland, South Australia _______________________________________ Pentax 67 + 90mm on Velvia 50 (EI40), multispot duplex metered. Cropped 6x6, scanned on Heidelberg Tango. RA-4 hybridised print. Twilight reflections of drowned river redgums, Lake Bonney Riverland, South Australia _______________________________________ Pentax 67 + 55mm on Velvia 50, scanned on Heidelberg Tango. RA-4 hybridised print. 4 Garyh | AUS Pentax 67 w/ ME | Swiss ALPA SWA12 A/D | ZeroImage 69 multiformat pinhole | Canon EOS 1N+PDB E1 Kodachrome, Ektachrome, Fujichrome E6 user since 1977. Ilfochrome Classic Master print technician (2003-2010) | Hybridised RA-4 print production from Heidelberg Tango scans Link to comment Share on other sites More sharing options...
Ricochetrider Posted June 2, 2020 Author Share Posted June 2, 2020 Wow man those are lovely indeed! Thanks and please do post more photos for us. Meanwhile I have some more shots from Coney Island- not QUITE as exotic as the above shots, but hey. from the Hasselblad 500cm and 80mm Planar lens on Fuji Provia 100f film. I love this film- GOT to get some more, what a scream it is. I got my negatives and transparencies back today. I kinda thought the Provia would be in more like a "slide" format- cardboard encased. Not sure why I thought that but it came in as plain. Got 4 or 5 rolls of exposed film sitting so I'll send it out for processing in the next day or two. One of these rolls is Portra 160, also shot at Coney Island. 5 Link to comment Share on other sites More sharing options...
Silent Street Posted June 2, 2020 Share Posted June 2, 2020 (edited) Slide film today is processed "stripped", and rarely mounted. I masked individual images in polytex masks for 6x6 or 6x7 and sleeve these. Much easier task for scanning than to fiddle dismantling slides and reassembly (always a risk of damage to the actual film during this process). Gepe glass mounts are still available, but these too are fiddly to disassemble. And if the glass should break and penetrate the film... :eek: Edited June 2, 2020 by Silent Street 3 Garyh | AUS Pentax 67 w/ ME | Swiss ALPA SWA12 A/D | ZeroImage 69 multiformat pinhole | Canon EOS 1N+PDB E1 Kodachrome, Ektachrome, Fujichrome E6 user since 1977. Ilfochrome Classic Master print technician (2003-2010) | Hybridised RA-4 print production from Heidelberg Tango scans Link to comment Share on other sites More sharing options...
Silent Street Posted June 2, 2020 Share Posted June 2, 2020 (edited) One more, before I head out to explore in the winter gloom... A rainforest scene: Upper tier of OREN Falls, Mousetrap Complex Great Otway National Park, Victoria, Australia _______________________________________ Pentax 67 + 75mm f2.8AL, full polarisation on Velvia 50, scanned on Heidelberg Tango. RA-4 hybridised print. Edited June 2, 2020 by Silent Street 5 Garyh | AUS Pentax 67 w/ ME | Swiss ALPA SWA12 A/D | ZeroImage 69 multiformat pinhole | Canon EOS 1N+PDB E1 Kodachrome, Ektachrome, Fujichrome E6 user since 1977. Ilfochrome Classic Master print technician (2003-2010) | Hybridised RA-4 print production from Heidelberg Tango scans Link to comment Share on other sites More sharing options...
Giovanni Cappai Posted June 2, 2020 Share Posted June 2, 2020 Mamiya 645 DF+ 120mm T/S, Phase One P45. Lens tilted down. Flickr 5 Link to comment Share on other sites More sharing options...
kmac Posted June 2, 2020 Share Posted June 2, 2020 From the archive. Koni Omega Rapid 6x7, 90mm, Kodak Verichrome Pan, ID 11. Scanner Epson V800, Vuescan Standard. 5 Link to comment Share on other sites More sharing options...
Ricochetrider Posted June 2, 2020 Author Share Posted June 2, 2020 Slide film today is processed "stripped", and rarely mounted. I masked individual images in polytex masks for 6x6 or 6x7 and sleeve these. Much easier task for scanning than to fiddle dismantling slides and reassembly (always a risk of damage to the actual film during this process). Gepe glass mounts are still available, but these too are fiddly to disassemble. And if the glass should break and penetrate the film... :eek: Got it, thanks. I have to say that looking at the transparencies (is that the proper term?) was a special kind of magic- a glowing, full color, positive image in my hand.... very different from viewing a black and white negative! 3 Link to comment Share on other sites More sharing options...
tom_chow Posted June 2, 2020 Share Posted June 2, 2020 ...I got my negatives and transparencies back today. I kinda thought the Provia would be in more like a "slide" format- cardboard encased. Not sure why I thought that but it came in as plain.... Slide film today is processed "stripped", and rarely mounted.... I shot 120 transparencies back in the 80's and they were never returned mounted from the processor - unless you asked and paid for it. That was pretty standard, you mounted your own if you planned to project - there were not many projectors for MF, especially if you went bigger than 6x6. Most professionals shot transparencies for print, such that the art director could view them on a light table. 1 "Manfred, there is a design problem with that camera...every time you drop it that pin breaks" Link to comment Share on other sites More sharing options...
AJG Posted June 2, 2020 Share Posted June 2, 2020 Got it, thanks. I have to say that looking at the transparencies (is that the proper term?) was a special kind of magic- a glowing, full color, positive image in my hand.... very different from viewing a black and white negative! If you're shooting transparency film regularly it's worth getting a decent color corrected small lightbox and a good loupe to really see what is there on the film. 3 Link to comment Share on other sites More sharing options...
m42dave Posted June 2, 2020 Share Posted June 2, 2020 (edited) I have to say that looking at the transparencies (is that the proper term?) was a special kind of magic- a glowing, full color, positive image in my hand.... very different from viewing a black and white negative! For medium-format slides, I have a little folding COIL magnifying viewer, made in England, probably dates from the early '60s. It works quite well. I also like Matin-brand plastic snap-together mounts, available in 6x6, 6x4.5, and 6x7 sizes. Very easy to use. Edited June 2, 2020 by m42dave 5 Link to comment Share on other sites More sharing options...
steve_rasmussen Posted June 2, 2020 Share Posted June 2, 2020 Silent Street (Gary)-- I have seen most of the work that you posted here, on other forums, with the exception of the boulders and small waterfall. Very nice work. Good eye. 3 Link to comment Share on other sites More sharing options...
steve_rasmussen Posted June 2, 2020 Share Posted June 2, 2020 A Pentax 6x7 shot from Yoho Park, BC, Canada, 55-100 zoom. 5 Link to comment Share on other sites More sharing options...
Silent Street Posted June 2, 2020 Share Posted June 2, 2020 Got it, thanks. I have to say that looking at the transparencies (is that the proper term?) was a special kind of magic- a glowing, full color, positive image in my hand.... very different from viewing a black and white negative! Slides, reversals, transparencies or, Heaven forbid, Trannies... are all ready-rolled names for chrome film. I have never heard my print lab or any of the techs refer to it as "slide film" or "prints from a slide". Probably just a natural progression of terminology in the modern era, IDK. I agree that once you've eyeballed trannies up close and personal you'll never quite feel the same way again about looking at negatives. What you see is the finished product. 2 Garyh | AUS Pentax 67 w/ ME | Swiss ALPA SWA12 A/D | ZeroImage 69 multiformat pinhole | Canon EOS 1N+PDB E1 Kodachrome, Ektachrome, Fujichrome E6 user since 1977. Ilfochrome Classic Master print technician (2003-2010) | Hybridised RA-4 print production from Heidelberg Tango scans Link to comment Share on other sites More sharing options...
Recommended Posts
Create an account or sign in to comment
You need to be a member in order to leave a comment
Create an account
Sign up for a new account in our community. It's easy!
Register a new accountSign in
Already have an account? Sign in here.
Sign In Now