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Posts posted by Tony Rowlett
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It's because of Mike Dixon that I'm trying to master this stupid
thing. Imagine how maddening it is to get the crap I'm getting from
this beautiful lens, and turn around and see Mike's
photography with it. I'm tempted to ask Mike to test mine. But I
already know what the answer is.
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I've been using my 75/1.4 for a roll, and I intend on shooting quite a few rolls in it. It will be my only lens for awhile, or at least until I answer my only question about it: Can I really learn how to use it well?
<p>
My first complaint is, I can't focus it fast enough. Seems like I have to twist that thing seven times around before I can drop it down from inf. to 5 feet or so. I don't think I've EVER taken a sharp picture with it.<p>
Well, anyway, my second complaint: A few years back, I shot my first roll with it. Every single shot came back blurry with sharp backgrounds that were, on average, 5-6 feet behind the subject that (I thought) I focused on. Back to Leica NJ it went. Oops, a month later I get notified that it had to go back to the Motherland because, presumably, that's where the beast was born. Nearly a year later I have my "repaired" lens in hand. Since then, I haven't taken a sharp photo with it. One reason is, I don't use it that much because it's heavy. Oh, that's my...<p>
Third complaint: It's bloody heavy, and big, and even a bit heavier as you realize how big it is. Especially when you have the new motor drive attached. Great combo, that's for sure. Has a wonderful feel to it. But try walking through the china section of JCPenny with it under your coat. Looks like you've got a machine gun. Anway...<p>
I'm about to process a roll that has shots taken with it on a tripod and focused on a home-made test chart so I can tell, for sure, how well it focuses now. I'm worried that one of two things is wrong, and it really doesn't matter which: 1) the lens is still faulty, which means that I may be 60 years old before I get it returned fixed; or 2) I just can't focus the damn thing. Ah heck. Things can't be all bad. We have our forum back.
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FYI: The previous thread that was a duplicate of this one was
deleted, but it had one answer in it by Dave Jenkins who said, "No."
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I haven't noticed anything whatsoever. I'm not sure how possible it
is to receive a virus from the LUSENET software, but I don't think
it's likely. Do you remember which threads you visited?
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For what it's worth, or if there is anyone who would like to write to manx.net to report the abuse by our mosquito friend, here is a list of the IP addresses so far:<p>
195.10.103.xxx<br>
195.10.104.xxx<br>
213.137.30.xxx<p>
I guess the more people who avoid making complaints HERE and instead write to either the management of that ISP, or LUSENET, or whoever, the better for our situation.<p>
Anyway. FYI.
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My records show you initiated two threads with the wrong address,
"Noci on Hexar" and "M7 performance report." I changed those to
reflect your correct address. Hope that helps.
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I do like the first one for its soft, dreamy effect. I've not
messed around with digital much. I guess it's getting to be time.
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<body background="http://www.alaska.net/~rowlett/gifs/lightyellow.gif">
Please help me out. When you see offending posts that are vulgar or obscene, or obviously made to anger or attack another participant, PLEASE ignore them and refrain from making comment. Simply pretend the offending posts don't exist. Continue contributing yourself, even to the same thread as the offending post. You see, a <u>response from you</u> is just what they want! If, upon revisiting the thread in a day or so, you see the offending post still there, that means I missed it. You can <a href="mailto:rowlett@alaska.net">write to me</a> and I will tend to it. Meanwhile, I will make every effort to be more diligent in weeding out the childish stuff. Thanks for your patience and understanding and cooperation.
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The offender is posting from the IP address: 12.41.57.4
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I almost never use color film. The ideal film for the Leica is
still Tri-X. I absolutely never use flash, but Robert Appleby's use
of fill-flash with slide film is tempting me to give it a try
sometime.
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I really like this one, too. This is one that would look great
framed and matted. Stunning tonal portrayal. Dizzying blacks.
Wonderful shadow detail. Perfect highlights. Exceptional
background, i.e. enough but not too much. I can smell the oil.
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It is very important to avoid making comments about abusive posts. The best thing to do is to <a href="mailto:rowlett@alaska.net">email me</a> and explain why you feel the post is offensive. I will take appropriate action. This is the ONLY way you can help me keep this forum clean. Our forum is getting large enough so that I cannot possibly read each and every post; at least not at the moment they are made. So I need your help. To publically criticize someone here will only ensure that one or both of the following will happen: 1) a flame war will erupt; 2) you will grant immense satisfaction on the part of the offender.
<p>
PLEASE let's keep this forum on track and friendly. There is simply no need to flame each other.
<p>
Thanks for your cooperation and support and constructive participation in this forum.<p> -- Tony
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<i>"What I'm thinking of is maybe a section of the forum which would
allow folks
to share their ideas about design changes/additions/ subtractions
they'd like to see."</i>
<p>
Interesting idea, but other than an aperture priority M or a digital
M, I'm not sure if there would be that many design changes wanted by
this group. I may be wrong of course. Completely impossible would be
a shutter priority M (new lenses would be needed). I've always
thought the shutter speed better left to the user and f/stop better
left to automation. That's why I've always liked my Canon QL17
Canonnette. It just makes more sense to me.
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The lady who lets me live with her got me a print of the firemen raising the flag at ground zero - very touching. She said she ordered it in October and it didn't arrive until a week or so ago. Did Santa bring you anything cool (photographic) for the Holidays this year? Did you give any family members/spouse/friends any photographic gifts? Any Noctiluxes or Sumiluxes under the tree? Hmmm??
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Argh! "Apparently, the film was NOT feeding." (sorry)
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Today I processed four rolls of film, each shot through my Leitz M6 and new Leica Motor M set always on slow, i.e. "1." In chronological order, rolls #1 and #4 clearly have frames exposed on top of one another, leaving roughly half of the entire roll unexposed. Apparently the film was feeding. Rolls #2 and #3, however, fed perfectly, i.e. frames #1 through #35 each clearly exposed and perfectly spaced.<p>
Is this a problem with my film loading, or is this a problem with the camera? Time for a CLA? Hate the thought.
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A wonderful message from one of our real forum leaders. Many thanks,
Al!
<p>
<center>
<font size="+3" color="red">
<i>
<b>
Happy Holidays to Everyone!
</b>
</i>
</font>
</center>
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Pretty strange. Aren't wide-angles cool? This is one of those
"workable" images, e.g. you can experiment with different croppings
and arrangements, maybe even turning the photo 45 degrees to the left
or right yet maintaining an abstract feel. I try to minimize giving
cropping suggestions, but I'll bet this would work well if you cropped
out all the surroundings and included only his head, torso, and arms.
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Hey Shawn, nice photos! Great subjects, too!
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<i>I've read some conflicting info about this: one post said
that the HS only uses the whitest highlight and the darkest
shadow that has been probed to compute its exposure. Another post said
that the
HS accepts probes of many spots of differing densities and then
analyzes the density distribution over the entire grey-scale. Which is
it?</i><p>
The HS <i>does</i> accept probes of many spots of differing densities,
but then analyzes only the extremes of what is probed, and then
calculates an appropriate exposure with the assumption that the
darkest probed area should land in zone 8, and the lightest probed
area should land in zone 2 (approx.). It only needs two
measurements, actually. The reason for the <i>user</i> to probe in
more than the two areas of the projected image is that it is not
always possible for the human eye to detect subtle differences in
density in a given area of the image. As the probe unit reads
densities, it beeps. Before long, it stops beeping as you pass the
probe around the image because it is not detecting areas that are
either brighter or darker than what is already probed. In other
words, as you move the probe around, it will beep whenever it detects
a brighter or darker area. From the two greatest extremes, it then
calculates the exposure based on what paper you have selected. I hope
this makes sense.
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The server greenspun.com, which is this forum's current home, is being taken off line. Luckily, Philip Greenspun and the photo.net full-timers are working on a way to assimilate our forum into the <a href="http://www.photo.net">photo.net</a> service. Our forum will live! I received word today that this should all take place after the holidays some time. I will continue to be the forum moderator. They will provide me with a heads-up notice shortly before the transfer.
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You're tellin' me!! ;-)<p>
Seriously - excellent work.
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(really!)<p>
Yeah, this one's great. From this vantage point, I feel kind of like
a dog. Wait a minute...
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I enjoy photos in series like this. Well done, Mike.
FYI: Our little friend
in Leica and Rangefinders
Posted
Our little friend has been active over the last few days, so I will again publish his IP numbers so that, if you wanted, you could help me out by writing to some of the following addresses:
<p>
His or her IP numbers are: <b>195.10.103.xxx and 195.10.104.xxx</b>
<p>
<pre>
<tt>
% This is the RIPE Whois server.
% The objects are in RPSL format.
% Please visit http://www.ripe.net/rpsl for more information.
% Rights restricted by copyright.
% See http://www.ripe.net/ripencc/pub-services/db/copyright.html
inetnum: 195.10.103.0 - 195.10.103.255
netname: MANX-TELECOM
descr: Licensed Provider
descr: Telecoms Services in the Isle of Man
country: GB
admin-c: MR743-RIPE
admin-c: BH1183-RIPE
admin-c: JM2352-RIPE
tech-c: MR743-RIPE
tech-c: BH1183-RIPE
tech-c: JM2352-RIPE
rev-srv: ns0.manx.net
rev-srv: ns1.manx.net
status: ASSIGNED PA
notify: mreadshaw@manx-telecom.com
notify: billh@manx.agw.bt.co.uk
notify: jasonma@manx.agw.bt.co.uk
mnt-by: RIPE-NCC-NONE-MNT
changed: billh@manx.agw.bt.co.uk 20010430
source: RIPE
route: 195.10.96.0/20
descr: Manx Telecom
origin: AS13122
remarks: Please send abuse notification to abuse@manx.net
mnt-by: AS2856-MNT
changed: jason.malone@manx-telecom.com 20011008
source: RIPE
person: Mike Readshaw
address: Manx Telecom Ltd
address: Douglas Telephone Exchange
address: Dalton St.
address: Isle of Man
address: GBR 826
phone: +44 1624 634700
fax-no: +44 1624 634626
e-mail: mreadshaw@manx-telecom.com
nic-hdl: MR743-RIPE
notify: mreadshaw@manx-telecom.com
changed: jasonma@manx.agw.bt.co.uk 19990203
source: RIPE
person: Bill Hogg
address: Manx Telecom Ltd
address: PO Box 100
address: DOUGLAS, Isle of Man
phone: +44 1624 634047
fax-no: +44 1624 634288
e-mail: bill.hogg@manx-telecom.com
nic-hdl: BH1183-RIPE
changed: bill.hogg@manx-telecom.com 20011030
source: RIPE
person: Jason Malone
address: Manx Telecom Ltd
address: Douglas Telephone Exchange
address: Dalton St.
address: Isle of Man
address: GBR 826
phone: +44 1624 634046
fax-no: +44 1624 634288
e-mail: jasonma@manx.agw.bt.co.uk
nic-hdl: JM2352-RIPE
notify: jasonma@manx.agw.bt.co.uk
changed: jasonma@manx.agw.bt.co.uk 20010405
source: RIPE
</tt>
</pre>