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nicholas_fiduccia

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Posts posted by nicholas_fiduccia

  1. Hi Darren,

     

    The D300 is definitely the more fully featured and fully speced camera - no doubt about

    it and if you have a desire to shoot lots of sports and action and can afford the cost of

    admission to the Nikon system, by all means, buy it. The D300 is a fantastic body.

     

    However, I think you should also consider the available lenses for each of these

    systems. Being a landscape photographer, I really like the high quality and affordable

    primes that the Pentax system has to offer. IMO, no other camera manufacture comes

    close. Nikon is very strong at zooms however, many of the best ones are very

    expensive and heavy - qualities that I do not regard since I hike many miles with my

    system. Nikon is especially weak at affordable primes under 35mm that are optimized

    for the digital sensor.

     

    So, before you make a decision DO consider the availability and total cost of all the

    lenses you may need for each system (not that you need to buy them all at once!).

    Good luck! Frankly, you can't go with either camera as they both take great pictures!

  2. Dan, As many have said, the K10D is superior to the D40X in almost all ways and since you can get a K10D body for under $600 after rebate - about the same price as a D40X, there is no question which one I would buy.

     

    If you can, the Nikon D200/D300 is another camera body that is better than than the K10D. Also, it may fit your large hands better. However,it is quite a bit more expensive at $1400/$1800.

  3. Hi Paul,

     

    Knowing that you are a landscape photographer living in England, I know that you do not always shoot in dry weather conditions. My vote would be for a weather sealed camera - either a Pentax K10D or a Nikon D300. Since you are a landscape photographer, you are most likely very comfortable with primes. If that is true, Pentax has quite a large number of wide to short telephoto prime lenses that are of awesome quality and quite compact: 14/2.8, 21/3.2, 31/1.8, 35/2, 43/1.8, 50/1.4, 70/2.8, 77/1.8, 100/2.8. Consider the lenses that you are going to need and put together some lense sets with prices for each system that your are considering. Hope this helps!

  4. Hi Justin,

     

    Excellent pictures by the way! Your point about people making

    great sports pictures before the auto-focus era is a good one.

    Many of the good pictures, as yours show, were taken by the

    photographer anticipating the action happening at a specific

    point and thus may have been manually pre-focused. It is the

    skill of the photographer to determine where to frame and to

    push the shutter at the correct instance. In this case, the inherent

    focusing sophistication of the camera is not as important as a

    sports photographers skill and experience. Don't you agree?

     

    Nick

  5. Hi Cecil,

     

    As yourself, I am considering a move from film (olympus) to

    digital and have considered both Pentax and Nikon as platforms

    for my digital exploration. Here is the conclusion that I have

    reached:

     

    As a person who does primarily landscapes photography, I use

    primarily prime lenses. As such, the Pentax system has probably

    the best system in the world for APS-C sized sensor SLR

    cameras in the focal lenghts I am interested (14mm to 100mm

    -ish lengths). Pentax has a rather complete set of nicely spaced

    primes in this range at a reasonable price. For quality, I would

    put the these primes against any other maker and am pretty

    confident that as a group they would compare favorably. A

    system built from these primes represent a great value over a

    similarly configured Nikon system.

     

    However, the Pentax cameras are not as sophisticated as Nikon

    when it comes to tracking moving subjects (wildlife/sports

    photography) as Nikon (and definitely Canon) nor does it have

    the extensive range of zoom and prime telephotos to suport this

    activity.

     

    So think about what you photograph. If you a primarily shoot

    static subjects and occasionally moving children, the Pentax

    system will perform admirally for a resonable cost.

     

    If you have aspirations to be a wildlife or sports photographer,

    the Nikon system will be best for you.

     

    The best of luck to you! Nick

  6. Hi Ray,

     

    It does sounds like you are a landscape photographer and so

    you might consider a camera that is "weather-resistant". The

    least expensive I know of is a Pentax K10D. Pentax has a great

    lineup of light, high quality primes which may appeal to your

    large format nature. The next step up in terms of size, weight,

    and cost is a Nikon D200.

     

    The best of luck in your search!

  7. I think both are too expensive. Have a look at the Pentax K10D

    which will be released soon. If you still want a D200, just be

    patient and the price should come down. You see, the Pentax is

    a comparable camera (IMO) and Nikon will be pressured to

    lower the D200's price a bit. Good luck.

  8. HI Jordan,

     

    As much as I love the OM-2's, I like the OM-1 better for landscape

    photography because of it's mirror lock up and more weather

    proof mechanical shutter. I have the 24/f2.8, the 35/f2.8. the

    50/f1.8 and the 85/f2. If I had to leave one at home, I'd leave the

    50mm.

     

    I will probably have my OM-1's until I die, and I'm still young! The

    cameras are that reliable. Enjoy!

  9. 180 is similar to a 54mm in 35mm terms. 210 is a 63mm. Would you own BOTH a 54mm and a 63mm lens for your 35mm camera? I would not. Now, which lens to get rid of...that is a tougher question only you can answer. I am assembling a 110-180-300 lens kit and I think I will be very happy with the spread. In 35mm terms, this is a 33-54-90mm kit which will work well for the landscapes that I do. You may want to base your kit on another "starting" lens, for example the 210mm. To determine if too lenses are too close, you can think about them in 35mm terms or take the ratio of their focal lenghts. I like a ratio between 1.4 and 1.7. A focal length ratio smaller than 1.3 is probably too close. For example, the ratio between a 210 and a 150 is 1.4 and would be the closest spacing I would consider.
  10. Hi Philip,

     

    I think you are wise to research the topic of lens selection so

    carefully as this may help you save money over the long run. At

    the same time, don't go overboard and make lens selection a

    carreer.

     

    What has helped me is to try an select a set of lenses that are

    well-spaced and cover your range of focal length. The way to

    make sure your lenses ar well spaced is to ensure the ratio of

    the focal lengths of each successive pair in your set is not too

    big or too small. For example, the set I have chosen is the 75 -

    110 - 180 - 300 combination. You will find that the focal length

    ratio between consecutive lenses in the set is between 1.6x and

    1.7x. I think this is near ideal. Someone, earlier on in this thread

    mentioned to use a 75 - 150 - 300 combination. I think this can

    be usable too but the disadvantage here is with this set, the

    photographer may come across a situation in which he needs a

    focal length which falls midway between two of the lenses in his

    set.

     

    In summary, the choice of successive focal lengths is a

    compromise between having to carry a large number of closely

    spaced optics and a smalller number of more widely spaced

    optics that may not be as convienent to use because of potential

    "holes" .

     

    The two combinations that I considered are 90-150-240 and

    110-180-300. Since you really seem to like wide angles, a 90

    may not be wide enough, so perhaps a 75 - 110 -180 - 300 will

    work well for you. Good luck and welcome to the family.

  11. The calculation is quite simple, the closest you can focus on an

    object away from the lens is given (to a first approximation) by

     

    sf/(s-f)

     

    where s is the bellows extention and f is the focal length of the

    lens. For example, if s= 325mm and f= 300mm, you will be able

    to focus:

     

    (300)(325)/(325-300) = 3900mm = 3.9m away

     

    Since this is derived from the basis optical formula for a "simple"

    lens, the actual distance to the subject will be slightly different.

  12. You might consider a Kelty Redwing pack, on sale at REI for $70.

    It loads front the front so you can have good access to your

    equipment. Like Ralph suggests, you need to fashion some sort

    of divider system to keep your gear organized and protected.

    Outdoor Research makes rectangular padded cells of all sizes

    that may work.

  13. Hi Tj, You have gotten some great advice. As good as the 90mm

    are, I would probably go for a 75-80mm as the 90 is a bit close to

    the 125mm you already have. Also, I would go with the Fuji 240A

    as it is a better fit for your camera. The 240mm lens will allow

    you to focus as close as 2-3ft according to my calculations.

    Enjoy and welcome!

  14. Hi Shawn,

     

    If you are planning to use lenses less than 90mm, it may be best

    not to chose the RW45. The only negative report I had heard is

    that the standard bellows is a bit stiff and any lens less than

    90mm will not allow good movements. A 90mm is fine. You can

    of course use a recessed lens board to regain some movement

    with a short lens. I do not know about the wide angle capabilities

    of the SV45.

  15. Hi Bill,

     

    Cannot help you on the comparison...but, have you considered

    the G1227, with 3 section legs? It's more sturdy and less

    expensive than the 1228. Also, you have less locks to fiddle with

    every time you setup and take down the tripod. The only

    disadvantage is that it doesn't compact as well as the 4 section

    1228. Good shooting!

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