You listed a lack of a fast 35mm as a Con for Sony. I think you might have overlooked the 35mm 1.4G lens. This is a currently produced lens and not an out-of-print Minolta. :-)<br>
You'll also get your wish for a fast 24mm Zeiss Prime very soon with the upcoming release of the 24mm Zeiss f/2 SSM (Yep.. SSM focusing)<br>
If you can get your hands on it, the 100mm f/2 Minolta lens is reputed to be one of the sharpest primes ever made. They're accordingly as rare as hens teeth and very expensive on the used market when they come up.<br>
Another very interesting option is the 135mm STF lens. It's a very esoteric optic, but there's literally nothing on earth like it. The smooth transition from focus to out-of-focus rips your subject from their background. It's really something to see.</p>
MASTER LESSON: Wedding Equipment
in Wedding & Event
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<p>Great article.<br>
You listed a lack of a fast 35mm as a Con for Sony. I think you might have overlooked the 35mm 1.4G lens. This is a currently produced lens and not an out-of-print Minolta. :-)<br>
http://www.sonystyle.com/webapp/wcs/stores/servlet/ProductDisplay?catalogId=10551&storeId=10151&langId=-1&productId=11039113#specifications<br>
You'll also get your wish for a fast 24mm Zeiss Prime very soon with the upcoming release of the 24mm Zeiss f/2 SSM (Yep.. SSM focusing)<br>
If you can get your hands on it, the 100mm f/2 Minolta lens is reputed to be one of the sharpest primes ever made. They're accordingly as rare as hens teeth and very expensive on the used market when they come up.<br>
Another very interesting option is the 135mm STF lens. It's a very esoteric optic, but there's literally nothing on earth like it. The smooth transition from focus to out-of-focus rips your subject from their background. It's really something to see.</p>