adam_patterson1

<p>Matt</p>

<p>thanks for this. </p>

<p>1) its need to be up to publication standard.<br>

2) could range - from books to helmets, flags etc<br>

3) i have a car so this isnt too big an issue<br>

4) not interested in this - my other photographic work is not lit and much more observational.</p>

<p>adam</p>

<p>what is the best portable option for photographing a range of objects consistently - ie. portable white box? i am working on a project where i will be in peoples homes and needing to document some of their posessions - probably best strictly white background. </p>

<p>adam</p>

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<p>I need to get a radio mic to use with my canon 5d MK II.<br>

Does anyone know if you can use them in different countries. i live in the uk but am heading to canada and the LA later this month. i have seen one for sale but need to be sure i can use it outside the uk – ie. the sennheiser EW 112-p g2 830 – 866 MHz.<br>

any advice welcome<br>

adam</p>

<p>www.adampatterson.net</p>

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<p>This is fantastic feedback guys, thanks so much. on a final note, I am noticing a 2.8 and 4 version of the 50mm - any comparative notes between the two?</p>

<p>thanks again</p>

<p>Can someone give me some feedback on their experiences with wide-angle lenses on a hassy 500 system? For example how bad is the distortion with a 40mm etc? I have a body with standard 80mm but, as a handheld documentary shooter I am seeking something wider for interiors and such,</p>

<p>adam<br>

www.adampatterson.net</p>

<p>Rob -</p>

<p>Thanks mate, my final questions, any ideas how Carlos Cazallas got these results;<br>

http://www.worldpressphoto.org/index.php?option=com_photogallery&task=view&id=1444&Itemid=223&type=&selectedIndex=0&bandwidth=high<br>

perhaps they were not sodium lights?</p>

<p>a</p>

<p>thus is there no way I could have countered this while shooting? - ie. manual white balance? <br>

thanks for the explanation </p>

<p>adam</p>

<p>Peter - <br>

Shot in raw with raw processing using bridge, then tried in photoshop cs4</p>

<p>i have a series of night shots taken with with canon 5d mk II on AWB which have come out with a hideous yellow colour casting that I cannot seem to correct. I have tried fixing it in raw with temperature, hue etc and in photoshop cs4 with curves (marking white, grey and black points) and manually with colour balance, selective colour etc...<br>

i am yet to even get close to the original colours and am desperately in need of advice?</p>