joe_fertitta

For sale is a Hasselblad SWC/M Biogon T*. It was purchased as an open box and was only slightly used ever since. Glass is super clean and body as well. It includes the A-12 film back, a lens cap, a lens hood, and a UV bayonet filter. 38mm 4.5 fixed lens.

 

Pics can be found on the ebay listing for it: Hasselblad SWC/M - 6x6 Medium Format - All Black (Rare) - Slightly Used | eBay

 

Asking $3,000 on here.

 

Thank you! :)

 

<p>Is there a big difference from hand holding or using a tripod with a hasselblad? Given that you shoot at about to less than 1/125 when hand holding? I have a 500c/m with a 60mm CF T* Lens.</p>

<p>It was also described as being dust free.</p>

<p>I recently received a 60mm cf distagon lens off ebay that is in near mint condition and has supposedly been CLA'd by Hasselblad last month. The only problem is that there is a tiny thread like piece of dust right inside the rear element. looking at it, it seems to be about 1 mm long and very thin along with a few other little things like that. Would this have any effect on my images? Should I return the item? I did get a good deal for it, about $650.<br>

Thanks</p>

<p>Thanks for the help guys! I ended up purchasing the 60mm 3.5 CF and it should arrive next week. Can't wait to shoot with it!</p>

<p>Is there a big difference in sharpness with the 60mm and the 50mm non fle?</p>

<p>I currently shoot an 80mm 2.8 C on my Hasselblad 500cm, but I really cannot stand the almost telephoto look of the lens. So I have been looking into some 50 and 60mm lenses. Would a 60mm 3.5 CF be considered wide or should I go bigger and look for a 50mm? or is 60 pretty close to normal. On my 8x10 camera I shoot a 240 which is slightly wide so that is what I am used to.<br>

Thanks</p>

<p>I'm guessing that no one on here has read Michael's question. He has already said that he assumes that it excludes the Flexbody, which everyone is referring to. He even said that he can easily achieve this with his 6x9/4x5 view camera. I have the same question as to how he did this with a Hasselblad SLR, Keith Carter mentions in a video of his that he had purposely broken lens made for him to achieve his center selective focus, specifically the images with the vignetting at the edges. My question is still what exactly did he do to the lens elements in order to achieve this. You can even see the lens on his video, it does not look like it belongs on a hasselblad, but instead a 35mm or another type of medium format camera.</p>