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marco_gonzalez1

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Posts posted by marco_gonzalez1

  1. <p>Thanks Vikas. I haven't been on here lately and didn't see anyone post about this topic. For two hundred bucks it's worth a try. I agree with Ray it's hard to back up with the 50mm when there are people in front of the band at floor level (tight spaces). I just wish they had a wide angle dx prime, other than the 10.5 fisheye.</p>
  2. <p>I have the 50mm already and I'm thinking of buying the 35mm one. I have a d40 and a D1h, so I don't plan on using an FX camera anytime soon. Is the 15mm focal length and autofocus (with d40) enough reason to buy the 35mm dx lens? I mostly shot live bands in low light situations.</p>
  3. <p>Dan Raley,</p>

    <p>I think you should stick with the D3000 kit. The D80 has some advantages IMHO. A big one for me is the AF motor. But it doesn't limit the D3000 ability. Another reason was mention earlier is that you don't know the history of that camera (d80). There is nothing better than you putting some dings in your own gear. Get the 35mm lens, the flash and you have a pretty good system. You can always upgrade the body. By the time you decide to upgrade the body, you could probably get a D200 around the same price of the D80. I got a d1h for $180 a year ago. That camera was $4500 in 2001.</p>

  4. <p>Anthony,<br>

    I would advise you to do two things. First one is to read the manual of your camera. This will tell you what each setting is used for. I have a D40 as a backup and it still amazes me what this little thing can do. If you have access to the location where the award presentation is going to be held prior the actual presentation. Then you could try different settings in your camera. I also agree with Wouter, a course would benefit you as a photographer. Even if it's just a hobby. I have been shooting for over ten years and I still take courses whenever I get a chance. Good luck and show us the results.</p>

     

  5. <p>I agree with the Nikon 50mm f/1.8 is the cheapest. But remember focal range is a big deciding factor on what lens you need. So go by focal range first then by price and speed. I got my 50mm for free, but they go for under $150 new.</p>
  6. <p>Great answers on here. It's great to hear what people still shoot with. I posted this to see if anybody else gets frowned upon for having "ancient" equipment. I don't have any need to upgrade from my d1h or d40. Every good photographer should know how to make the best out of any camera. In the end it comes down to personal taste. I don't care that my camera was made in 2001 or in the 1960s. I actually want to find an old TLR. I love that there are still some real photographers that care about the art and not the latest gear.<br>

    Thanks to all,</p>

  7. <p>My only issue with the D1h is the battery life. I have to carry an extra battery around. Which I usually keep in my bag anyways so not really an issue, unless I forget to charge the extra battery. I'm glad to hear that there are still some real photographers out there. I started with a Canon AE-1 and still love it.</p>
  8. <p>Great shot of Iggy, Markus. I usually shoot with Nikon 50mm 1.8 and a sb600. I usually can get pretty close, the only problem is that sometimes the venue is too small. In that case I have used the 18-55mm and it's not too bad. I would get a fast prime and a off-camera sync cord for your flash. Next on my list is the 10.5mm Fisheye, I also shoot skateboarding.</p>
  9. <p>Nikon D1h<br>

    Nikon D40 (Back Up)<br>

    Nikon 50mm 1.8 Lens AF<br>

    Nikon 18mm-55mm 3.5-5.6<br>

    Nikon SB600 Flash<br>

    Extra Batteries (D1h, AA)<br>

    Battery Chargers<br>

    1 Lens/Body Cap each<br>

    4 CF/SD Cards for each body<br>

    Tripod (Always have one in the car)<br>

    Generic Shoulder Camera Bag</p>

    <p> </p>

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