saucerman
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Image Comments posted by saucerman
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The alterations are distracting IMO. the black line on her arm is too harsh.
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great sunset - the building is better in full shadow here, IMO. -
the framing is interesting, except for the clipped steeple. Might be better earlier (later? ) in the day when the whole building has defining light, not 2/3's shadow. -
The wedding scene in the doorway is a nice touch. -
pretty darn good for an airliner grab.
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Nice juxtaposition. Would have been super to engage the subject. -
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Sunsets are usually so trite, but this is really imaginative. -
Fantastic color rendition.
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interesting framing - surely this must be PS?
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I agree with Mr. Peri - You and the model have done some really good work here. I really like most all of the images in this series; great framing, lighting and a very natural and confident manner. Congrats.
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If you have to ask Chaz... to crop it conventionally would make it a pretty conventional photo. In other words - somewhat boring. This unbalanced framing really makes the picture work, IMO. The lighting, the shadows, the tension - it all yields a pretty great image. Congrats, PeepEye. -
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It's dramatic alright, but I don't get a sense of motion. I see the faint flame from the car, but it's lost against the wall of flame. Perhaps a slower shutter would allow the car to blur. Also, your angle cuts off the wheels of the car - unfortunate.It is a good idea, though.
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Nice capture - crisp foreground, fog at center, hazy backg. I assume you boosted color for the grass, yes?
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I love the geometry, the fades, the range from dark to light. I find the orientation a bit unnerving - did you rotate this? If it is a 'real' architectural setting, I think the original orientation (i.e. ground at bottom, sky at top) would make it a stronger image. OTOH, if you constructed this digitally or otherwise, well bravo to you! -
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Javier, it is technically good, but the lighting seems to bright and even for my taste. This is a deep series of several rooms, yet the lighting flattens it and makes it seem much shallower. The bright fill ont he backs of the pews (foreground) is distracting.
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