Jump to content

rochelle_negle

Members
  • Posts

    37
  • Joined

  • Last visited

Posts posted by rochelle_negle

  1. <p>I'm a portrait photographer but recently did a shoot for a high end hair accessory line. I orchestrated the shoot and just got 2 more calls from other companies who saw the work and want to hire me.<br>

    I want to come up with a firm pricing structure to propose to these potential clients.<br>

    As mentioned, I'm a portrait photographer and don't know the going rates in the fashion photography/catalogue photography world.<br>

    What I was thinking to quote was $150 per hour, 2 hour minimum for the shooting time. Then $450 for licensing on up to 30 images so they can be used for look books, media, web and email. $30 for each additional image after that. All the photo editing and touch ups would be included.<br>

    The client is looking to photography about 25 headbands on 2 models ..mainly headshots with a clean white background. </p>

     

  2. <p>I am a family & children's photography but have had jobs for fashion designers every so often. They have gone well and now I got a call from a fairly bigger company of custom men's clothing looking to fly me to their location to shoot their line.<br>

    We're going to be shooting about 10 models, 1 suit per model and the goal is to create approximately 20 usable images for their website catalogue.<br>

    I am going to charge them $1,700 per day for 2 days of shooting time, 50% of that for 1 day of prep time and to visit shoot locations. That will include my assistant.<br>

    They will also be paying all transportation & lodging, etc.<br>

    Does that sound fair?<br>

    Now the question here. What do I charge for licensing fees? I want to quote them one fee for web use and a separate for full resolution files to use in look books or national advertisements (i.e. GQ mag & Esquire mag)<br>

    I have only been in the business for 2 yrs but have grown at a rapid rate. I'm confident to say I am a great photographer but have very, very little experience in the fashion industry. My specialty is family & children.</p>

  3. <p>Hey Ralph - thanks for the input...it's DEFINITELY not a scam. I know the company very well..<br>

    I'm really lost here and thought this forum would be able to give me some guidance :-/<br>

    <br />Does it sound right to charge a per day rate that I will be on location and then individual licensing fees. I.E. license for using the images on the web, separate licensing fees if used in national publications</p>

  4. <p>As I've mentioned numerous times in these forums..I'm a natural light, family & children's portrait photographer.<br>

    <br /> I've been dabbling in the fashion photography world and got a call from a bigger company who wants to fly me out to shoot on location.<br>

    I don't know the first thing about charging for this.<br>

    Say this were you....how would you send out a proposal...??<br>

    I Know this isn't you and I have to decide what I think I'm worth and I can do that once I get a feel for what photographers in this industry charge...<br>

    I'm assuming a flat fee per day that I'm on location...and then a fee per image license purchased? Am I on the right track?</p>

     

  5. <p>I am a portrait photographer who's dabbling in the lifestyle fashion photography industry.<br /><br />I really do not know much about commercial photography, how to charge, what to charge and need some insight.<br /><br />I currently charge $250 for a session fee for up to 4 people ($25 per additional person) which lasts about 1 1/2 - 2 hours.<br /><br />The my clients purchase prints (5x7 = $10, 8x10 = $20, 11x14 = $50) / photo products / etc. <br /><br />How should I set it up with commercial clients in regards to selling copyrights to the images? <br /><br />What if they just want to use the pictures on their website? <br /><br />Any insight would be greatly appreciated.</p>
  6. I am a natural light family photographer and over the last year I have done 4 fashion shoots for clients. I.E. -

    a bikini line, a hair accessory line.

     

    I just got a call from a rather big company who saw my work and loves my style. They want to fly me out to their

    location to shoot their look book and images for national campaigns. I think this is a huge opportunity for

    me...I want to be honest with them as well as to what my capabilities are but still display a confidence in my

    work. The owner of the company emailed saying he loves my style & taste and trusts me..but on the flip side there

    is a big difference between family portraiture & commercial fashion photography.

     

    They want to shoot about 50-70 looks with 7-10 models and perhaps do a couple mini session with some famous

    basketball players.

     

    I am looking for ANY help I can get on how to propose the project, how to price, what to expect, what to be

    prepared for ...anything!!

  7. Hey Paul - thanks for the tips.

     

    I'm aware of all of that..I sometimes set custom WB with a WB cap ...but find that from time to time, the skin

    tones are a little orangey.

     

    I think what I have to do is play with settings/custom WB and do some test shots on a human and see what results.

     

    I'm going to do that this evening.

  8. Yes.

     

    Because I find when I shoot in RAW, the pictures are completely drained of color as they are in JPEG.

     

    I do understand that when shooting in RAW more post processing is required and the photo needs to be somewhat "restored" to have proper coloring & pop but I am just not trained or aware of how to do that.

     

    The pictures look almost vintage like and beige when I shoot in RAW.

     

    I know I can't hide the fact that I'm a young photographer here..so any input or support is appreciated.

  9. So I know this is a very heated debate amongst pro photographers...but I keep going back and forth on the idea

    and need some more clarity and pointers on the pros & cons.

     

    I do not offer digital files, as of now.

     

    But of course it's 2008 and I am asked about it from potential clients over & over & over again.

     

    I don't have AS MUCH of an issue offering low res digi proofs with my logo, but here's why I don't want to offer

    the full resolution digital files to clients:

     

    1. I don't want my images manipulated, converted to B&W or digitally touched by my clients.

    2. I don't want my images printed on home computers OR at a local pharmacy

    3. I feel like if people have access to unlimited prints, they're not treasured as much and when I send my

    clients their prints, they're presented in a beautiful way. I feel like it almost cheapens the work..and people

    can be satisfied with JUST having their images online and never getting around to printing & hanging like they

    should be.

    4. The images get emailed all over the country and printed on relatives home computers and stuck on their fridge,

    presented as MY work!

     

    On the other hand, I feel:

     

    1. That I'm not up there, yet, with the "better photographers" who can be more forceful about their images

    because they're unbelievably talented, in very high demand and also each picture ACTUALLY IS a piece of art.

    2. It's 2008 and it's a digital world. People WANT digital files!

     

    For me...this is not as much about the money as it is about my work..and how I feel about it....but on the other

    hand I feel like I should "get over it" ..I'm not good enough yet to be so demanding about what I want and need

    to please my clients.

     

    I don't have big concerns right now about scanning images & so on...so I don't want the responses to be going

    that way..

     

    I've been considering offering the CD in a package which included a 5x7 print of EVERY image, an 11x14

    enlargement (just for WOW factor) a document with recommended places for prints & photo products, and an

    agreement to be signed that images won't be cropped, converted to B&W, digitally manipulated, printed on home

    computers, etc. Just to reinforce the quality of the images.

     

    I'd love to hear everyone's thoughts....

  10. Hello all..

     

    I'll preface this by saying I hope you all can excuse my ignorance on all this...I never quite handle this area

    of household work and figured I would look into this myself.

     

    I've been getting busier and busier with my photography and need to set it up as a business...

     

    What is the best way to do this?

     

    How does it work with sales tax?

     

    I know I'm asking a very general, broad question - so any input or even direction would be wonderful.

  11. So I have a shoot scheduled for a family of 16 (10 adults & 6 kids)..I originally scheduled it a couple hours

    before sunset but the family requested we move it to 10:00AM because of nap schedules.

     

    I KNOW I can not shoot in direct sunlight (unless it's an overcast day) and was wondering if anyone had any tips

    on pulling this off?

     

    It will be in sunny Miami...so chances r the sun will be out to play...

     

    I'm petrified of dark shadows, blown out highlights....

×
×
  • Create New...