sarahbeth1

<p>Thank you everyone for your advice. I spoke to my husband and he is definitely ready to update from the Rebel. It's been a wonderful camera and was perfect as a starter- but, it's over 5 years old and starting to get worn out. </p>

<p>I like the idea of going with the 60D instead of the 7D... I'll do some research on the lenses suggested and see where that takes me... </p>

<p>Thanks again!</p>

<p>Sarah</p>

<p>Here's the deal... I've been pretty much out of commission for the past three years due to a busy work schedule and a deployed spouse. After moving to Oklahoma last month, as well as separating from the USAF, I've begun to go stir crazy...the kids started school and there honestly isn't much going on in Altus, OK. On the bright side- I'm thrilled by the chance to spend some time regrowning my passion for photography and have found no lack of subjects in the vast plains of "Native America". However, my equipment is most definitely outdated. <br>

I have a Rebel XT and a 30D (my husbands but, I much prefer it to the Rebel). My lenses include a 50mm prime, a 10-22mm wide angle, and a crappy 28-135mm. I also have an external flash... somewhere.<br>

I have around $2000 that I'm willing to spend on a lens and a camera body. Would you recommend that I purchase the new 60D or the 7D? As for lenses- I need a good "walk around" lens. I've been researching the tamron 18-270... opinions on this lens and/or suggestions for alternatives are greatly appreciated.<br>

It may help to know that I enjoy photographing abandonments, landscapes and candid shots of local events. I would also like to delve into macro photography...</p>

 

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Matt, Thank you for your response. I didn't think it would be a good idea to buy

from ebay. I have a budget of $500.00 to start. I really don't want to start with

inferior products but want to get the most for my money. I have a spare room that

is around 8' by 12'. I'm thinking of starting with Still Life Photography to really

learn the concepts of composing a shot and studying lighting effects. I'm afraid

that I don't have the patience to learn and direct people at the same time. I have a

Cannon Rebel XT and a 30D. Can you name off a few companies that I should

look into using. I want reliability, tech support, and ease of use. Thanks again for

your suggestions and I'll definately take a look at them.

I am an amatuer photographer looking to try my hand at studio work. I don't know

anything about lighting manufacturers and wanted to purchase a studio light kit

that is "all in one." I looked on ebay and found that they have some kits

manufactured by Still Shot 2. Is this a good company? Does anyone have

information on the products quality

Funny, my husband and I have the same set-up. We remember which images we shot. I guess my husband has a very different style then my own- okay, he tends to be much more creative and abstract. I try to say I shot his best ones. He always sees through it.

I'm no professional so I may not be as picky as some, but I use Shutterfly.com and have had them ship to Germany. They also will store all of your images free and offer print plans that save you even more money. I've been very happy with the quallity and price of their prints. Try them out and see what you think.

Sarah

I'm stationed in Germany and was concerned about charging my camara and laptop. I was using a transformer to charge my camara battery when I happened to flip the charger over and saw the 100-240 V on the back. I got an adapter for the outlet and have never had a problem.

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Thank you everyone for your insight.

Dan, "setting fire to work that inspires you." Your words are inspiring and much appreciated.

Amber, thanks for your advice. I definately need to work on my technical side.

TM, thanks for putting "immulate" into perspective for me.

Don, "the beginner's mind," That makes sence to me. If you know it all you have nothing to learn. Very true.

Lex, I always look forward to your advice. You are the Sage of PN- Oh, wise one.

Marc, I'm female. I wasn't even born rational. :-)

Hansen, I'm starting my fight against technical ignorance and investing in a range of photography books. I'm very giddy about getting them. I realize that my lack of knowledge is the barrier between me and my vision, which I have yet to define.

Nolan, "an identifiable vision (people sometimes can recognize your work)." I had never considered an identifiable vision before. I looked at many portfolios of PN's top photographers and their work was very recognizable. I like that line of thought. I just have to remove the blinders of ignorance to have a full vision of what I'm trying to provoke with my photography.

Keith, you are right about the taking the next step and just shooting away. I'm excited to see where my progression takes me.

Thank you all again.

Cindy,

we have much in common. I'm overseas as well and don't speak German. I'm relatively new to photography and feel I would benefit greatly from a class but the base doesn't offer any. I took the alternative route. I have looked at PN everyday and take in as much as I can. I just ordered four books on light, composition, and an all around photoguide by kodak that I read a blog on. I've been making adjustments to my shutter speed and aperture and what-not and didn't actually know what I was doing. I'm stoked to get the books and start learning. Good luck to you.

sarah

It has been suggested that I find a photographer whose work I find inspiring

and try to immulate it. I have viewed many different portfolios and am

inspired by many works posted here. However, the more I view the more I feel I

lose a piece of my own originality or perhaps, the originality I have yet to

find. Can any of you relate to my dilemma?

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Sorry, looks like I have a bit of redundant gnome syndrome. And here

I thought I was cured.

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Is the crane secured, soldier?<div></div>

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