Tony Evans
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Image Comments posted by Tony Evans
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A scan from Kodacolor 1979. One of my favourites from the Bay of
Islands NZ.. Thanks.
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A recent scan from an old Kodocolor II neg. Framed in PS. Thank you.
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K20D w Tamron 90mm Macro. Still trying. Comments? Thank you.
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All C&C welcomed. Thank you.
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Digital conversion from Pan F in 1986. All comments welcome. Thank
you.
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Another Pentax K1000/Pan F scan and update from the 1980's. All
comments welcome. Thank you.
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My first Macro effort using a new Tamron 90mm Macro DI. Your
comments, advice and criticism appreciated. Thank you.
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Just starting with flash. Comments, advice, criticism welcomed. Thank
you.
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John,
Beautiful photo. Makes me homesick although its many years since I was last in the High Country.
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I'm all BW. This is a fledgling beginning in colour. Be cruel to be kind!
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Criticism appreciated.
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I am currently Scanning, Editing and Printing several hundred 35 mm
shots from the mid 1980's. All on Pentax K1000, Ilford Pan F
developed in Rodinol/FG7/Sulphite cocktail. Practiced Zone system
with the extremely modest 35 mm format attempting to emulate works of
the "big boys". This was very difficult with print quality maxed out
at about 8x10. However, modern digital scanning, editing and printing
brings us a bit closer to the ideal. These are my first few, re-
processed todate and printed at 13x19. Composition has been framed
around a barebones, simplistic, head-on approach to capture the
isolation and solitude of the northern prairies, while exposing to
seek the fullest black and white tonal range. A motivating theme
comes from Patrick White, "...with the grandeur of true simplicity",
The Tree of Man, page 1. I have recently upgraded to a Pentax 645,
and in retirement hope to continue the project. Further travel is
required since the locations of many of these shots are now covered
with estates of half a million dollar homes. I look forward to
critiques, advice and encouragement for the future from those more
gifted than myself. Thank you.
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I am currently Scanning, Editing and Printing several hundred 35 mm
shots from the mid 1980's. All on Pentax K1000, Ilford Pan F
developed in Rodinol/FG7/Sulphite cocktail. Practiced Zone system
with the extremely modest 35 mm format attempting to emulate works of
the "big boys". This was very difficult with print quality maxed out
at about 8x10. However, modern digital scanning, editing and printing
brings us a bit closer to the ideal. These are my first few, re-
processed todate and printed at 13x19. Composition has been framed
around a barebones, simplistic, head-on approach to capture the
isolation and solitude of the northern prairies, while exposing to
seek the fullest black and white tonal range. A motivating theme
comes from Patrick White, "...with the grandeur of true simplicity",
The Tree of Man, page 1. I have recently upgraded to a Pentax 645,
and in retirement hope to continue the project. Further travel is
required since the locations of many of these shots are now covered
with estates of half a million dollar homes. I look forward to
critiques, advice and encouragement for the future from those more
gifted than myself. Thank you.
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I am currently Scanning, Editing and Printing several hundred 35 mm
shots from the mid 1980's. All on Pentax K1000, Ilford Pan F
developed in Rodinol/FG7/Sulphite cocktail. Practiced Zone system
with the extremely modest 35 mm format attempting to emulate works of
the "big boys". This was very difficult with print quality maxed out
at about 8x10. However, modern digital scanning, editing and printing
brings us a bit closer to the ideal. These are my first few, re-
processed todate and printed at 13x19.
Composition has been framed around a barebones, simplistic, head-on
approach to capture the isolation and solitude of the northern
prairies, while exposing to seek the fullest black and white tonal
range.
A motivating theme comes from Patrick White, "...with the grandeur of
true simplicity", The Tree of Man, page 1.
I have recently upgraded to a Pentax 645, and in retirement hope to
continue the project. Further travel is required since the locations
of many of these shots are now covered with estates of half a million
dollar homes.
I look forward to critiques, advice and encouragement for the future
from those more gifted than myself. Thank you.
Gasgrand '78, Stockholm
in Landscape
Posted