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  1. <p>a 70-200 or a 135 f2 works very well for a full frame camera, however with your sensor, the 135 f2 would be too long unless you have a large studio space.<br>

    If you were to shoot a 70-200 @ 70 mm your 1.6 crop sensor would act like a 112 mm lens which wouldn't be bad at all. Go out to about 85 mm on it and you will be roughly equivalent to 135 mm. I would suggest a 70-200 2.8 Non IS because it is very sharp (truly, one hell of a lens) and has really nice bokeh for a lot less money than the IS version.<br>

    One book that is simple to understand and can really get you going in the right direction is Scott Smith's "Studio Lighting Made Simple"</p>

    <p>Hope this helps,</p>

    <p>Pete</p>

    <p> </p><div>00TZZ4-141285684.jpg.ea5c05e7c9acfa7b81a7d86e04cbacc2.jpg</div>

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