brookref

<p>actually, this clip does a better job: http://www.youtube.com/watch?v=ZExnzVx0VJ4...go to 2:20 to really start.</p>

<p>don't worry that the camera in the clip is completely different -- the set up and loading are exactly the same. the part around 3:30 is not going to be applicable -- pulling the white tab loads the next slide in the same compartment. </p>

<p>and for a look at a discussion (i didn't know about the goo): http://www.flickr.com/groups/mamiyarz67/discuss/72157621983539394/ </p>

<p>Kirsten -- it's one of those things that isn't intuitive but is actually easier than we think. Follow this - it's not the same camera but i used it to load my RB67: http://www.youtube.com/watch?v=HMvzqxW6dOI.</p>

<p>basically, just slip the cartridge in to the groove, DO NOT put the film between the rollers, shut the cover, secure the latch, and pull the tab in one long, smooth motion. </p>

<p>trust me -- it won't look right...but it is. good luck!</p>

<p>Yes, what Wolfeye said is absolutely correct. Often it doesn't need to be a whole day or two; simply waiting a few hours takes all the urgency out of the other party. It's something that skilled negotiators use all the time. If ever challenged, they will say "I am working on an appropriate response."</p>

<p>This is not something you should use all the time but keep it in your arsenal for dealing with difficult clients. Keep in mind that that real aim is not to avoid them or to make some power play. Rather it is to give yours some room to maneuver. As they say, trade space for time. </p>

 

<p>Allow me to back up what Bob B has said, regarding John H and Paul T. But as someone accustomed to dealing with international lawyers and financiers, allow me to suggest you simplify things even further: You already have a contract. It's been discussed and redefined.</p>

<p>So simply deliver what is in the contract.</p>

<p>Forget about the disc, don't worry about the trademark infringements, just be shut of her as quickly as you can at this point. You don't want her as a repeat customer. Most cases where photographers complain on Photo.net, the easy and correct answer usually is "the customer is king". This woman appears to be beyond reasonable customer service. Heck, she seems beyond EXTRAORDINARY customer service.</p>

<p>This is about abuse and no one should ever take it. She is a bully, nothing more.</p>

<p>You only need worry about meeting the stipulations of the signed contract. Any referral customers you may have lost - well, you likely do not want those sorts of customers anyway. Again, usually this is not the case but as someone said, most people negotiate in good faith. Those that don't are not worth the price of tea in China.</p>

<p>And here's a secret I've learned from dealing with people like her: you do NOT have to respond to every email or phone call she makes. It's not rude or avoidance, you are (innocently) simply working on the terms stipulated by the contract. </p>

<p>So forget about another contract revision. Forget about amending the product. Forget about the disc. Ship whatever was in the last signed contract you have. She can certainly complain but will not have a leg to stand on. Live up to your end of the contract, and be able to prove it, and there is nowt more she can do. And while most of us are loathe to turn to legal action, remember that the law works for you as well. </p>

<p>Good luck!</p>

<p>"I can't help thinking the quest for sharpness, digital, and computer processing are creating a sameness to all the photography these days. One only has to look at the photos on the photonet banner to see that the only displayed sunsets will be blood red, all models have blemish free porcelain skin, and all colour are hypercolour."</p>

<p>This.</p>

<p>John H -- I definitely agree that netbooks are much more flexible but as I said, they are also heavier and bigger. It's all relative of course, just something to consider when packing an already full load. </p>

<p>Just returned from three weeks in London, Israel and Amsterdam and used my Acer Aspire One for the first time. Solved all my portable storage problems and was able to view them on a decent screen. The downside? Although small, the AAO was a bit heavier and took up more space than expected in my backpack (I never put equipment in checked luggage). Much less than a laptop but still.... Also had to bring a card reader to download the cards. Then again, the AAO allowed for Internet connectivity. </p>

<p>The Hyperdrives that Zach and John referred to seem like a good option. Card reader and storage in a contained unit. I may have to check them out before my next trip. </p>

<p>I'd say if Internet connectivity is important, get a netbook. If you don't care about getting online, go for the Hyperdrives. </p>

 

<p>whoops -- that's a hotmail email, not gmail</p>

<p>Dave -- hey, that'd be great, I'd really appreciate that. Why don't you email me off PN to work out some time: utd1 at gmail dot com.... Thanks!</p>

<p>thanks to all for good suggestions -- i've been talked off the ledge and now eager to get started with this new format. </p>

<p>It did come with a 90mm lens, I should have said. Easy peasy, right Graham ;)</p>

<p>Scott -- I was sort of afraid of that (more an expression than actual apprehension). I started in film so I'll just have to get re-acquainted with the notion that I can't check my shots for free, so to speak. Luckily, my training was to try to get the shot right from the get-go. Then again, I did get used to the automated metering, so that's going to take some getting used to again....</p>

 

<p>Wow, I just received my new (used) Mamiya RB67 Pro SD that I won on eBay the other day. It was a complete impulse purchase but the price was reasonably low (I paid about $400, in line with what reputable shops sell these units in used condition) and there was an hour left on the rather competitive bid....(deep breath)</p>

<p>But despite hours of research, as I examined the 67, it struck me that I know ab. so. lute. ly. nothing about MF photography. My questions would be too broad for this forum so I wonder if I might ask a few pointed ones:</p>

<p>-- is there any specific thing (or two) I should look to have checked by an expert? I have until next week to return the camera.</p>

<p>-- along the lines of experts, does anyone know if there are shops in Manhattan (or NYC area) that feature MF cameras? I had to pick up prints at Adorama yesterday and I asked them -- although they sell MFs, they don't repair/refurbish/examine units. </p>

<p>-- from your own experience, any practical advice for my first days of shooting? (heck, I've read and re-read the manual but just trying to figure out how to load the film is what inspired this panic)</p>

<p>I'm very excited about getting out there and learning the ins/outs of MF and I'm sure this (slight) panic is something I'll laugh about some day. So thanks for any top-of-head suggestions you might be able to offer.</p>

<p>thanks all -- amazingly enough it didn't occur to me to check with Canon first. as always, PN comes through with good suggestions!</p>

<p>Richard</p>

<p>Just got back from a three-week trip, on which I used my 70-200/2.8 quite extensively for the first time. All was good -- until the last day. Apparently the drop from the seat of the train to the floor has damaged the lens zoom. The lens will twist but only with much difficulty. It's like trying to open a tightly sealed jar. The autofocus appears undamaged though. </p>

<p>I've contacted PhotoTech about fixing the lens (I'm in Manhattan) but I was wondering if anyone knows about this sort of damage. Have I mortally wounded my lens? I really hope not because I finally managed to get to know it quite well on this trip.</p>

<p>thanks for the suggestions. Yes, I wanted to go more rural, which I was not so familiar with. Thanks lads.</p>

<p>Thanks Peter - even though it's Devon, that gallery has given me composition ideas!</p>

<p>Thanks Steve, that gives me plenty to research. Fantastic, the PN community!</p>

<p>I'm going to visit friends in Caterham, Surrey for a long weekend next month. Can anyone recommend some must-see sites in the area to visit for a shoot? Picturesque villages, landscapes, historical sites, etc?</p>

<p>On a related note - does anyone know of a shop in that area that sells camera bags? Not necessarily a camera shop, more interested in a shop that sells bags that can be used by photographers.</p>

<p>Thanks for any suggestions!</p>

<p>Chris - that's an excellent suggestion.</p>

<p>Andy - if you want a chance to snap a lot of what makes Manhattan what it is, take a walk down Broadway. Start at Central Park if you want, or Times Square if you don't want to go that far north, or if you don't have that much time, Herald Square (where Macy's is). </p>

<p>What makes this such a fantastic walk is that the neighborhoods change dramatically, as do the people in it. The styles change from corporate to casual to chic. Restaurants and shops change too. It's a wonderful way to see Manhattan in a couple hour's walk.</p>

 

<p>Andy - Manhattan is the safest big city in the country. As Randall says, people are more likely to help you than not. Ironically, the biggest problems usually comes from other tourists, who think they are supposed to act tough or something.<br>

But it is a big city. Just keep your wits about you and you'll enjoy your time. <br>

Oh, and if you are going to the Financial District, you can't help but trip over police!</p>

<p>BTW, John, while my experience with Adorama has been excellent over the past decade, I've heard others complain. I'm curious - where do you recommend? Thx.</p>

<p>Thanks lads, very helpful with all that. My experience with English camera stores has been precisely as David indicated, that it's mostly moved online. Any time I've asked non-photog enthusiasts, they always point me to a big electronics stores. Glad to hear there are still some options.</p>

<p>Can anyone recommend a good camera shop in London or southern England (Sussex), comparable to Adorama? Or at least, is there a photography district in London, like the area between Union Square and Flatiron District in Manhattan? Or, does anyone know if there are shops in London to buy camera bags?<br>

Thanks!</p>

 

<p>Thanks to all, some ideas to mull over!</p>

<p>Chas - I have the same addiction. But since that was my automatic response I was trying to find something new, hence the question!<br>

Yup, yup, more memory, always a good thing, G-pod would help.... actually - Josh, that's a great idea. Hadn't thought of using a gorillapod as a flash holder. Hmmm....<br>

(reasons why this forum is fantastic! thanks guys!)</p>